Living the Toulousain life: My French Integration Experience

By Tolúlọpẹ́ Ọdẹ́bùnmi

In the culture I grew up in, you were trained to look out for a signal from God, nature, the gods or whatever (you choose) especially when you are making and taking a serious decision. My move to Toulouse (Midi-Pyrenees), a southern city in France was one of such decisions I needed to consider carefully. I had been studying in Houghton Michigan for a few years, so it felt like a needed a new adventure.

With friends in downtown Toulouse

As a Nigerian, I needed a visa to live and work in France. My visa got approved so I took that as a good sign only for me to miss my flight on the day of departure because I had overslept having spent the previous night doing some last-minute packing for the trip. As if that wasn’t bad enough, I almost got on the flight out of the little old town I lived in the following day although I arrived late again. But alas, I was told that the flight attendant would be needing my seat as hers was damaged so “we’re sorry you can’t get on the flight, but you might still be able to fly out to Chicago from a neighboring city.” I was angry, confused and wondered why life had to be so unfair! My dear friend who dropped me off at the airport had left, but luckily enough I got a ride back home from a stranger. Did I mention that the neighboring city was almost 4hrs away? We made it to Central Wisconsin Airport, Wausau in good time for my flight. Upon arriving in Chicago, I thought to myself, “now you are finally on your way to France.” However, I was told by Aer Lingus Airlines that I needed a transit visa to travel through Ireland which I didn’t have thanks to my travel agent who thought that I was American 😊. My world almost came crashing down, I couldn’t believe that the ‘village people’ (a Nigerian term for negative spiritual forces) were still trying to come after me. I didn’t burst out crying but I shed a tear or two as I walked away from the airlines counter at O’Hare airport. I made some calls and the situation got fixed. My sponsors had to buy me a new flight and this time, I would be travelling through Germany and not Ireland. I thought that I might avoid Ireland for a while, little did I know that an Irish man was waiting for me in Toulouse.

At place du Capitole

On August 26, 2019, I arrived in Toulouse. It was a warm evening, the airport was moderately busy considering the time of the day it was, French was flowing all around me, but I couldn’t swim in it. That was when it suddenly dawned on me that I had set myself up for something wild. I boarded the tram from la aéroport to Palais de justice. From there, I got a bus to my final destination. Right from when I arrived my broken French was tested, and I also pushed my luck because in my imagination most French people should understand some English expressions so I should be just fine. How wrong was I? The lady who directed me to the bus stop at Palais de justice had been on the tram with me, a young French-Arabic who spoke no words of English but still bothered to speak French to me and used a lot of gestures. Someone else who spoke English on the tram had explained my ordeal to her and so my co French-Arabic passenger had taken it upon herself to help me. I was glad for their kindness but frustrated as I could see a glimpse of what the life of an Anglophone might look like here.

From day 2 in France, google translate became my best buddy. I listened to the voice translation and practiced expressions ahead of a potential interaction in French. Every so often, I blurted out “Tu parles anglais?” Or “Vous parlez anglais s’il vous plaît?” (in a formal context) = Do you speak English? Hoping to be transported back into my Anglophone world. My cliche expression worked sometimes but not nearly enough to make me let my hair down.  

A few days upon my arrival, when I showed up for work, my hopes were renewed because my team was made up of native English speakers. Once again, I could express myself freely without feeling inept. Work turned out to be my safe haven since my job was to speak and teach English. The experienced members of my team were very helpful in guiding me and the other newbies into the expatriate resources in Toulouse. The word expatriate had never been associated with me but now as a Nigerian studying in America, I was considered as an expatriate in France where I was offering my English communication skills to French university students. I joined different English-speaking community groups on Facebook, such groups were a constant reminder that many people out there were trying to figure out the French system just like me and I didn’t feel all alone.

The reality of English language in France

Pont Saint- Pierre

The truth is, France is a rich country that educates its citizens entirely in French at all levels of education but can also afford to teach students English starting from primary school. However, many students do not get the opportunity to use and practice their English beyond the classroom so many of them are not likely to improve their English skill to a comfortable intermediate level. Except for kids who were raised bilingual (often with one English parent, or kids of English origin living in France). A good question to ask is why should the average French person care about the English language when they have all that they need available to them in French? A lot of resources are pumped into translation efforts in the French society. Many books, novels, journals, movies, news gets translated into French. Furthermore, prolific dubbing of French over English digital materials makes Grey’s Anatomy (the dubbed version) readily available on TV. I once turned on the TV, saw Johnny Depp’s Pirates of the Caribbean was being aired, only for me to hear some strange voice when Johnny Depp was supposedly speaking. That was when I realized that it was the dubbed version. Another time, I walked into a lovely librairie (bookstore), in Montauban (a neighbouring town from Toulouse). This store was well furnished with print, digital and multimedia resources of various genres, of course all in French. It was fascinating to see the French version of some novels written by Nigerian authors. 

English is used in addition to French

Despite the large number of English speakers in major cities like Paris, Lyon,Toulouse, Bordeaux, Marseille etc. The English as a Foreign Language (EFL) status undermines the visibility of English in the French society. One might expect that major companies and businesses would have English services just like services in Spanish is a norm in the USA but that is not the case. As an Anglophone, I get lucky every once in a while, when I come across a service provider who is willing to use their English. It doesn’t help that there is a subtle resistance to the English language and in some cases overt resistance. For example, Académie Française is responsible for keeping the French language updated and relevant. They constantly work on metalanguage, hoping to reduce the influence of English on French. The interesting thing is that the English language has borrowed so much from French, the two languages even share some cognates. For this reason, faux amis (literally meaning false friends) is a challenge for English speakers learning French and vice-versa. Yourdictionary.com defines faux amis as “one of a pair of words in different languages or dialects that look related but differ significantly in meaning. Some common examples are jolly in English and jolie (pretty), medicine and médecin (doctor), actually and actuellement (at present) among others.

Picnic by the garonne

For sure, English seems to thrive in the French advertisement channels especially in print ads and display ads with English words embedded in them, English phrases somehow find their way into advertisements. Many young French people love English movies. They are quick to mention Neftlix when you ask how they have been working to progress their English skills. The problem is Netflix feeds you movies that do not necessarily engage you. I suggested to a few students that a better way to get more out of Netflix was to see an English movie and then talk to someone about it in English or even write about it in English. In the language acquisition process listening comes before speaking, so you can watch a foreign movie with or without subtitles if you’ve got some level of competence in it and understand most of the storyline. The actors’ gestures as well as other actions or movements you see give you a hint of what’s happening.

The Attitude

At Asa’s concert

The general attitude towards the English language is positive among the young people (especially students since they have to learn it at school anyway) Interestingly, the Macron administration seem pro-English such that the President has been criticized for embracing “English too much.” For instance, the President Macron tweets in English when abroad, grants interviews in English which offends the French language purists. In fact, the French language conservatives believe that the English language is a big threat to the French Language. Afterall, the English language has been called ‘the killer language’ by some Linguists. This fear of French going into extinction is outrageous in my opinion considering that it is a language spoken by about 300 million people (mostly in Africa), serves as the official language in 29 countries and is the sixth most widely spoken language in the world after Mandarin Chinese, English, Hindi, Spanish and Arabic. Maybe this fear keeps the French on their toes and gives them a reason to continue to perpetuate language imperialism or do some people call that globalization? 😉 

The fact that some universities in France offer programs in English, such as an MBA program among others is undoubtedly a friendly gesture to encourage Anglophone students in France. But what is the point not being unemployable upon completing one’ studying and because of deficiency in French language? This has been the experience of several students The pickup line is that you can study in private universities in English, but no one tells you your lack of French will lead to no “good” except you plan to leave the country immediately after your studies. Honestly, graduates in Engineering or STEM fields have higher chances of getting jobs that doesn’t require speaking French.

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 Portraying a positive attitude towards English language

Conclusion

With colleagues at an Ethiopian restaurant

France is culturally rich, has a diverse immigrant population and stands as an imperial force in the world today. My appreciation for good cuisine or gastronomy, nature and openness to pets increased from living and experiencing the French way of life. I enjoy baguette, croissant nature but not chocolatine a specialty in Toulouse because I am not a chocolate person. Now, I can properly ask to buy something at the boulangerie without being corrected for wrong grammar – I now say “bonjour, une baguette s’il vous plait and not un baguette ☺ I have also learned about the galettes du fête among other French food and pastry traditions.

Living in Toulouse has helped me reflect on questions like who has the privilege of resisting a (foreign) language, as in the case of English in France. Many people around the world never learn to read and write their mother tongue because of scarce resources but globalization order ensures that some countries remain wealthy while others scramble for leftovers from the wealthy ones. France continues to reassert her dominant power structure and culture on its residents both directly and indirectly. Who is to blame? Those who succumb to linguistic oppression like me? Another thing is does merely speaking the French language make one French? 

I consider myself privileged to have my level of education and access to opportunities allowing me to master the English language (especially the Nigerian variant). With my international exposure and education, I have observed the fascinating nature of other Englishes like the American, Indian, Ghanaian, British among others. In the same way, I have been exposed to varieties of French dialects and accents from the Caribbean or French Islands, Africa, Italy, Latin America. These varieties have become music to my ears since I am only aware of the mixed melodies but can’t really join in the conversation and interact casually with strangers except in simple sentences. This loss of meaningful interaction, feelings of isolation when surrounded by people speaking, laughing out their hearts be it at the park, the busy streets of downtown Toulouse, or on the metro sends my mind to translation mode especially if I am perceiving connected speech which I struggle to catch up with so that the rhythm around me brings a longing of the faraway atmosphere that I once knew- what home was felt like, at least the romanticized version. In spite of the daunting disconnect due to the language barrier, my love for language keeps me motivated to learn French, thanks to my companion Duolingo. Living in a Francophone country as an Anglophone made me realize that being fluent in three languages may not be enough, it just depends on where you find yourself. My multilingual identity is submerged by my baby French level.  What is the point of language without the freedom to rap out your soul, say something pressing on your mind, engage in and with your community, feel heard, help out a lost stranger on the street etc?

 

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Tolulope Odebunmi is a communications strategist, a trained linguist and an educationist from Toulouse, France. Her interests include geopolitics and globalization, development issues and popular culture. She was a Fulbright Foreign Language Teaching Assistant (FLTA) at Michigan State University, USA. She enjoys learning, travelling and problem solving. 

Platform Slot Online: Panduan Modern untuk Akses Gaming Digital dan Hiburan yang Bertanggung Jawab

Dunia gaming digital terus berkembang dengan sangat cepat, menciptakan lingkungan hiburan online yang semakin terkoneksi dan mudah diakses oleh berbagai kalangan. Di antara begitu banyak bentuk hiburan agendunia55 yang tersedia saat ini, permainan bergaya slot masih menjadi salah satu format yang cukup dikenal berkat mekanismenya yang sederhana, visual penuh warna, tema yang imersif, serta format permainan yang praktis dan cepat. Menanggapi tingginya minat tersebut, berbagai platform modern mulai berfokus pada akses yang lebih lancar, tampilan responsif, navigasi sederhana, serta pilihan konten permainan yang semakin beragam.

Saat ini, sebuah platform gaming online diharapkan mampu memberikan lebih dinasti33.xyz dari sekadar kumpulan permainan. Pengguna semakin menginginkan pengalaman yang terasa rapi, stabil, transparan, dan nyaman digunakan melalui berbagai perangkat. Baik mengakses platform menggunakan komputer desktop, tablet, maupun smartphone, pengalaman secara keseluruhan dapat dipengaruhi oleh kecepatan loading, desain antarmuka, struktur navigasi, serta seberapa jelas informasi yang ditampilkan.

Perubahan tersebut mendorong layanan gaming online untuk menerapkan pendekatan eslot yang lebih modern. Alih-alih membuat pengguna pusing dengan menu yang rumit atau informasi yang terlalu berlebihan, banyak platform kini mengutamakan tampilan bersih dan navigasi yang intuitif. Antarmuka yang dirancang dengan baik memungkinkan pengunjung memahami lokasi berbagai bagian situs tanpa harus membuang banyak waktu untuk mencari-cari halaman yang dibutuhkan. Dalam lingkungan digital yang serba cepat, kesederhanaan seperti ini ternyata bisa memberikan perbedaan yang cukup signifikan.

Peran Platform Gaming Online yang Terus Berubah

Platform gaming online telah mengalami perkembangan yang cukup besar https://eslot.sbs/ sejak masa awal hiburan internet. Situs-situs generasi lama biasanya lebih berfokus pada penyediaan akses menuju permainan tertentu, sedangkan layanan modern cenderung memberikan perhatian lebih besar terhadap keseluruhan perjalanan pengguna. Mulai dari saat seseorang membuka situs hingga menjelajahi konten yang tersedia, setiap tahap semakin dirancang indobet dengan mempertimbangkan aspek aksesibilitas dan kenyamanan.

Sebuah platform modern dapat menghadirkan berbagai kategori hiburan bergaya slot, dengan masing-masing kategori memiliki identitas visual dan struktur permainan yang berbeda. Beberapa judul mungkin https://indobet.cfd/ menggunakan desain klasik yang terinspirasi dari simbol buah, sementara lainnya mengangkat tema fantasi, petualangan, mitologi, konsep futuristik, atau nuansa sinematik. Keragaman tersebut memberikan kesempatan kepada pengguna untuk mengeksplorasi berbagai gaya permainan sesuai dengan preferensi masing-masing.

Namun, memiliki banyak permainan tidak otomatis berarti situs indobet memberikan pengalaman yang lebih baik. Pengorganisasian konten tetap menjadi faktor penting. Koleksi permainan yang sangat banyak justru bisa terasa merepotkan apabila kategori, fitur pencarian, dan deskripsinya tidak disusun dengan jelas. Karena itu, platform yang mampu mengatur kontennya secara efektif dapat memberikan pengalaman browsing yang jauh lebih nyaman.

Konsistensi juga menjadi faktor penting lainnya. Pengguna pada umumnya mengharapkan halaman dapat berfungsi dengan baik, tombol memberikan respons sebagaimana mestinya, dan informasi penting tetap mudah ditemukan. Stabilitas teknis akhirnya menjadi bagian penting dari keseluruhan pengalaman digital, bukan sekadar fitur tambahan yang boleh diabaikan.

Akses di Berbagai Perangkat Modern

Smartphone telah mengubah secara fundamental cara orang menikmati hiburan online indowin88jp. Jika dahulu platform gaming lebih identik dengan komputer desktop, kini berbagai layanan digital dapat diakses melalui browser mobile maupun perangkat portabel lainnya. Perubahan ini membuat desain responsif menjadi bagian yang sangat penting dalam pengembangan situs modern.

Platform responsif seharusnya mampu menyesuaikan tampilan dengan berbagai ukuran layar tanpa membuat navigasi menjadi ribet. Teks harus tetap mudah dibaca, tombol ditempatkan pada posisi yang nyaman, dan bagian penting tetap dapat diakses tanpa harus melakukan scrolling atau zooming secara berlebihan. Detail seperti ini mungkin terlihat sepele, tetapi memiliki pengaruh besar terhadap kenyamanan penggunaan.

Kecepatan loading juga tidak kalah penting. Pengguna internet rajapoker saat ini sudah terbiasa dengan situs yang memberikan respons cepat, sehingga halaman yang lambat dapat langsung menimbulkan rasa kesal. Struktur halaman yang efisien, media yang telah dioptimalkan, serta antarmuka yang ringan dapat membantu menciptakan pengalaman browsing yang lebih smooth.

Pengguna modern juga semakin memperhatikan keamanan dan privasi. Sebelum berinteraksi dengan sebuah layanan gaming online, seseorang mungkin ingin mengetahui bagaimana informasi pribadinya dikelola, kebijakan apa saja yang berlaku, serta apakah platform tersebut menjelaskan ketentuan penggunaannya dengan jelas. Komunikasi yang transparan dapat membantu pengguna mengambil keputusan yang lebih tepat mengenai apakah suatu layanan sesuai dengan kebutuhan mereka.

Mengenal Hiburan Bergaya Slot

Permainan bergaya slot umumnya dikenal melalui konsepnya yang sederhana https://rajapoker.top/. Pemain berinteraksi dengan reel atau mekanisme visual sejenis, sementara simbol dan kombinasi tertentu menentukan hasil yang ditampilkan berdasarkan aturan masing-masing permainan. Meskipun memiliki fondasi yang cukup sederhana, pengembang modern telah menghadirkan grafis, animasi, efek suara, dan elemen tema yang semakin canggih.

Variasi tema menjadi salah satu alasan mengapa permainan seperti ini masih mendapatkan perhatian dalam industri hiburan digital yang lebih luas. Pemain yang menyukai desain tradisional mungkin lebih menikmati tampilan klasik, sedangkan mereka yang tertarik dengan dunia fantasi atau fiksi ilmiah dapat memilih pengalaman visual yang benar-benar berbeda.

Fitur permainan juga dapat memiliki variasi yang cukup besar. Beberapa judul menghadirkan ronde bonus, simbol yang dapat berkembang, animasi khusus, maupun konfigurasi reel yang berbeda. Fitur-fitur tersebut membuat setiap permainan terasa memiliki karakter tersendiri meskipun konsep dasarnya tetap serupa.

Meski begitu, penting untuk membedakan fitur hiburan dengan hasil yang dijamin. Tidak ada platform gaming yang sah yang dapat menjanjikan bahwa seseorang pasti mendapatkan nominal kemenangan tertentu atau memperoleh hasil yang sudah dipastikan. Hasil permainan ditentukan oleh mekanisme dan aturan masing-masing game. Karena itu, pengguna sebaiknya memandang aktivitas tersebut sebagai hiburan, bukan sebagai cara yang dapat diandalkan untuk menghasilkan uang.

Transparansi Itu Penting

Transparansi semakin menjadi aspek penting dalam lingkungan gaming online slotvip. Platform modern sebaiknya menyediakan informasi yang relevan secara mudah dan wajar, bukan menyembunyikan ketentuan penting di balik bahasa yang membingungkan atau navigasi yang berbelit-belit.

Syarat dan ketentuan yang jelas, informasi privasi, panduan bermain secara bertanggung jawab, serta berbagai batasan yang berlaku dapat membantu pengguna memahami layanan yang sedang mereka gunakan. Pendekatan seperti ini juga menciptakan kesan yang lebih profesional karena pengunjung dapat memeriksa informasi penting sebelum memutuskan untuk melanjutkan.

Bahasa promosi yang digunakan sebuah platform juga perlu diperhatikan. Pernyataan promosi yang terlalu agresif dapat membangun ekspektasi yang tidak realistis, terutama ketika menggunakan klaim seolah-olah kemenangan dapat dijamin atau seseorang dapat terus memperoleh keuntungan besar secara konsisten. Pendekatan yang lebih bertanggung jawab adalah menjelaskan fitur hiburan secara akurat tanpa memberikan janji yang tidak dapat dibuktikan secara masuk akal.

Hal tersebut semakin relevan dalam industri yang informasi promosinya dapat menyebar dengan sangat cepat melalui mesin pencari maupun media sosial. Audiens modern semakin mampu mengenali klaim pemasaran yang berlebihan, sehingga keaslian informasi dan kejelasan komunikasi menjadi nilai yang semakin penting.

Menciptakan Pengalaman Digital yang Lebih Bertanggung Jawab

Hiburan yang bertanggung jawab seharusnya tetap menjadi bagian dari pembahasan ketika membicarakan gaming online. Permainan bergaya slot melibatkan unsur peluang, sehingga pengguna perlu memahami bahwa hasilnya tidak dapat diprediksi secara pasti. Pengeluaran sebaiknya tetap berada dalam batas kemampuan pribadi dan aktivitas gaming tidak boleh mengganggu kebutuhan finansial utama.

Pendekatan yang sehat adalah menganggap gaming digital sebagai aktivitas rekreasi tambahan, bukan sebagai sumber pendapatan. Pengguna sebaiknya menghindari kebiasaan mengejar kerugian atau meningkatkan pengeluaran hanya karena sebelumnya mengalami hasil yang tidak sesuai harapan. Mengambil jeda secara berkala juga dapat membantu menjaga perspektif dan mencegah aktivitas hiburan berkembang menjadi sesuatu yang berlebihan.

Batasan usia dan peraturan lokal juga menjadi hal yang penting untuk diperhatikan. Peraturan mengenai gaming online dapat berbeda secara signifikan antara satu wilayah dengan wilayah lainnya. Oleh sebab itu, pengguna perlu memastikan bahwa aktivitas yang dilakukan sesuai dengan ketentuan hukum yang berlaku di lokasi masing-masing.

Platform juga dapat mendukung perilaku yang lebih bertanggung jawab dengan menyediakan informasi yang jelas dan membuat kebijakan terkait mudah ditemukan. Ketika informasi mengenai responsible play menjadi bagian normal dari pengalaman pengguna dan tidak disembunyikan, lingkungan digital dapat terasa lebih seimbang dan informatif.

Mengapa User Experience Tetap Penting

Platform modern yang kuat biasanya memahami bahwa hiburan digital tidak hanya berbicara mengenai jumlah permainan. Koleksi game yang sangat besar tidak akan memberikan banyak manfaat apabila pengunjung kesulitan menavigasi situs atau tidak dapat menemukan informasi yang mereka perlukan.

User experience yang baik merupakan kombinasi dari berbagai elemen, termasuk navigasi intuitif, desain responsif, konten yang mudah dibaca, stabilitas teknis, serta komunikasi yang transparan. Ketika seluruh elemen tersebut berjalan secara harmonis, pengguna tidak perlu menghabiskan terlalu banyak waktu untuk memahami cara kerja sebuah situs dan dapat lebih fokus mengeksplorasi konten hiburan yang tersedia.

Prinsip tersebut sebenarnya merupakan bagian dari tren yang lebih luas di dunia internet. Pengguna kini semakin mengharapkan situs yang cepat, bersih, mobile-friendly, serta mudah dipahami. Platform gaming online pun tidak terkecuali.

Masa depan gaming digital kemungkinan akan terus bergerak menuju antarmuka yang lebih personal, pengalaman mobile yang semakin baik, konten visual yang lebih kaya, serta perhatian yang lebih besar terhadap transparansi. Teknologi akan terus berubah, tetapi prinsip dasar pengalaman digital yang baik kemungkinan tetap sama, yaitu aksesibilitas, kejelasan, keandalan, dan penggunaan yang bertanggung jawab.

Melihat Perkembangan ke Depan

Sektor slot online dan gaming digital masih menjadi bagian dari ekosistem https://slotvip.cfd/ hiburan yang berkembang dengan sangat cepat. Teknologi baru, standar desain yang terus berubah, serta ekspektasi pengguna yang semakin tinggi akan terus memengaruhi cara berbagai platform dibuat dan dikelola.

Bagi pengguna, pendekatan yang paling bijak adalah tidak hanya terpaku pada bahasa promosi yang terlihat menarik, tetapi juga memperhatikan kualitas platform secara keseluruhan. Antarmuka yang jelas, performa teknis yang stabil, informasi yang mudah diakses, serta prinsip hiburan yang bertanggung jawab memberikan fondasi yang jauh lebih bermakna dibandingkan sekadar janji promosi yang berlebihan.

Pada akhirnya, gaming online modern semakin bergeser dari sekadar menyediakan akses menuju permainan menjadi sebuah pengalaman digital yang lebih lengkap. Platform yang memahami perubahan tersebut dapat menciptakan lingkungan yang terasa lebih praktis, transparan, dan engaging sekaligus menghindari pembentukan ekspektasi yang tidak realistis.

Seiring perkembangan industri, pengguna dapat mengharapkan layanan gaming https://www.ktravula.com/2023/06/learning-about-nigerian-libraries/ yang semakin canggih. Namun, partisipasi yang bertanggung jawab tetap menjadi hal yang sangat penting. Hiburan seharusnya tetap menyenangkan, terkendali, dan sesuai dengan kondisi masing-masing individu.

Dengan demikian, pengalaman gaming modern tidak hanya ditentukan oleh kualitas grafis, variasi permainan, atau kemudahan akses. Cara sebuah platform berkomunikasi dengan audiensnya juga memiliki peranan besar. Dalam lingkungan digital yang semakin kompetitif, kepercayaan, kemudahan penggunaan, transparansi, dan desain yang bertanggung jawab dapat memberikan kesan jangka panjang yang jauh lebih kuat dibandingkan sekadar hype promosi yang hanya bertahan sementara.

Travel as Life: A Review of Route 234

I haven’t read many books about travelling around Nigeria written by Nigerians. No doubt they exist (and readers should please recommend some for me in the comment section). I have however read many about traveling in other parts of the world. Tẹ́jú Cole’s (2016) essay collection comes to mind as well as Wọlé Ṣóyínká’s memoir You Must Set Forth At Dawn (2006). There is also America Their America (1964), an “autotravography” by J.P. Clark which caused controversy for what critics thought was a narrow and judgmental view of American values. Recently, there is Okey Ndibe’s Never Look An American In the Eye (2016), an autobiography, and many more.

There are however many more narratives written about the country, and about the continent, by visiting (foreign) journalists, writers, novelists over the years. Karen Blixen‘s Out of Africa (1937), JMG Le Clezio’s Onitsha (1991) and VS Naipaul’s The Masque of Africa (2010) come to mind easily. But so does this one. The overall impression of such books has always been the worry that they rarely depict reality as is, but only as perceived by the visiting foreigner, which – to be fair – is the whole purpose of the subjective narrative. I expect that the impression of America I’ll get from reading travel notes from an African visiting the US in the 1960s will give me an idea of America through that writer’s perspective of events as they unfold to him/her.

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At the Des Moines Capitol, Iowa (2015)

Even in the online space, one might easily find blogs written by foreigners about travel around the continent than one might of blogs by Africans of travel experiences in their own continent. (This is changing, of course. You’re reading this on a travel blog managed by an African, after all). But why is this the case? Human civilization itself is an experiment in travel, documentation and adventure conditioned by necessity, curiosity and sometimes nationalism. We have always left our comfort zones for new experiences. And, as archaeology and anthropology tell us, we have always documented those movements, even unconsciously, in hieroglyphics, and oral poetry, tribal marks, and lately in writing. In the 21st century Africa, the prevailing narrative is that travel for leisure and travel writing is a Western chore, done by the privileged few, and those conditioned to it by their profession in journalism.

Reality, unfortunately, seems to bear it out for the most part except in some rare cases. Olábísí Àjàlá was a Nigerian student who found himself in the United States at age 18 in the late 1940s. Having failed to succeed as a medical student at DePaul University, Chicago, he decided to travel through the country to Los Angeles, on a bicycle and document his experiences along the way. Through deportations, skirmishes with authorities, short Hollywood career (including meeting then actor Ronald Reagan), many short-lived marriages, children, and global fame, through the fifties, sixties, and seventies, he became the patron saint of all adventurers, and an icon in popular culture for African travel. Being called Ajàlá Travels in Nigeria today is a homage to his larger-than-life reputation. He also wrote a book An African Abroad.* 

So why is it that unless in rare cases Africans are not known globally to document our adventures in writing, or is it that we are just generally averse to travelling for its own sake? My friend and scholar Rebecca Jones has been asking this question for a while. In a conference she facilitated in Birmingham earlier in the year, the Call observed:

“For a long time study of African travel writing in the West has focused on Western-authored travel writing about Africa. But this has ignored both the long heritage of the genre amongst African and diaspora authors. African travel writers have traversed both the African continent and the rest of the world, writing about encounters and differences they meet in their own societies and others. They have engaged with colonialism and the post-colonial world, have produced ethnographic description, reportage, poetry, humour and more. They have traversed genres and forms, from the Swahili habari written at the turn of the twentieth century to Yoruba newspaper travel narratives of the 1920s, from accounts of students and soldiers abroad, to newspapers and today’s online travel writing.”

Aside from this blog, there are quite a few other ones online with focus on travel as an African hobby, done especially without the express purpose of becoming a travel “journalist” working for a media house, but for its own sake. Why are there not more. Africans, after all, travel as much as everyone else. Is it that we don’t care about documenting our experiences the way that others do? I have just finished reading Route 234 (2016), an anthology of global travel writing by Nigerian arts and culture journalists, compiled and edited by Pẹ̀lú Awófẹ̀sọ, an award-winning culture journalist. It is a delightful read of many fun, scary, heartwarming, and diverse experience of Nigerians in many different local and international situations. The contributors are however many of the continent’s known arts and culture journalists. This fact will not help our subject matter, but it shouldn’t remove from the value of the book as a necessary work and a delightful read.

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Route 234(2016), edited by Pẹ̀lú Awófẹ̀sọ̀

According to the editor, the idea for the book came from a private listserve conversation among these culture/travel writers earlier in the decade about documenting some of their travel experiences. It took many years before the idea finally became concrete.  The 211-paged book lists Kọ́lé Adé-Odùtọ́la, Olúmìdé Ìyàndá, Ọláyínká Oyègbilé, Èyítáyọ̀ Alọ́h, Mọlará Wood, Steve Ayọ̀rìndé, Pẹ̀lú Awófẹ̀sọ̀, Jahman Aníkúlápó, Túndé Àrẹ̀mú, Nseobong Okon-Ekong, Akíntáyọ̀ Abọ́dúnrìn, Ayẹni Adékúnlé, Fúnkẹ́ Osae-Brown, Sọlá Balógun and Ozolua Uhakheme as contributors. The scope of the travel experiences documented therein covers Los Angeles, Atlanta, Bahia, Juffureh, Accra, Plateau, Nairobi, Durban, Pilanesberg, India, London, France, Frankfurt, Nice, and Holland.

One of my favourite narrative in the work is Mọlará Wood’s “Farewell Juffureh” (page 35), covering a visit to Alex Haley’s ancestral hometown in the heart of Gambia as well as Nseobong Okon-Ekon’s “Trekking the Mambilla Plateau” (page 93). In both, the reader is vividly guided through experiences that must have been much more intense and affecting than words could capture. Some of the others detail culture shocks at visiting a new place for the first time and re-setting their opinions and expectations preconceived from a distance (“Accra Mystic” by Jahman Anikulapo, page 79) while some focus on their immediate task; covering a film festival, for instance (“Film, FESPACO, Ezra” by Steve Ayọ̀rìndé, page 61). A heartwarming one by Ṣọlá Balógun (“The Good Samaritans of Nice”, page 181) describe an experience common to many frequent travellers: being stranded in a strange city after a missed flight.

What the book represents overall is an intervention in a space where much more effort of this nature is needed. But travel isn’t, and shouldn’t be, the preserve of just culture writers and journalists. Writing about it shouldn’t be either. Tourism isn’t a big deal in Nigeria today because of lack of government (and private sector) care, yes, but also because of a seeming lack of interest in the populace itself. As I argued in this recent piece on a visit to historical locations in Ìbàdàn, commercial attention will come when governmental and private sector intervention takes the first step:

“I think back to a recent experience, in Italy, where tourism has built a thriving industry of restaurants, malls, and gift shops around notable structures that tell the country’s history, real and fictional, and how much value that attention (and tourist dollars) has brought to the country. Old churches and abbeys, ancient arenas in Verona and the Colosseum in Rome, among others, are all just ruins of a certain past. But they have been preserved and well branded in order to attract foreigners and their resources. Even a fictional character, Juliet, from Shakespeare’s Romeo and Juliet, has a touristy structure built in her honour, called Casa di Giulietta.”

Travel is fun. And even when it is not, it is always an enlightening exercise. As Mark Twain said in The Innocents Abroad (1869), “travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime.” That same perhaps can be said about travel writing, if not as a way to reflect on one’s adventures, as a way to keep said experiences in the memory of the world.

The book is a delightful read, but much more is needed.

_________

* There are many other stories like this, no doubt. Ravi on twitter has pointed me out to “Sol Plaatje’s sea travel piece” (by which I assume he means this book, Mhudi, an epic of South African native life a hundred years ago), and Rebecca, in the comment section, to a few more published narratives, also of a few years back. Their input also reminded me of Olaudah Equiano’s  equally notable memoir. There are many more like these, I agree. My point is that there are not many more, and certainly not as many notable ones as there should be).

For more reading

Adventures in Paris

So I was in France, but only for a few hours as well. No, I didn’t visit the Eiffel Tower. (I at least said “Bonjour” and “Au revoir” to some woman, and she smiled back if only for a second. That should count for something.) Commuting from one part of the Charles De Gaulle airport to another, I couldn’t help but notice a very wide range of African clothings worn by the Africans and non-Africans moving through the airport. It gave a beautiful view of a colourful town. It was the first airport I’d been that had such array of cultural attires. American airports have everyone in jeans, tops and sneakers, or in jackets, ties and boots. No variety. Go to France and see a real multicultural environment. Well, not totally: everyone there spoke French. But in dressing, they all seemed to assert their identity, and I felt a little out of place wearing my SIUE sweat shirt.

Buying at airports have never always been my thing, but I saw a couple of nice “I was in France” t-shirts in the lounge and I tried to buy them. The conversation that ensued went somewhat like this:

Me (approaching the empty counter. It was about 5.40am, French time): Hellooo. Who’s here?

About two people who were already (window) shopping in the open shop looked at me for a brief second, and looked away.

Me: I’d like to buy a few of these. Who’s in charge?

Some young woman then came forward from the corner. She spoke some French that I couldn’t comprehend.

Me: Bonjour.

She speaks some more French.

Me: Erm, sorry. I don’t speak that much French. Do you speak English?

She: Yes.

There is something innately beautiful in a French person speaking the English language. I was mesmerized.

Me: Good. I’d like to take this, and this. How much are they?

She: So-and-so euros.

Me: Euros?

She: Yes.

Me: Do you accept dollars?

She: Yes.

Me: Alright, here is a hundred.

She: Oh, I’m sorry, we don’t have change for this.

Sigh.

She: If you’d go down that hall, you could get it changed.

I was too tired from the previous trip, and I didn’t want to make any more efforts so I said no.

Me: Do you take cards?

She: Yes.

Me: Good. Have this.

She collects it and swipes it on the machine.

She: It doesn’t work.

I gave up. I know I shouldn’t have expected an American card to work in a European country without first having directed it to by the issuing bank. The disappointment from the encounter was not only that I couldn’t buy some fancy French clothes and perfumes as gifts, but that I couldn’t stay long enough to hear much of that French English of hers. Super, I tell you.

Of Townships and Ownerships

I was not too surprised when a fellow FLTA from France said to me two weeks ago over dinner at the Union Station in Washington DC that the city was developed by a French person. She is french, and, as she said so, everything had just fallen along the line of positive French stereotypes in my mind. They designed the Eiffel Tower and the Statue of Liberty, they must also be the big brilliant brain behind the planning and beautiful layout of the country’s capital. It was my first time of hearing the story, and though she didn’t have the name of the said designer, I believed it.

Today, I had a different conversation with Papa Rudy who says the city was developed by a black man. Now I’m confused. I told him of my discussion with the French girl, and he insisted that a black man did the city’s design. And somewhere in the conversation, the name Du Pont came up. Now I am familiar with a DuPont Circle in Washington DC, and reading more on it this afternoon showed me that it was named after a man Samuel Francis Du Pont (from the famous Du Pont family who really were originally from France). However, he is neither black nor an architect. He was a rear admiral during the Civil War. The wikipedia article on the beautiful Paris-like city does not say much about the “designers” of the city, so I’m giving up.

Or not. I have now come up with my own theory, that the person who conceived the brilliant layout of the city with the Washington Monument obelisk standing almost in its centre, could only have been the son of Oduduwa (the fabled progenitor of the Yoruba people). That’s the only explanation that can suffice to clear the air on the similarity between the Opa Oranmiyan obelisk in Ilé-Ifè and this Washington Monument obelisk. The Opa Oranmiyan was erected at a spot once believed to have been the burial site of Oranmiyan, a grandson of Oduduwa. Archeological evidence has now shown it not to be standing on any burial spot at all, but to be just a visible memorial to the fabled progenitor whose name it bears on it’s body. On the Opa Oranmiyan, as has been since its (undated) erection is an inscription in middle-eastern letters that archeologists have accepted as corresponding in sound to “Oranmiyan”.

It’s not the same in height and size as the Washington Monument, but that’s beside the point. The only other way to look at it is that Oranmiyan himself walked over to Washington DC from Ile-Ife with the Washington Monument on his right hand as a staff of office, and planted it firmly at the centre of the city as an artifact for future generation of archeologists to behold. What about that?

End of Term

With my final examination completed this afternoon, I am finally done with the Fall Semester, and the holiday for me officially begins. Let me tell you a little about the exam. It was a test of everything we have done in the Linguistics class, and it lasted an hour, forty minutes, even though I finished before the set time. The notable thing was that the professor allowed us to bring notes into the examination hall, as long as it was on only one side of a blank sheet, and handwritten. It was a way, I guess, to make sure that everyone has a chance to succeed.

Many other changes are taking place around the campus. It is thinning out, and in a few days, the once bubbling mini-town that is campus will become an almost ghost town. Chris, my housemate has already packed his bags and is heading home. Ben, the rugged one, will be here for a little while more, but he will also eventually leave, and I will have the whole apartment all to myself. I may have to go buy my own christmas tree… Audrey the French is leaving. Her academic exchange programme was supposed to last one semester, and is now over. We are organizing a party for her at the apartment on Friday, which should be fun. She was such a nice company, fun, adorable and lively, although I haven’t seen her for a while in the last three weeks because of the hectic nature of that time of the semester. Also leaving are other international students from France who came on the same programme as Audrey. They all added colour in some way to the semester.

My most memorable times with Audrey included a long walk around Chicago in November while we were trying to locate our hostel much without luck. Until then, I had never seen her cute Frenchie self so upset by anything. And even though we all tried to maintain a sense of balance as frustration grew on us and the maps refused to point us in the right direction, when we stood at the bridge across Michigan Avenue and thought of how to proceed, I thought I saw her really pissed off, especially since we didn’t seem to understand each other’s words and motives. Eventually, her phone came to the rescue and we found out that we had just walked past the HI Chicago building by just one block. I also remember one of the many discussions we had in Chicago about breastfeeding (she was thoroughly against it, believing that it is “disgusting” to have anything come out of her breasts for anyone to drink), religion (doesn’t believe in it, rationalizing that there is too much wickedness in the world to believe in a good and kind God), and homosexuality (doesn’t have anything against it, since humans all have the right to express whatever they are), and how opposed to Reham she was every time the conversations took place. “As soon as I have a baby,” Audrey always said, “I will spend all my nights in bed, sleeping while my husband will feed the baby whenever it cries. I carried the baby for nine months, after all, and I’m not about to lose my sleep for anybody.”

She was fun.

The semester was fun. I hope the next one is just as fantastic.