How are Yoruba speakers using Twitter?

KT: Same as everyone else. Code switching with English or whatever language soothes their need at the moment. This is fine. I think it’s important to mention that our intention at the start of the Tweet Yoruba project was not to turn every Yoruba speaker on twitter to monolingual Yoruba tweeters. No, it was to encourage use and improve the current attitude to indigenous language use anywhere. Yoruba just happens to be the language I’m most familiar with. I am interested in (and always encouraged by) indigenous language use anywhere/everywhere, even along with other international languages, until the attitude that one of them is inferior on the basis of the number of speakers is discredited.

Excerpt from my interview with (Egbunike Nwachukwu 0f) Global Voices. Read it here.

An e-Book is a Book – Conversations

For anyone interested in literature, and literary development, this is a good time to be alive, not just because of the quality of output and the zeal of the participants, but also because of the presence of new media and the dynamism it has allowed for the production of new forms, and new ways of expression. We have a new generation of writers doing great things in the face of tremendous odds. We are doing well. Last year’s Caine Prize had four out of five Nigerians (Five writers of Nigerian descent, if you consider Pede Hollist). Teju Cole, Chimamanda Adichie, Chika Unigwe, Igoni Barrett are doing great out there, and new ones are coming up behind them: Emmanuel Iduma, Dami Ajayi, Ukamaka Olisakwe, Ayodele Olofintuade, etc. The Booker also has Zimbabwean NoViolet Bulawayo, who might as well win it. I think we’re doing well.

I hope, of course, that new media eventually gets its pride of place in the mainstream of literary appraisal. It already does well in consumption and reach. Until the Booker, the NLNG, the Orange, or any other major prize rewards someone whose platform is mainly online, then we haven’t reached there yet. I don’t advocate for the death of the book, just like inventors of the automobile didn’t go ahead and shoot all the horses. But judges of prizes need to start looking at the quality of production in the new media, and begin to pay attention to them. It is the future. We may as well get used to it.

 

From an interview I had with Nwachukwu Egbunike of Global Voices, a few days ago, in which I discussed among other things, writing in indigenous language, my contribution to the TweetYoruba Project, and the state of writing in the world today.

Excerpts from the interview made it into Andrew Sullivan’s blog, discussing writing and other matters.

From French to English

As a speaker of French as a first language, how has writing in English affected your writing? And how difficult was it to render this book purely in English?

388098_10151137537299085_1297897237_nI find English a much simpler language for writing. French can become quite convoluted. My goal with African Expectations was not to write beautiful or intricate language but to convey ideas in the most direct and forceful manner as possible. I found the English language most suited to this requirement. Overall it was fairly easy to render the book purely in English but certain passages in the book, I have had to translate in my head from French to English. At this point, I mostly think and dream in English but sometimes I am unable to convey certain subtleties of thought directly in English. In those instances, I have had to think in French and translate to English. The translation part of the process has been a challenge because I have had to do research to make sure that what I wrote in English actually had the same meaning as the original thought.

From my interview with Mafoya Dossoumon, the author of African Expectations (a new book of essays, available on Amazon) in the new issue of the NigeriansTalk LitMag.

On Ibadan’s Literary Personality

Ibadan has a special quality which makes it conducive to intellectual and artistic production. It is a big city like Lagos but, unlike Lagos which is chaos running on crack, it is sufficiently laid-back. Consequently, the city’s rhythm is amenable to reflective activity. And don’t forget that the city began as a war camp so Ibadan has always been a city of immigrants, a legacy which makes it welcoming to newcomers till date.  It also has a vibrant, affordable and unpretentious social life; the history of highlife, fuji, juju, gospel and many other genres of music in Nigeria cannot be written without highlighting the importance of Ibadan’s bars, clubs and open-air joints to the artistic development of their major acts. And the city has long hosted the headquarters of most of Nigeria’s major publishing houses.

Add to this mix the city’s juxtaposition of age-long cultural traditions and contemporary urban culture,  its easy accommodation of the significant percentage of Nigeria’s academic elite based in the University of Ibadan, University College Hospital (UCH) and the Bodija area alongside the artisans and petty traders living in the city’s interior quarters, not to talk of the colourful and controversial characters who have illuminated the city’s fascinating and occasional combustible political history, and one begins to understand why the city has been so prominent in Nigeria’s literary history. The prestigious line of writers with significant connections to Ibadan stretches from illustrious names like Amos Tutuola, Wole Soyinka, Christopher Okigbo, Chinua Achebe and J.P. Clark Bekederomo in the 1950s and 60s to vibrant voices of the present like Kunle Okesipe, Niran Okewole, Benson Eluma, Ayo Olofintuade, Tade Ipadeola  and Ify Omalicha of blessed memory.

From my recent interview with Rotimi Babatunde, winner of the 2012 Caine Prize for African Writing. Full interview here.

Words with Jason

Jason Braun, a spoken word poet operates out of Edwardsville. He’s a friend and a Hemingway aficionado. I spoke with him a few days ago about his influences and his opinion on spoken word poetry. His spoken word mixtape is entitled  “Made This For You: The Mix Tape as Literature” given away yesterday at Jasonandthebeast.com. This mixtape was a product of the Association of Writers Programs & Writing Programs (AWP) Conference, Chicago. 

Tell me about the source of your fascination with rap and poetry.

I started writing poetry in high school after reading Shakespeare. I was listening to the Wu Tang Clan at the same time. Eventually I realized that these two things were more similar than they were different. Then for a long time I was influenced by the Poetry Slam, the Beats and the Black Arts Movement. I was lucky to get to study with Eugene B. Redmond at siue and his jazz backed album was a big influence on me.

Later I started a band called Jupiter Jazz with Jerry Hill (DJ Uptown) and it was Hip Hop, Jazz, and Poetry. We had some big breaks and played some great shows including Riverfest in Little Rock, Arkansas with people like B.B. King and The Wallflowers. I then started the “Jason and The Beast” project to make sonnets into a Hip Hop album.

“Made This For You: The Mix Tape as Literature” is about pushing the boundaries of what music, poetry, can do and where they can do it.

“What direction do you see for spoken word poetry in today’s world, especially because of the influence of social media?”

I see it moving in at least two directions. On the one hand you have spoken word and slam as new place that publishing poets can come from. I don’t want to call them academic poets but they’re poets that want to publish books. Two of my favorite poets that started in Slam and have left it behind are Patricia Smith and Tyehimba Jess. On the other hand spoken word poetry is being put to good use in the global community by people like my friend Michael Rothenberg and his”100 Thousand Poets for Change.”

These two directions won’t diminish the great thing that Marc Kelly Smith started when he created the Poetry Slam. He’ll still be drawing a crowd at the Green Mill in Chicago.

Do you see spoken word poetry as complementing publishing or standing alone from it. Do spoken word poets have to publish poems or does it just suffice to participate in the trade as oral griots.

I like to make stuff. Books, CD’s, downloads, apps, backpacks that prepare people for the coming mayan apocalypse–I’ve got all of those things in the works. Really. And I like to put on shows, sing, rap, and teach. The griots and Homer might be closer to my heart. I think about this a lot.

Are there any other shows that you’ve participated in that you can highlight? Where and when?

I’ve co-directed a multi media show for Adrian Matejka’s National Poetry Series winning book, Mixology. Me and DJ Uptown played a short set there. It great to rap for my professors and former professors and help try to bring Matejka’s amazing book into 3D.

Beside the jasonandthebeast website, where else can we find you (online and elsewhere)?

If you’re in Chicago from Feb 29th-March 3rd you can find me and some of my collaborators at the AWP Book fair by going to the Sou’wester table G5. If you don’t have tickets to AWP you can probably find me during the evening at the main bar at the Hilton Chicago (720 South Michigan Ave) or hanging out at The Green Mill (4802 N. Broadway), where Marc Smith once put me on as a featured guest of his Poetry Slam.

In the St. Louis area:
On Tuesday, March 27 from 12:30 – 2pm in the Maple/Dogwood Rooms of the MUC, Jason Braun will be presenting at SIUE’s College of Arts and Sciences Colloquium during the creative writing panel on “Thinking about Space.”

On Thursday, March 29th at 7pm Jason Braun will be featured at the SIUE bookstore as part of the Graduate Writers Read Series.

On Saturday, March the 31st from 7pm Jason Braun will be featured by the St. Louis Writers Guild for a night of poetry and music, which will be at Kirkwood Train Station. Raven Wolf will be doing jazz back-ups. Other poets include Treasure Shields Redmond, Nicky Rainey, Erin Chapman, Gerry Mandel.

And on 88.1 KDHX Monday Nights from 9-10pm hosting “Literature for the Halibut.” You can listen from anywhere in the world at kdhx.org

You can find more about Jason’s mixtape here.