Photography Exhibition

Two of my photos (not pictured) will feature this month at the Edwardsville Art Centre’s “Two Juried Art Competition” taking place between February 17 to March 16, 2012. Sometime this evening, I wrote an artist statement to accompany the work. It’s a short treatise on my motivation, and on the theme of movement.

Please drop by to have a look, or to buy the artworks, if you find yourself in this part of town between February 17 and March 16. I look forward to the event – the first time any of my photos is being publicly exhibited anywhere.

Village Boy

Evenings come with breeze, silence and dust. Across the sky are slivers of brown rustiness finally settling on the town after a long day’s work. A road passes in front of the wooden shack where men young and old sit down to banter in merriment, often with their shirts off. The women sit in groups petting children. When darkness falls and all that lights the day is the moon up in the sky, voices move up and down in modulations that carry the weight of their vain deliberations.

The village is a study of contrasts. On the one side of it is a sprawling mass of huts covered with brown rusted roofs. In the middle of this side of town, also called Aba, was the Christ Apostolic Church – perhaps the only modern building there. Aba burns the eyes with the brown of its thatched huts and of its children’s feet. In a bustling afternoon, the sound of goats and chicken compete with the trail of their smell from one street to another up until the foot of the agbalumo tree…

One hour of traipsing around these edges of the village eventually finds a seven year old boy back at home – a different part of the town. The house overlooks a long equally dusty street that runs from a clinic down to the right hand of the observer to the other part of the village where the barber lives. There is a certain magic in living around here. Grown folks played practical jokes on little children and on each other. A day earlier, on his way back from wandering around the village, he was stopped on the pavement of a certain house where another young boy was being shaven. His head was already bald.

“It’s your lucky day, young man.” A man volunteers. “Stay right where you are. What are you doing around here all by yourself?”

“I was coming from around there. I am going home over there.”

“Why were you staring?”

It is always hard to know where adult conversations were leaning.

“I wasn’t staring. I was on my way home.”

“Like I said, it is your lucky day. All young men your age are being circumcised today.”

What?

“You look frightened. Come closer and sit down here. We’ve been told to go around circumcising all young men like you around town.”

It took a whole minute, then he took off as fast as he could. He never looked back until he got home, panting like a dog. For a long time that evening, he would wonder how grown people managed to make such brutal jokes that seemed at the expense of poor helpless kids scared half to death. And for a longer time after that, he would begin to take a different route home while wandering around the village, but always with a lingering fear that he was not totally out of the grip of mentally bullying elders.

Giving Descriptions

Sometimes yesterday across the dining table at a colleague’s house, this conversation took place among seven people of different nationalities. It is a discussion of how to ask for directions, and what the result usually is, in different countries.

You approach someone to ask for directions…

Rabat, Morocco: In order not to seem rude, the person you have asked would give you an elaborate description of the place you are supposed to be going. When you finally get there, you will find out that it had been a wrong description and your guide had given you that description in order to save face.

Lagos, Nigeria: Your guide ignores you, thinking that you’re a criminal with a malicious intent. Or, waits for you, then defrauds you in some way. Or sends you on your way with a wrong description. Or sends you on your way with a right description. Depends.

Cairo, Egypt: Same as in Rabat, or Lagos, depending on where, and whom.

Honduras: Your guide doesn’t know the way to where you are going. S/he doesn’t say so. Both of you then go to a third person to ask. The third person doesn’t know either, so the four of you look around for another person to ask. Depending on how long it takes you to find who knows the way, you may have a dozen people walking down the street looking for directions to the place where only one person is going.

 

The Lovejoy Connection (2)

Elijah Lovejoy (after whom the Library at the Southern Illinois University was named) became the first (white) victim of the American Civil War when he was killed by a mob in Alton in 1837.

He was thirty-five years old, a Presbyterian minister, publisher and activist.

These are pictures from a visit to the Elijah Lovejoy monument (and city cemetery), about twenty minutes away from here.

The cemetery had some of the most peculiar European names we had ever seen, some long, some short. Many of them are most likely no longer used. It also boasts of a certain serenity guarded by a few commemorative plinths overlooking the cemetery and the Mississippi river down below.

Kano, Nigeria.

News from the BBC, and Reuters, at the moment says that there have been about 20 bomb blasts in the northern Nigerian city of Kano. A phone call to a friend in Kaduna confirmed the story of smokes and gun fires in police stations. The culprit is Boko Haram, the shadowy terrorist group mortally opposed to everything western, except guns and explosives.

Just a week ago, the federal government had sent soldiers to the streets in many cities to prevent the peaceful “Occupy Nigeria” protesters from becoming a nuisance to government business. This news of renewed violence by the real threat to the nation’s progress only highlights the negligence that everyone have long decried. It shows the out-of-touchedness of those that sleep in the government house in Abuja.

Whatever happens as that country goes through this violent wringer of a reform, here is hoping that what remains is still recognizable to those of us who still call it home.