Lagos Morning Surprise

It’s a Monday morning in Lagos, after a sustained night rain, and the city – for the very first time – showed an uncommon character the like of which might never be seen again.

The sewers had opened up their wares, with dung floating to the surface and onto the many streets in the flooded island. With sleeves and pant legs rolled up to keep wetness to a minimum, commuters and pedestrians saunter onto the road, most of them an hour later than they ordinarily would. The transportation buses had left the roads early enough – perhaps the only regular feature of the city’s uncertain character – and commuters who got to the road at anything after 6am had been left stranded now, praying for a miracle to get them to their places of work on time. That was when it happened.

DSC_0284A police van heading to its patrol point in the city parked by a throng of people at one bus stop, and asked folks to come in. They were at first surprised, and then – realizing a once-in-a-blue-moon chance – rushed in and filled the back seating area, saying “thank you” as often as they could. The cops merely smiled, started the van, and moved on. As if on cue, another car stopped, this time a Prado Jeep driven by a young woman of around 32, likely the employee of a bank, or any other high-paying job. “Aren’t you going?” She asked no one in particular, as a few more people paced briskly towards it and sat themselves in comfortable positions in front, and at the back. “I am late to work too,” I heard her say impatiently. “Get in and let’s go. I can drop you off anywhere between here and Law School.”

Fullscreen capture 5132013 45702 PM.bmpThe sky remained dour and drizzly as one fancy car after the other stopped at each bus stop to pick up passengers many of who were usually stunned at first that such private drivers could really have intended for them to get into the cars. In one instance, a passenger refused to give into the driver’s constant entreaty that he would, indeed, give him a ride for free and drop him off wherever he would be getting down. “I don’t get it,” the man said to himself. “Lagos rich people are never this considerate.” The driver drove away, perhaps stunned by the resistance of a helpless passenger in the face of help on a rainy day.

For the next one hour, Escalades, Sorentos, Four-Wheelers, Land Rovers, Land Cruisers, small saloon cars, a BMW, a station wagon, a church bus, another police van, a school bus, two empty BRTs heading to a repair shop, a couple of small tricycle scooters, a soldier on a motorbike, a Mercedes Benz, and a number of other new and rickety vehicles, each otherwise empty except for their drivers (and sometimes one other passenger), stopped by all crowded stops to pick up passengers stranded there and late for work. It was a surreal, almost eerie, sight on a Lagos morning. Humanity came alive in a way never before seen and would never be believed by anyone else not there to witness it. There is hope for this country after all, I thought to myself as I concluded my morning stare at the bus stop,  finally accepting an offer to ride with a middle-aged lady in corporate wear who driving her 10 year-old kid to school.

All of this is fiction, of course. You can tell.

Rolling with the Muses

2013-05-11 17.03.28At the Goethe Institut this evening, to attend the monthly Author Interaction there, there were drinks, and brilliant artists from various fields chatting, arguing, and sharing anecdotes and opinions on each other’s works. This is the whole purpose of the event, it turns out. Poet and novelist Lola Shoneyin, journalist and artist Victor Ehikamenor, journalist and writer Sam Umukoro, and poet and author Kume Ozoro, all sat and read from their works while fielding questions from the very interactive, attentive, active, and articulate audience.

Lola Shoneyin is the author of the famous novel The Secret Lives of Baba Segi’s Wives, and an evergreen book of feminist poetry So All the While I Was Sitting on an Egg. Victor Ehikamenor is the author of Excuse Me! a collection of anecdotes previously published at 234Next newspapers, and the artist behind Amusing the Muse, an exhibition of drawings and paintings, on till May 31. Sam Umukoro, who worked previously with the Guardian, is the publisher of a website devoted to interviewing famous Nigerian writers, celebrities, and newsmakers. He has also published a book (whose name I have now shamelessly forgotten). The fourth guest, Kume Ozoro, is the author of a collection of private love poems.

2013-05-11 18.34.39Met also, for the first time, a few people with whom I have interacted over the social media for months, and even years. Deji Toye is one of those brilliant rascals, present in most of every cerebral gathering in Lagos, vocal and engaging in each of them sometimes to be mistaken for the host, and effacing enough to miraculously evade capture at crucial moments after the show for a short aside conversation. Until today. An affable man. I also had a chance encounter with Marc, the director of the Institut who sat around through the event and paid great attention to everything going on, sometimes gesticulating to the host to move it forward whenever the subject began to dwell too long on a controversial point. Then, there was Gbemisola, a loyal reader of the blog who surprisingly was able to recognize me out of a crowd, to my pleasant surprise. I also met Sola, a graduate of Theatre at the University of Ibadan who invited me to come see a few of his live theatre workshop/performances in Ikeja which takes place once every month. I intend to, sometime.

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With writer/columnist Bayo Olupohunda much later around Ikoyi, among defiant spirits of the Bogobiri club, dreadlocks woven taut on a couple of heads, we chatted for hours with Swedish journalist Erik Esbjörnsson in town to research the portrayal of women in Nollywood movies – an interest of both himself and Mr. Olupohunda. We talked Nairobi, Uppsala, Eldoret, Germany, and Iowa, beers flowing around the warm glow of the club insides. It is “Marley Day” in Lagos, although, curiously, none of the sounds from the muffled bar speakers played Raggae. Outside, painted on the fences and gate in colourful motifs of the street, are the colours of Lagos, and scrap metals that wear visual arts like fancy clothes. I could as well have been in Fela’s famous Africa Shrine.

It’s night now, and I’m back home, in the arms of Mrs. Tubosun, where I rightly belong.

Calls for Audio Poetry

The following is a mail I received from my friend and publisher Maurice Oliver. Please send him an email if you have an audio poem he might be able to use.
____________________
Hope all goes well.
You probably already know that Lip-Service Journal will be replacing Eye Socket Journal on the first of next month!
I love poetry and I think I can reach a larger audience with the audio poetry approach. The trial-run of the 1st issue has already had nearly 200 hits in 3 weeks. But I need your help.
 
I was wondering whether to could connect me with some African poets who have audio tracks of their poetry on Sound Cloud. I need their Sound Cloud homepages and their permission for a one-time publication of 3 tracks that would be featured in an upcoming issue of Lip-Service Journal. The tracks should be recorded separately with the title of each poem indicated in the recording. The homepage should include their name and the city/country where they live. 
 
I would very much like to include your audio poetry in an issue too! I would enjoy hearing your voice reading your work.
 
Take a look at the brand new Lip-Service Journal here:
 
You do have the sign-up for Sound Cloud but the first 60 minutes of recording is free (must upgrade after that).
While you’re in Tumblr take a look at my own personal daily poetry blog at:
I started it back in Sept. and have nearly 800 hits with 14 followers. I’m so proud:-)
Anyway, please help me if you can. I want to start building up a backload of poets for the new literary monthly, this time all audio!
___________________________
Send to maurice.oliverATymail.com

Xperia’s Lagos

2013-04-19 10.27.32 2013-05-03 16.07.16 Lagos Roulette 2013-05-03 16.07.53 2013-05-03 09.37.23 2013-05-03 09.36.18 2013-04-30 07.00.25 2013-04-26 15.37.32 2013-04-25 11.56.17 2013-04-26 15.40.05Unless Sony Ericsson makes me an offer I can’t refuse, this is the last time I’ll put a name of their brand on a blog title :).  This caveat is necessary in case anyone begins to wonder whether I’ve already been paid to present the camera of one of their better phones in a good light. From how it has worked with me so far, it seems that I don’t need to do that after all. The product speaks for itself.

However, if I do get an offer to try out any of their even better, newer, Xperia versions, it would be nice to compare what I have to what new functionalities they offer. If Google is listening too, I wouldn’t mind trying a Nexus either.

In any case, this post is about a few photos taken around Lagos, Nigeria. Enjoy.

An Observation…

That I am not as free, or as eager, as I would be in a foreign land, to whip out my camera at every available instant in order to take a picture. There is a little reluctance somewhere the source of which I can’t lay my finger on.

2013-04-26 05.57.42On the way to my home is a newly completed highway due to be open sometime soon. The project is still ongoing, and the stretch of the highway is destined towards somewhere farther into the far ends of the state towards a place called Epe. I have observed with impatience, bewilderment, affection, and exasperation as the construction workers toil day by day on the road, causing traffic build-up as they do so inevitably. The road is now done and almost ready for “commissioning” even if that will be done only by commuting tyres rather than an official government representative.

The traveller in me would have documented all the stages of this construction – at least to the best reaches of my camera. And then I remembered that for the better part of the last couple of months, I had no camera to use anyway. The experience with this new Xperia is an encouraging one and I hope to get fully back into this street photography game in earnest. What I have so far impresses me, and that’s a start.