A Guest Post by Omotunde Kasali

16 November, 2012

Today I was at a book festival at the Freedom Park: The Lagos Book and Arts Festival. The morning was sunny and happy but the view from my bus, as it approached the Lagos Island from the Third Mainland Bridge, was curious: the sun was under the clouds, the Island was invisible behind a thick fog and the clouds intercepted ground at the edge of the Island.

At Marina Road I alighted and went to breakfast at a restaurant on Kakawa Street. As I came out the burly figure of Eghosa Imasuen coming up the opposite walkway was what I saw: his chest pushed out, his legs kicking the air and his arms swinging to his back. The thought that he was going to where I had just left came to me and I smiled as I turned into Broad Street and walked the long way down to Freedom Park.

I went into the Kongi’s Harvest Art Gallery to see an arts exhibition. Of all the works on display I am most captivated by a photograph by Uche James-Iroha. In the photo a middle-aged man behind a chalkboard knits his brows and fixes his eyes at the camera. The rest of the picture – the shanty the man is in and the carpentry measurements on the chalkboard – is difficult to piece together to form a complete image. The photo is a puzzle and as one tries to discern the anger on the man’s face, what he is doing in the shanty and what the measurements on the board are for, one is slowly absorbed into the photo.

When I came out of the gallery the events were ready to begin. There were schoolchildren from many schools, there was a book fair, there was an arts fair and there was an audience that rounded the stage. I walked into the fair and I met people I know. I bought Fagunwa’s Ogboju Ode ninu Igbo Irunmole and found myself a seat.

In a few minute the opening event began. Bishop Mathew Kukah spoke to the schoolchildren about books, played with them, danced with them and answered questions from them; a troupe of kids in adire came on stage and delighted the audience; the poet Oyinkansola, a girl of 10, came on stage and read her poem; Tolu Ogunlesi and Bishop Mathew Kukah discussed the bishop’s new book and its concerns with the theme of the festival The Narratives of Conflict.

When it was afternoon I walked into the gallery and went up the first floor where a discussion about books was taking place. I left a few minutes later when sleep began to sneer at me. I came back down into a most enthralling discussion about a book My Life Has a Priceby Tina Okpara, a young lady who in the book tells her story of child abuse in France.

________________

Omotunde Kasali is a writer, photographer and biochemist. He lives in Lagos.

From the Icarus Event (Photos)

Ibadan, November 3, 2012, at the event to honour the winner of the 2012 Caine Prize.

Photos from the event.

Sentinel Annual Writing Competitions & Publication News

SENTINEL ANNUAL WRITING COMPETITIONS & PUBLICATIONS NEWS

 

1.  Sentinel Annual Short Story Competition 2012

2.  Sentinel Annual Poetry Competition 2012

3.  All the Invisibles by Mandy Pannett published

 

There are just 7 days left for you to enter the Sentinel Annual Poetry and Short Story Competitions closing on the 30th of November 2012.

 

SENTINEL ANNUAL SHORT STORY COMPETITION 2012

Our maiden  annual short story competition judged by Tears in the Fence Editor,David Caddy will close on the 30th of November.

Make your own literary history; be the first person to win the Sentinel Annual Short Story Competition with an extraordinary story in English language, on any subject, in any style up to 2000 words long.

PRIZES

This competition offers prizes of £500 (1st), £250 (2nd), £125 (3rd) and 5 x £25 High Commendation Prizes.

PUBLICATION

All winning and commended stories will also receive first publication in the Sentinel Champions section of Sentinel Literary Quarterly magazine.

FEES

£5 per story (first 2 stories), £3.50 per story thereafter. Enter as many stories as you wish.

ENTER ONLINE & PAY SECURELY BY PAYPAL HERE:

http://www.sentinelpoetry.org.uk/sawc/2012/short-story.html

TO ENTER BY POST, PRINT OUT AN ENTRY FORM AND RULES HERE:

http://www.sentinelpoetry.org.uk/sawc/sasc2012-entry-form.pdf

 

 

SENTINEL ANNUAL POETRY COMPETITION 2012

Our 3rd annual poetry competition judged by Blood Brothers and Fixing Thingsauthor, Roger Elkin will close on the 30th of November.

Won in 2010 by Christian Ward and in 2011 by Bridport Prize winner, Terry Jones, Sentinel Annual Poetry Competition is a respectable prize keenly contested for every year by hundreds of poets from across the world. The competition is for poems in English language, on any subject, in any style up to 60 lines long (excluding title.)

PRIZES

This competition offers prizes of £500 (1st), £250 (2nd), £125 (3rd) and 5 x £25 High Commendation Prizes.

PUBLICATION

All winning and commended poems will also receive first publication in the Sentinel Champions section of Sentinel Literary Quarterly magazine.

FEES

£5 per poem (first 2 poems), £3.50 per poem thereafter. Enter as many poems as you wish.

ENTER ONLINE & PAY SECURELY BY PAYPAL HERE:

http://www.sentinelpoetry.org.uk/sawc/2012/poetry.html

TO ENTER BY POST, PRINT OUT AN ENTRY FORM AND RULES HERE:

http://www.sentinelpoetry.org.uk/sawc/sapc2012-entry-form.pdf

 

 

ALL THE INVISIBLES

A new poetry collection by MANDY PANNETT

 

We are pleased to announce the publication of All the Invisibles by Mandy Pannett on the SPM Publications imprint.

 

Buy this book today first of all because it is one of the finest poetry collections published in the UK this year. Another reason to buy this book is that by getting yourself this modern intriguing work, you also support the work we do at Sentinel Poetry Movement. See the quality of our publication and perhaps discuss the possibility of your next book appearing on our imprint.

 

Learn more about All the Invisibles here:

http://www.sentinelpoetry.org.uk/publications/alltheinvisibles/

Postcards from Lagos

Since it’s been a while since I made a picture post, I am using this one to feature a few of the new pictures I have taken since moving to Lagos. They range from snapshots in a crowded bus stop on the Lagos Island, to evening shots at palm wine shacks at Epe, idle passengers in Oshodi, and returning wayfarers in Egbeda. There are a few others clichéd shots of famous Lagos landmarks: The National Theatre, a bike rider on a cool afternoon, a random bridge, or the Lagos harbour on a morning (with moss floating on its surface); and one totally unexpected sight of an itinerant beggar carrying a TESOL bag.

Someday – before the end of the world – I will have a public exhibition of some of the most memorable shots I have taken over all this time. But for now, enjoy.

On the Election

Like the last time Obama won in 2008, I am in Nigeria when his victory was confirmed after winning Ohio. It was about 5.12am, Lagos time.

About a week after the election, the news seems to have faded, at least in this part of the world. For many people, this time around didn’t have the same fierceness as the last one anyway. Many who seemed passionate about it either didn’t know why they should care this time around since “Obama hasn’t done anything significant for Africa since the last four years”, or have strong opinions on the president’s stance on gay marriage and abortions. Somehow, it seems that the GOP’s message of social conservatism has found its way out of America which has now rejected into every other part of the world open to imported beliefs.

I have had a number of short but bewildering conversations with Nigerians about the election. One of the most bizarre went somewhat like this:

“Obama is the anti-Christ.”

“What?”

“It has been signed. By 2013, everyone will now have the mark of the beast. It’s Obama’s law.

“What on earth are you talking about?”

“You didn’t hear? This program that he signed… this… Medicare. It’s the end of the world we’ve been warned about.”

“Oh my!”

I gave up a few minutes later when it became virtually impossible to get past a perception that the president’s healthcare law was anything but that. A few months ago, under the bridge at Oshodi, I had come across some “calendars” and posters sold by local artists in which the president was portrayed with the numbers 666 on his head. Many of the other inscriptions on the poster said that the president signed a bill into law in 2009 that will mandate people to henceforth take a mark before they can be attended to… This was new to me, and till date, I still haven’t figured out how this piece of crap became news, and has now grained currency even among supposed educated folks.

I blame the cost of internet access.

In any case, back to reality, I suspect that the same reason many smart Americans elected Barack Obama is the same reason some smart Nigerians now dislike him: oil exports to the US from Nigeria has declined every year since 2009. As seen in this newspaper headline, the US economy is now on its way to some form of energy independence. If not for anything else, this piece of news should at least convince anyone who has any doubts that the president puts his country first. And that makes him a right choice for the country.