Excerpts from Noah Town by Leke Adesanya

bookcoverimageIf you ever come to Noah Town, you’ll probably arrive by coach. The long buses come off interstate  trunk roads from far and near, from smaller towns and villages were dreams of making it in the big city still has its allure.  The buses pour out streams of young men and women  hourly at almost a clockwork rate. They come with their dreams and aspirations, their bags and little savings. They are drawn to a metropolis where the street lights never go off and there is money to be made with beautiful bodies, willing hands or daring minds.   I know them. I was once like them.

Your coach should come to a stop at the terminal on Main Street, just at the beginning of the two mile stretch of long dual rows of hardware stores, fashion stores and business offices.  As you disembark , in the mornings, you might hear the dull drone of street sweeper trucks vacuuming the road. A soft feminine voice will welcome you to Noah Town over the terminal’s public address system , advising you to mind your luggage.

Touts may accost you, offering to help you get a cheaper hotel or unlicensed taxi , some with the intent  to unburden you of your few valuables. You would be better off strolling to the Visitor Centre to book a cab or walk a bit farther down the road to catch a local bus ride. Or maybe someone, perhaps a relative or friend has arranged to pick you up.  

Whatever are your options on arrival, you wouldn’t help but notice two old grey storey buildings situated almost opposite each other. Their Brazilian architecture with mock Roman marble columns  add a air of gravitas that make them stand out amid melange of functional matchbox shaped buildings. They are the two big banks of Noah Town.

Scores of men with crew cuts in blue or black suits march in confident strides  in and out of the two grand old buildings. On the right, if you are coming from the Terminus, next to the divisional police office is the local branch of National Bank.  And on the left,  behind a fibre glass  fountain cast of an elephant pumping water out of its trunk, is  the local land bank owned by former loan shark now turned legit financier, Mr Barido Freeman. Everybody calls him Barry.

He is reputed to be very influential. I have had occasion to meet him myself, informally of course, and I found him intimidating.  He owns a significant portion of the businesses and real estate in Noah Town. Sixty years old and not looking a day younger, Barry is big boned and tall, slightly balding but still working that regal look. What was left of his receding hairline, he grew into big white halo with brown dusts.

When you are told by your guide that he started out as an immigrant with nothing on him but a knapsack slung across his shoulder, you would probably be impressed too by what he has made of himself.  You would think, if he can, maybe you can. He is the stuff of which legends are made.

Barry manages to keep his family out of the tabloids.  Although he has never married , he had a love child, twenty years old Norah whose mother has been out of the picture since like forever.  Norah, I have heard, was worth her weight in trouble and then some. Twice expelled from expensive boarding schools abroad where Barry had hidden her, she eventually dropped out, called it quits and came back home.

Barry got her an office in the family business and engaged  Cuba, an ex-cop as her  bodyguard, mainly to keep her out of trouble. Cuba used to be an ambitious police officer on the rise till one day he shot a teenage kid playing with a toy gun and the top brass threw him under the bus. Taking care of Norah was a better paying job however and he intended to keep it forever. A shrewd guy, he kept Norah out of trouble mainly by making sure Barry never heard of it.  

A major challenge for Cuba on job was handling Nora’s long list of hangers-on, most of whom were willing to get whatever Nora requests of them even if it were illegal.  Prominent in that clique was Vera, her BFF and confidant.  Vera used to be a bartender at a night club on Boardwalk, Noah Town’s entertainment district, where she met Norah and the two hit it off.

Like any street hustler, Vera knew she had found a winning lottery ticket with Norah. How did I get involved with this clique?  Stay with me, I was going to explain.

Vera and I once dated, very briefly. Vera also happens to have a twin brother called Jude. Jude and I, we go way back to the time we were still hungry backpackers just come off a bus on Main Street. That was a life time ago, of course.

Jude and I are now business partners, we run a little taxi operation that is thriving very well, thank you very much. Nothing fancy, just a dozen old cars in great working condition and a long list of repeat loyal patrons.

We started out as two unlicensed cab drivers willing to work all night in what was then the notorious Boardwalk. Later we formed a partnership, got licensed and started adding more cars and drivers. We evolved into an effective relationship; he handles the drivers’ scheduling and getting of corporate customers while I take care of the back office and car maintenance issues.  

Once two guys have had a big fight and then gotten over it, they tend to bond well.  That was what happened to Jude and I. I could implicitly trust him to have my back, at least until the events I am narrating to you now started.

One ordinary Tuesday, Jude dropped by at lunch to inform me that we have an inquiry from a prospective investor. Barry – yeah, that Barry – wanted to buy out our little operation. Could I look at our books and come up with a working valuation, just in case this turned out to be a real deal?

Sure, I replied. I acted all cool about it though I was very, very excited.  I mean if the price is right, like five times annual revenues, surely why not?  But then he clarified.  What he really wanted to know was, at what price was I willing to cash out. They wanted to buy me out and let Jude run the operation.

By the way, by then, he was hanging out a  lot with Norah . And I was worried about her Daddy. Barry was like the king of Noah Town and rumour had it, he might or might not have had mob ties. If you don’t cooperate with his type, there was the unspoken threat that he might not be pleased. This was scary to me.  I don’t want to end up drowning in the Noah Lagoon like some overconfident yokel who dared above his match. And since I love the feel of fresh cash stacks in my palm like the next guy, I felt I had better play along.  

I doubled my calculated asking price, asked for not half but all of five times annual revenues. We shook hands over that and he said I should give him some time to iron it out with his principal, Barry. I started to look at Jude funny from then on. But I am getting ahead of myself.

I started to daydream of the day I’ll get to seat with Jude, Norah & co. , and firm up the terms of sale. I knew what I would do with the money when it hits my account. I would take a long holiday first, to somewhere far from Noah Town. I have earned it. I’ll go somewhere where it is cold in summer. Maybe I could learn to ski in middle age, who knows?  

Those were my thoughts until a Saturday, some days later, when I picked up a copy of the local evening tabloid and read the headline, “Barry’s Girl Kidnapped”. I had a premonition that, after that event, things wouldn’t turn out exactly as planned.

____

Blurb

It was meant to be a safe job. They  fake a kidnap of the millionaire’s daughter, collect the ransom and share it with her. But then things started to go wrong. As the body count continues to rise, Tony finds himself in the cross-hairs of a deadly gang as he tries to save his best friend’s widow.

Links

Available on Okada Books :

http://www.okadabooks.com/book/about/noah_town/12419

Available on Kindle ;

https://www.amazon.co.uk/dp/B01MG4KELQ

Aké Festival 2016: How History is Made

A festival is just a festival, isn’t it? A gathering of tribes, a place of ideas and relationships, a week-long commingling of the most cerebral kind. But it is also something else: an annual attempt to write the history of the continent’s literary track in the minds of its practitioners and for posterity. This latter purpose is usually the least stated on the invitation brochure.

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Participation in this year’s events, I’ve said elsewhere, is my most memorable, but not for the obvious reason of my meeting (and working with) Ngugi wa Thiong’o who is the guiding light of my work in indigenous language advocacy. Or perhaps that is the reason. It won’t matter anyway. The history of this year’s events is being written in different inks and by different observers towards different but complementary ends.

A while ago, someone wondered whether canons are being built around conversations on African language literature, and I responded that festivals, Facebook conversations, and interactions surrounding relevant seminal works of criticism all contribute, in small ways, to the complete tapestry whose form may not always be evident from the current standpoint of one literary thread. I still believe that. For all the memorability I’ve ascribed to this year’s event, I was not there when this apparently notable conversation took place, and I’m all the poorer for it. But the questions raised by this subsequent review of the event by Mr. Rótińwá, separate from the mass cheering on the spot that may have convinced a casual observer of a different takeaway, will live on. And there are many more of those.

A panel I moderated (video below), set up ostensibly to explore the similar and divergent themes in the memoirs of two important African writers (of different languages), ended up on an even more memorable note: the relevance of archiving and the role of manual writing in the preservation of a writer’s legacy and growth. When I thought of questioning the Congolese writer Alain Mabanckou about what he described as an obsessive write-and-destroy habit that had his travel box littered with disposed writings on paper that he no longer liked, I wanted to satiate my curiosity. But I also thought of the episode as possibly illustrative of the obsessiveness of writers generally during the process of creating. In the end, I – and, as it turned out, the audience – got enlightened by a more substantive conversation around the place of preservation of paper drafts (and archiving in general) in the understanding of the writer’s creative and personal trajectory, thanks to Emma Shercliff, Ngugi wa Thiong’o, and Alain himself.

What the conversation illustrated for me, among others, was a lack of consensus, today, on the “proper” way of creating and shepherding manuscripts. Those of us who grew up in the internet age have taken for granted the benefit of crowd storage and the power of an easy copy/paste/delete on a word processor to care about the true grit of manual writing, crossing out, and re-writing until the draft is perfect, while still keeping the original draft either as a guiding light of the initial intention and insurance against future impulsiveness or as sentimental record of the individual step in the process. But more than that, as Alain and Ngugi pointed out, there is also a financial (as well as archival) incentive for this old-school process: there are scholars, students, and future enthusiasts of the writer’s life and work that will pay a fortune to have access to the initial drafts of whatever eventually becomes a well-accepted work. This helps the culture of criticism and better opens up the writer to perhaps better study.

When he writes on the computer, he said, Alain treats each line of writing as an indelible record that needs special care and preservation. As he puts it, he has different versions of the same work on his computer and would rather create a new one each time than edit the already written one – in spite of the ease given by computers to do so. Isn’t that fascinating? To think that the ubiquity of computers isn’t yet sufficient motivation – in relevant writing quarters – to ditch the drudgery of manual or manual-like documentation. Perhaps not enough has been written about this rebellion and/or the benefit of such active labour in this age of 140-character fickleness. Forget the fight between the Kindle and paperback books. Pen vs Keyboard is where the conversation needs (and will continue) to happen. I will likely forget many of the other questions I asked on that panel but the response to (and conversation around) this one on pen and paper writing and documentation will, and should, live forever.

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The Makerere Conference of 1962 is notable today for a particular conversation on the use of English (and other colonial languages) in African literature. Not much from that conference has lived on in popular lore as that particular debate has. In every edition of the Aké Arts and Book Festival, looking out for such usually short but relevant spark that outlasts a week of commingling has become my yearly obsession. It is to the credit of the organisers that the opportunities are many for such dynamic conversation, debates, arguments, fawning, performance, and even lust (as this report rebelliously recalls). But we remember differently, as it is often said, which is probably for the better. It all comes together eventually. And the culture is richer for it.

Press Release: Irawo Poetry Anthology

PRESS RELEASE – Ibadan, November 21, 2016

Irawo Poetry Anthology:

48 poems celebrating 48 years of Irawo University Centre, Ibadan

We are glad to announce that 48 poems have been accepted for publication in the 2017 Irawo Poetry Anthology.

 

Irawo University Centre is a private hall of residence for male students, principally of the University of Ibadan. This Centre is one of the numerous educational and social welfare projects promoted by the Educational Co-operation Society, a non-profit oriented body. Irawo was established in 1969, admitted her first residents in 1972 and moved to its definitive site in 1990. That same year, the University of Ibadan recognized Irawo University Centre as “a private hall of residence associated with the university” – the first to be thus acknowledged in the Nigeria University System. The key aim of Irawo is to contribute to the academic, professional, human, cultural and spiritual formation of the student. To do this, emphasis is placed on creating in Irawo an atmosphere conducive to serious academic work.

It will be recalled that earlier this year we made a call for submissions for the Irawo Poetry Anthology as part of activities to commemorate the 48th Anniversary of Irawo University Centre. The proceeds from the sale of the anthology will be ploughed into the Irawo Development Fund. The themes for the call for submissions were poems reflecting the following: justice, unity, strength, perseverance, progress, love and diversity. The call for entry closed at 12 midnight of August 31, 2016.

We received a total of 107 submissions from 54 Nigerian poets. The poems went through a blind review process by three renowned Nigerian writers. The three distinguished judges are: Tádé Ìpàdéọlá (lawyer, author of Sahara Testaments which won the 2013 NLNG Prize for Poetry and winner of the 2009 Delphic Laurel in Poetry), Mark Nwagwu (Professor of Molecular & Cell Biology and author of the poetry trilogy – Helen not of Troy, Cat Man Dew and HelenaVenus) and Kọ́lá Túbọ̀sún (Fulbright scholar, writer, linguist, Editor of The Sail Literary Anthology and irawo-poetry-anthology-posterFounder of YorubaName.com).

The 48 considered suitable by the judges for the Irawo Poetry Anthology are listed below.

S/No Title Poet
1 Crux Lawrence Aniawana
2 Timi Uchenna J. Obi-Ibeh
3 The Voice Ogunlaye Olatunde
4 A Letter to the Future Chidiebere G. Udeokechukwu
5 The Key Stanley Aduaka
6 Broken Boluwatife Afolabi
7 A Song of Colours Boluwatife Afolabi
8 Can Two Be One? Oluwatoyosi Agbaaikin
9 Is Love? Oluwatoyosi Agbaaikin
10 Ifunaya…. Ololade Akinlabi
11 The Scales, the Blindfold and the Sword Obinna Amaji
12 Bed of Stone Amamchukwu Chinonoso
13 Ife Mi Amamchukwu Chinonoso
14 Friendly Foes Amamchukwu Chinonoso
15 Awaken Sandra Arukwe
16 Tomorrow Sandra Arukwe
17 Herald Bukoye Emmanuel
18 One Bukoye Emmanuel
19 Vigor and Vapor Kelvin Enumah
20 Quake; the Future at Stake Kelvin Enumah
21 A Fu Gi Anaya Norbert Gora
22 The Broken Last Straw Ikeobi Samuel Chukwubuokem
23 Sapele Water Emuobome Jemikalajah
24 Ikenike Emuobome Jemikalajah
25 Lost Ones Fumbi Ajumobi
26 Dear Dunni Mofoluwawo O Mojolaoluwa
27 The Sun Will Smile Chuks Obi
28 Behind Bars Chuks Obi
29 The Sun Shall Soon Shine Ojo Oreluwa
30 Let’s Stay Together… Segun Onaade
31 Abiku Teleola Onifade
32 Kafanchan Ayomide Owoyemi
33 Kiniun Onibudo Ayomide Owoyemi
34 Palm Tree Oluwatobi Moses Sotanmide
35 One Day Oluwatobi Moses Sotanmide
36 Innocent Till Proven Guilty Chidi Joe Umechukwu
37 Virtual Reality Olufemi Abidogun
38 My Memorabilia Tumilara Adesina
39 Story of our Toppled Storey Tumilara Adesina
40 Moving Clouds Ebisike Chinedum
41 Unity Mofoluwawo Favour Ona-Ara
42 Dawn Taiwo Olawehinmi
43 The Housewife Luke Ogar
44 The Ghost Town Luke Ogar
45 Island of Ice Emmanuel Nwobi
46 Rumble in the Jungle Emmanuel Nwobi
47 The Repose of an Anthill Emmanuel Nwobi
48 Back to our Roots Mahuemolen Odibo

Nwachukwu Egbunike and Emmanuel Nwobi

Editors

Irawo Poetry Anthology

Befriending Lagos: A Benin Story

By Stephanie Ohumu

It is October, in the year of Donald Trump, 2016. I have recently moved to Lagos.  On the first day of work, I start to live. I walk in, breasts uncased and participate in surprising normalcy. Wild and free breasts do not bother the people here.  This is how I know that I will be fine in this Lagos. Just fine.

img_20161026_162122My name is Stephanie and I am 20. Inside of my heart is mourning for Benin, where I have lived all my life. This isn’t a story you have not read before. If you can believe census figures,  Lagos is home to 18 million. Many of whom were  not born here.

Everybody comes to Lagos with stifled love for their birthplace and hungry yearning for the city that will make them. Yawn. This is about, well, fuck if I know.

I am living in Yaba. Alágoméjì, if you’re big on details. In a serviced apartment with flatmates on the same evolutionary level as me. There are no fights. Every day, I walk to work. It is just by the corner on Herbert Macaulay. At night, I walk back home. And sleep. This is my routine until, one morning inside of Slack, I sort of cease to be employed.

img_20161002_214230Now I have to move out of the apartment where the generator comes on at 9 and dies at 6. I move to Kétu. In truth, this is when I truly move to Lagos. To the yellow of marwas, renaming of bole (appaz it is called bọ̀lì here) and boarding calls to Ọbáléndé, repeated until you are certain that that Tekno song you can’t get out of your head was low key produced by a conductor at Toll Gate.

So far,  this is what Lagos means to me:

Proof.
That if you are mentally ill, the people in your head will relocate with you to new cities. Go to the doctor and start your treatment. Migration is not a treatment plan for bipolar.

An uncurled palm.
This is a space to trace lines of uninhibited passage. If you can walk it, walk it. Be, but only if you dare. Proclaim your batch number and run with it. Stop. Change your style. Be like that until the next stop.

Evidence of life.
screenshot-205In the very many heads of tired bodies awaiting the arrival of BRT buses. In the secondary school student occupying a world in Yorùbá to which my illiteracy bars me entry. The same one I will teach to check her Gmail as an assignment in a dingy café. Life is happening in this city of multiples, in multiples, daily.

And I am here. Existing in the pace of this place. One hurried foot and then the next. Power walking to catch a bus that will be replaced by another in a moment not because haste is required but because it is expected. I have just moved to Lagos and life is happening. So this is me, atop the uncurled palm, paying tribute to the city by living alongside it.

One month in mind.

On the anniversary of your migration, we remember the Benin girl you once were.

Signed,
Phoenix, for the Tenants in Her Head.

____________

Stephanie Ohumu is a writer who doesn’t understand why bios have to be written in third person. She currently lives on Twitter: @SI_Ohumu.

Top African Destinations for the Romantic in You

Top African Destinations for the Romantic in You

 

Africa has it all: epic landscapes, iconic wildlife, natural wonders and an incredible variety of cultures. This beautifully diverse continent also has a romantic side and offers a host of destinations where hopeless romantics can celebrate their love in the lap of luxury.

Tanzania

Zanzibar, the white sand archipelago located off the coast of Tanzania, is the jewel of the African coastline. The soft sand beaches, deep blue waters, mouthwatering cuisine and quaint little streets make you feel like this island was built on romance. Take a stroll through historic Stone Town, a UNESCO World Heritage Site and one of East Africa’s last ancient cities. Zanzibar is home to a number of hotels and resorts. Most interestingly it home to a number of private islands perfect for couples to get away from it all and relax on sun kissed beaches. Try Mnemba Island Lodge, which is a private getaway located on Mnemba Island. This private beach getaway accommodates only 20 guests and is the pinnacle in barefoot relaxation and luxury. Mnemba offers a range of activities for the more adventurous couples such as snorkeling, scuba diving or kayaking trips. If you just want to spend some quiet time with your partner then you can head to your own little private beach, which is yours for the duration of your stay.

Madagascar

The island paradise of Madagascar is surrounding by crystal clear waters and offers an alternative experience for those of you looking for a less popular island destination. It is home to some weird and wonderful creatures and perfect for those of you looking to mix a little more adventure with your romance. Mythological creatures, endangered lemurs, unspoilt beaches and rainforests ensures that Madagascar has a little something to bring out the adventurer in you. Belo Sur Mer is the perfect romantic introduction to the island. This tiny fishing village offers peace and tranquility. It serves as a beautiful home base as you take day trips to the numerous national parks and attractions around the area. If you’d like to take experience the color drenched Baobabs at sunset or the thriving wildlife then stay at Mandrare River Camp. Alternatively you could explore forest-lined coves and secluded beaches at Manafiafy Beach and Rainforest Lodge.

South Africa

South Africa is filled with a wealth of opportunities for the romantic at heart. Blessed with beautiful beaches, picturesque mountain ranges, endless vineyards and sprawling semi-desert regions makes South Africa a one-stop destination for honeymooners and romantics alike. Start your trip in Cape Town. Experience the glorious Cape Town sunsets from the shores of one of its idyllic beaches or from the top of the legendary Table Mountain. The Twelve Apostles Hotel, situated along one of the most beautiful shorelines in the world is the ideal spot to cater to all your romantic needs. Those of you looking for something a little different can head inland to the world famous Kruger National Park. This is the true jewel in the South African crown. Home to a multitude of plants and animals, the main attraction is undoubtedly the Big Five. Local Safari Game Lodges offer you unrivaled luxury and a unique safari experiences. It is here that there are so many fantastic places for you and your partner to experience the lives of its many wonderful creatures.

 

About the Author

Mark Norman grew up on a farm in South Africa and continues to find joy in immersing himself in the great outdoors. Passionate about animals and conservation, Mark is a capable outdoorsman and works at Pondoro Game Lodges where is able to make a living doing the things he loves most.