“I feel it’s best to look at this story critically from two angles. The first is the merits of the writing, which should of course remain paramount. In this, Tubosun does very well. He captures the dry absurdity of a potentially terrible situation, and the ending is remarkable in its pathos. I believed both the matter-of-fact and slightly sympathetic tone of the nurse, and I believed the narrator’s feelings when he hoped he did not have the illness, but suspected that, because of his life and where he lived, he might. Tubosun alternates between writing with very plain, ordinary language, such as when a conversation occurs, and larger, quite grand sentences which seek to encompass the tumultuous shifts of emotions experienced by the narrator. He is adept at both, and perhaps most importantly, knows when to use which. When the narrator talks to the nurse, the writing becomes short and sharp because the narrator himself is tense with anticipation, he must be calm, because if he is not – collapse. When he retreats within himself, his conscious is allowed to expand, and so, too, does the writing, Tubosun’s sentences uncoiling like languorous snakes willing to take their time to reach their destination.”
Culled from Damian Kelleher’s review of my story in African Roar. Read the rest here.
