Browsing the archives for the Uncategorized category.

Dying in Many Tongues

One of the things that worried me a couple of days ago while watching the immigration debate in the US Senate press conference was a seeming consensus that ALL intending immigrants wishing to benefit from the quasi-amnesty/path-to-citizenship MUST learn to speak English before they can qualify. The discomfiture eventually turned to laughter when the senators making the point at the conference then began to speak in Spanish, in turn, to get the message across to their desired audience across the land. My sense of outrage, being sufficiently neutered by that irony, went away, and I went on Facebook to poke fun at my American friends who promptly defended the country’s one-common-language policy. They had a point: for every country/civilization to survive, and for the sense of unity, it must have a common language. (Never mind that people who already live and work in the country probably already speak the language or a version of it, or would do so eventually, to survive, without having to be compelled by law. And that if they don’t, their children would eventually do as it had been for generations, and the generations after them).

Today, however, I came across another second level of outrage, this time coming from American parents who were riled up that their children were reciting the American Pledge of Allegiance in a different language, this time in Arabic! Also important: the pupils, members of a social club, had already spent previous weeks reciting the same pledge in French and Spanish, with no uproar. The problem: the phrase “under God” is impossible to translate into Arabic without the word “Allah” appearing in it. Outrage! Sound the alarms: the children are now batting for the terrorists!

Watch a “discussion” about it below, via Fox News:

I was beside myself with laughter at the end, this time at the Chyron on the screen that read “Pledge of Allegiance to Allah?”

So instead of this post being about the needlessness of outrage, and the benefits of multilingualism, or even the beauty of childhood innocence and experimentation, or – horror of horrors – the importance of an open mind that assimilates instead of dictating, it shall merely be about the pleasures of sampling the varying shades of American outrage.

To end, here’s a VW ad that has now also spawned a lot of American cable tv outrage for the use of Jamaican accent by a white American dude from Minnesota. Judge for yourself.

These are interesting times for lingua fracas.

For Jahman at 50

Jahman Anikulapo was 50 on January 16, 2013. This period also coincides with his exiting a long, stellar career at Guardian newspaper group as the Sunday Editor. In the last two decades or so, Jahman has pressed his talent, position and material means to service in aid of the development of the cultural sector in Nigeria.

It is in light of the foregoing that the friends of Jahman Anikulapo, under the aegis of Committee of the Friends Of Jahman @50, have planned a month-long programme of events to celebrate this cultural agent. The Committee has now released the timetable for the celebrations, with the overall theme: ‘3D-Jahman: The Three Dimensions of a Cultural Change Agent – Artist, Activist and Art Journalist.’

Full Details of Events and Activities:

jahman-dp1January 13, 2013: Arthouse Forum
Arthouse Forum For Jahman Anikulapo At 50: A panel conversation around how the Interplay between Art Advocacy, Art Journalism and Art Practice has shaped the evolution of cultural propagation in the last 25 years. This will be followed by two other events later that evening:
– Tributes and Readings For Jahman Anikulapo
– An evening of songs, theatre skits and performances

Time: From 4.pm.
Venues: Kongi’s Harvest Gallery (Second Floor), Freedom Park, Broad Street, Lagos.
RSVP: Ayodele Arigbabu (08033000499).

FRIDAY, 18th of January, 2013, 7PM
iREPRESENT INTERNATIONAL FILM DOCUMENTARY ( Friends of CORA) celebrates Jahman Anikulapo. Freedom Park, Broad Street, Lagos

RSVP: Sam Osaze 08036554119

January 20, 2013: Invitational Dinner
Jahman’s colleagues in the Guardian group of newspapers host him to an evening of dining and tributes.

RSVP: Andrew Iro Okungbowa (08023152195)

January 25, 2013: Stripped Bare: Jahman Anikulapo, Warts and All
The celebrant in an intimate conversation with a whistleblower about childhood, upbringing, between area-boyism and ajebotterhood, the promise of youth, the gap between expectations and middle age reality, hooliganism, the secrets of journalistic success, the challenges of advocacy, the hopes of culture advocacy, a peek into life after the Guardian.

Time: From 5pm.
Venue: Quintessence Book and Artshop, Falomo Shopping Centre
RSVP: Sam Osaze (08036554119).

It should be recalled that on December 30, 2012, Committee for Relevant Art (CORA) of which Jahman is Programme Chairman held a celebration for him at its annual year-end party in Festac Town, Lagos, at which there was a symbolic cutting of cake and a pouring of libation superintended by Mr. Benson Idonije, patriarch of Nigerian art critics.

Also, the artists Nkechi Nwosu-Igbo and Toni Kan have already launched call for submission into a poetry collection to be published in honour of Jahman Anikulapo, just as we understand that the call for contribution of papers into a festschrift for a similar purpose will be made in the next few days.

We look forward to your active participation in this season of celebrations.

Thank you.

Yours,

Deji Toye

Life, Like a Bus Terminal

Written in Abuja

 

tumblr_m8mzkwoDp11rtusgmo1_500Scattered guests, wayfarers from everywhere, travelers,

Gaping kids with idle feet around an open park. Idlers.

Noise, silence, antsy sights from dozen sleepless eyes,

We pass quick glances around the room, a shared sacrifice

in the early dawn of aspirations. From wary skies of town,

news hounds us in our states of mental undress. We frown.

We smile, laugh. We murmur in groups of vain distress,

Or point at a random object of attention: a funny dress.

The day breaks in bits around our ears, even louder voices

calling passengers into new routes into the world. Choices.

The past dances on the stage of memory, shuffling its feet

like the waking passengers traipsing towards empty seats.

Like before, each new step is a beginning into the cold wild,

with the certainty of the unsure steps of a walking child.

A Guest Post by Omotunde Kasali

16 November, 2012

Today I was at a book festival at the Freedom Park: The Lagos Book and Arts Festival. The morning was sunny and happy but the view from my bus, as it approached the Lagos Island from the Third Mainland Bridge, was curious: the sun was under the clouds, the Island was invisible behind a thick fog and the clouds intercepted ground at the edge of the Island.

At Marina Road I alighted and went to breakfast at a restaurant on Kakawa Street. As I came out the burly figure of Eghosa Imasuen coming up the opposite walkway was what I saw: his chest pushed out, his legs kicking the air and his arms swinging to his back. The thought that he was going to where I had just left came to me and I smiled as I turned into Broad Street and walked the long way down to Freedom Park.

I went into the Kongi’s Harvest Art Gallery to see an arts exhibition. Of all the works on display I am most captivated by a photograph by Uche James-Iroha. In the photo a middle-aged man behind a chalkboard knits his brows and fixes his eyes at the camera. The rest of the picture – the shanty the man is in and the carpentry measurements on the chalkboard – is difficult to piece together to form a complete image. The photo is a puzzle and as one tries to discern the anger on the man’s face, what he is doing in the shanty and what the measurements on the board are for, one is slowly absorbed into the photo.

When I came out of the gallery the events were ready to begin. There were schoolchildren from many schools, there was a book fair, there was an arts fair and there was an audience that rounded the stage. I walked into the fair and I met people I know. I bought Fagunwa’s Ogboju Ode ninu Igbo Irunmole and found myself a seat.

In a few minute the opening event began. Bishop Mathew Kukah spoke to the schoolchildren about books, played with them, danced with them and answered questions from them; a troupe of kids in adire came on stage and delighted the audience; the poet Oyinkansola, a girl of 10, came on stage and read her poem; Tolu Ogunlesi and Bishop Mathew Kukah discussed the bishop’s new book and its concerns with the theme of the festival The Narratives of Conflict.

When it was afternoon I walked into the gallery and went up the first floor where a discussion about books was taking place. I left a few minutes later when sleep began to sneer at me. I came back down into a most enthralling discussion about a book My Life Has a Priceby Tina Okpara, a young lady who in the book tells her story of child abuse in France.

________________

Omotunde Kasali is a writer, photographer and biochemist. He lives in Lagos.

An Evening With Icarus

EMERGING AESTHETICS IN NIGERIAN LITERATURE –

A CELEBRATION OF ROTIMI BABATUNDE WINNER OF THE CAINE LITERATURE PRIZE 2012.

Dear All,
This is to draw you into the circle of friends who are planning an event in honour of our dear friend ROTIMI BABATUNDE for his success in winning the Caine prize for African Literature 2012. Our intention is to use this forum to not only celebrate one of our own, who has been acknowledged as one of the best by others, we also feel strongly that this forum would provide an avenue for us to widen and further our discussion on the passion we share as writers, performers and as literary and culture advocates with Babatunde’s Bombay’s Republic as pointer.

The spectrum of discussants would be:
a. Deji Toye,
b. Benson Eluma,
c. Jumoke Verissimo
d. Iquo Eke
e. Niran Okewole
f. Kola Tubosun
e. Peter Akinlabi
The committee directly responsible for the organization of this event is constituted as follows:
a. Benson Eluma,
b. Kayode Adeduntan,
c. Adebayo Mosobalaje,
d. Kola Tubosun
e. Ayo Olofintuade
f. Ropo Ewenla and
g. Yomi Ogunsanya
The following writers will also read from and have their works discussed works on that day:

1. Emmanuel Iduma, author of Farad
2. Ayodele Olofintuade, author of Eno’s Story
3. Olisakwe Ukamaka Evelyne, author of The Eye of the Goddess
4. Funmi Aluko
5. Imasuen Eghosa, author of Fine Boys

 

Date: Saturday, November 3, 2012

Venue: Drapper’s Hall, Institute of African Studies, University of Ibadan, Ibadan

 

For further information/clarifications, please contact:
Yomi Ogunsanya
08023904112/ogunmaren@gmail.com
Organizing Secretary