Living the Toulousain life: My French Integration Experience

By Tolúlọpẹ́ Ọdẹ́bùnmi

In the culture I grew up in, you were trained to look out for a signal from God, nature, the gods or whatever (you choose) especially when you are making and taking a serious decision. My move to Toulouse (Midi-Pyrenees), a southern city in France was one of such decisions I needed to consider carefully. I had been studying in Houghton Michigan for a few years, so it felt like a needed a new adventure.

With friends in downtown Toulouse

As a Nigerian, I needed a visa to live and work in France. My visa got approved so I took that as a good sign only for me to miss my flight on the day of departure because I had overslept having spent the previous night doing some last-minute packing for the trip. As if that wasn’t bad enough, I almost got on the flight out of the little old town I lived in the following day although I arrived late again. But alas, I was told that the flight attendant would be needing my seat as hers was damaged so “we’re sorry you can’t get on the flight, but you might still be able to fly out to Chicago from a neighboring city.” I was angry, confused and wondered why life had to be so unfair! My dear friend who dropped me off at the airport had left, but luckily enough I got a ride back home from a stranger. Did I mention that the neighboring city was almost 4hrs away? We made it to Central Wisconsin Airport, Wausau in good time for my flight. Upon arriving in Chicago, I thought to myself, “now you are finally on your way to France.” However, I was told by Aer Lingus Airlines that I needed a transit visa to travel through Ireland which I didn’t have thanks to my travel agent who thought that I was American 😊. My world almost came crashing down, I couldn’t believe that the ‘village people’ (a Nigerian term for negative spiritual forces) were still trying to come after me. I didn’t burst out crying but I shed a tear or two as I walked away from the airlines counter at O’Hare airport. I made some calls and the situation got fixed. My sponsors had to buy me a new flight and this time, I would be travelling through Germany and not Ireland. I thought that I might avoid Ireland for a while, little did I know that an Irish man was waiting for me in Toulouse.

At place du Capitole

On August 26, 2019, I arrived in Toulouse. It was a warm evening, the airport was moderately busy considering the time of the day it was, French was flowing all around me, but I couldn’t swim in it. That was when it suddenly dawned on me that I had set myself up for something wild. I boarded the tram from la aéroport to Palais de justice. From there, I got a bus to my final destination. Right from when I arrived my broken French was tested, and I also pushed my luck because in my imagination most French people should understand some English expressions so I should be just fine. How wrong was I? The lady who directed me to the bus stop at Palais de justice had been on the tram with me, a young French-Arabic who spoke no words of English but still bothered to speak French to me and used a lot of gestures. Someone else who spoke English on the tram had explained my ordeal to her and so my co French-Arabic passenger had taken it upon herself to help me. I was glad for their kindness but frustrated as I could see a glimpse of what the life of an Anglophone might look like here.

From day 2 in France, google translate became my best buddy. I listened to the voice translation and practiced expressions ahead of a potential interaction in French. Every so often, I blurted out “Tu parles anglais?” Or “Vous parlez anglais s’il vous plaît?” (in a formal context) = Do you speak English? Hoping to be transported back into my Anglophone world. My cliche expression worked sometimes but not nearly enough to make me let my hair down.  

A few days upon my arrival, when I showed up for work, my hopes were renewed because my team was made up of native English speakers. Once again, I could express myself freely without feeling inept. Work turned out to be my safe haven since my job was to speak and teach English. The experienced members of my team were very helpful in guiding me and the other newbies into the expatriate resources in Toulouse. The word expatriate had never been associated with me but now as a Nigerian studying in America, I was considered as an expatriate in France where I was offering my English communication skills to French university students. I joined different English-speaking community groups on Facebook, such groups were a constant reminder that many people out there were trying to figure out the French system just like me and I didn’t feel all alone.

The reality of English language in France

Pont Saint- Pierre

The truth is, France is a rich country that educates its citizens entirely in French at all levels of education but can also afford to teach students English starting from primary school. However, many students do not get the opportunity to use and practice their English beyond the classroom so many of them are not likely to improve their English skill to a comfortable intermediate level. Except for kids who were raised bilingual (often with one English parent, or kids of English origin living in France). A good question to ask is why should the average French person care about the English language when they have all that they need available to them in French? A lot of resources are pumped into translation efforts in the French society. Many books, novels, journals, movies, news gets translated into French. Furthermore, prolific dubbing of French over English digital materials makes Grey’s Anatomy (the dubbed version) readily available on TV. I once turned on the TV, saw Johnny Depp’s Pirates of the Caribbean was being aired, only for me to hear some strange voice when Johnny Depp was supposedly speaking. That was when I realized that it was the dubbed version. Another time, I walked into a lovely librairie (bookstore), in Montauban (a neighbouring town from Toulouse). This store was well furnished with print, digital and multimedia resources of various genres, of course all in French. It was fascinating to see the French version of some novels written by Nigerian authors. 

English is used in addition to French

Despite the large number of English speakers in major cities like Paris, Lyon,Toulouse, Bordeaux, Marseille etc. The English as a Foreign Language (EFL) status undermines the visibility of English in the French society. One might expect that major companies and businesses would have English services just like services in Spanish is a norm in the USA but that is not the case. As an Anglophone, I get lucky every once in a while, when I come across a service provider who is willing to use their English. It doesn’t help that there is a subtle resistance to the English language and in some cases overt resistance. For example, Académie Française is responsible for keeping the French language updated and relevant. They constantly work on metalanguage, hoping to reduce the influence of English on French. The interesting thing is that the English language has borrowed so much from French, the two languages even share some cognates. For this reason, faux amis (literally meaning false friends) is a challenge for English speakers learning French and vice-versa. Yourdictionary.com defines faux amis as “one of a pair of words in different languages or dialects that look related but differ significantly in meaning. Some common examples are jolly in English and jolie (pretty), medicine and médecin (doctor), actually and actuellement (at present) among others.

Picnic by the garonne

For sure, English seems to thrive in the French advertisement channels especially in print ads and display ads with English words embedded in them, English phrases somehow find their way into advertisements. Many young French people love English movies. They are quick to mention Neftlix when you ask how they have been working to progress their English skills. The problem is Netflix feeds you movies that do not necessarily engage you. I suggested to a few students that a better way to get more out of Netflix was to see an English movie and then talk to someone about it in English or even write about it in English. In the language acquisition process listening comes before speaking, so you can watch a foreign movie with or without subtitles if you’ve got some level of competence in it and understand most of the storyline. The actors’ gestures as well as other actions or movements you see give you a hint of what’s happening.

The Attitude

At Asa’s concert

The general attitude towards the English language is positive among the young people (especially students since they have to learn it at school anyway) Interestingly, the Macron administration seem pro-English such that the President has been criticized for embracing “English too much.” For instance, the President Macron tweets in English when abroad, grants interviews in English which offends the French language purists. In fact, the French language conservatives believe that the English language is a big threat to the French Language. Afterall, the English language has been called ‘the killer language’ by some Linguists. This fear of French going into extinction is outrageous in my opinion considering that it is a language spoken by about 300 million people (mostly in Africa), serves as the official language in 29 countries and is the sixth most widely spoken language in the world after Mandarin Chinese, English, Hindi, Spanish and Arabic. Maybe this fear keeps the French on their toes and gives them a reason to continue to perpetuate language imperialism or do some people call that globalization? 😉 

The fact that some universities in France offer programs in English, such as an MBA program among others is undoubtedly a friendly gesture to encourage Anglophone students in France. But what is the point not being unemployable upon completing one’ studying and because of deficiency in French language? This has been the experience of several students The pickup line is that you can study in private universities in English, but no one tells you your lack of French will lead to no “good” except you plan to leave the country immediately after your studies. Honestly, graduates in Engineering or STEM fields have higher chances of getting jobs that doesn’t require speaking French.

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 Portraying a positive attitude towards English language

Conclusion

With colleagues at an Ethiopian restaurant

France is culturally rich, has a diverse immigrant population and stands as an imperial force in the world today. My appreciation for good cuisine or gastronomy, nature and openness to pets increased from living and experiencing the French way of life. I enjoy baguette, croissant nature but not chocolatine a specialty in Toulouse because I am not a chocolate person. Now, I can properly ask to buy something at the boulangerie without being corrected for wrong grammar – I now say “bonjour, une baguette s’il vous plait and not un baguette ☺ I have also learned about the galettes du fête among other French food and pastry traditions.

Living in Toulouse has helped me reflect on questions like who has the privilege of resisting a (foreign) language, as in the case of English in France. Many people around the world never learn to read and write their mother tongue because of scarce resources but globalization order ensures that some countries remain wealthy while others scramble for leftovers from the wealthy ones. France continues to reassert her dominant power structure and culture on its residents both directly and indirectly. Who is to blame? Those who succumb to linguistic oppression like me? Another thing is does merely speaking the French language make one French? 

I consider myself privileged to have my level of education and access to opportunities allowing me to master the English language (especially the Nigerian variant). With my international exposure and education, I have observed the fascinating nature of other Englishes like the American, Indian, Ghanaian, British among others. In the same way, I have been exposed to varieties of French dialects and accents from the Caribbean or French Islands, Africa, Italy, Latin America. These varieties have become music to my ears since I am only aware of the mixed melodies but can’t really join in the conversation and interact casually with strangers except in simple sentences. This loss of meaningful interaction, feelings of isolation when surrounded by people speaking, laughing out their hearts be it at the park, the busy streets of downtown Toulouse, or on the metro sends my mind to translation mode especially if I am perceiving connected speech which I struggle to catch up with so that the rhythm around me brings a longing of the faraway atmosphere that I once knew- what home was felt like, at least the romanticized version. In spite of the daunting disconnect due to the language barrier, my love for language keeps me motivated to learn French, thanks to my companion Duolingo. Living in a Francophone country as an Anglophone made me realize that being fluent in three languages may not be enough, it just depends on where you find yourself. My multilingual identity is submerged by my baby French level.  What is the point of language without the freedom to rap out your soul, say something pressing on your mind, engage in and with your community, feel heard, help out a lost stranger on the street etc?

 

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Tolulope Odebunmi is a communications strategist, a trained linguist and an educationist from Toulouse, France. Her interests include geopolitics and globalization, development issues and popular culture. She was a Fulbright Foreign Language Teaching Assistant (FLTA) at Michigan State University, USA. She enjoys learning, travelling and problem solving. 

Platform Slot Online: Panduan Modern untuk Akses Gaming Digital dan Hiburan yang Bertanggung Jawab

Dunia gaming digital terus berkembang dengan sangat cepat, menciptakan lingkungan hiburan online yang semakin terkoneksi dan mudah diakses oleh berbagai kalangan. Di antara begitu banyak bentuk hiburan agendunia55 yang tersedia saat ini, permainan bergaya slot masih menjadi salah satu format yang cukup dikenal berkat mekanismenya yang sederhana, visual penuh warna, tema yang imersif, serta format permainan yang praktis dan cepat. Menanggapi tingginya minat tersebut, berbagai platform modern mulai berfokus pada akses yang lebih lancar, tampilan responsif, navigasi sederhana, serta pilihan konten permainan yang semakin beragam.

Saat ini, sebuah platform gaming online diharapkan mampu memberikan lebih dinasti33.xyz dari sekadar kumpulan permainan. Pengguna semakin menginginkan pengalaman yang terasa rapi, stabil, transparan, dan nyaman digunakan melalui berbagai perangkat. Baik mengakses platform menggunakan komputer desktop, tablet, maupun smartphone, pengalaman secara keseluruhan dapat dipengaruhi oleh kecepatan loading, desain antarmuka, struktur navigasi, serta seberapa jelas informasi yang ditampilkan.

Perubahan tersebut mendorong layanan gaming online untuk menerapkan pendekatan eslot yang lebih modern. Alih-alih membuat pengguna pusing dengan menu yang rumit atau informasi yang terlalu berlebihan, banyak platform kini mengutamakan tampilan bersih dan navigasi yang intuitif. Antarmuka yang dirancang dengan baik memungkinkan pengunjung memahami lokasi berbagai bagian situs tanpa harus membuang banyak waktu untuk mencari-cari halaman yang dibutuhkan. Dalam lingkungan digital yang serba cepat, kesederhanaan seperti ini ternyata bisa memberikan perbedaan yang cukup signifikan.

Peran Platform Gaming Online yang Terus Berubah

Platform gaming online telah mengalami perkembangan yang cukup besar https://eslot.sbs/ sejak masa awal hiburan internet. Situs-situs generasi lama biasanya lebih berfokus pada penyediaan akses menuju permainan tertentu, sedangkan layanan modern cenderung memberikan perhatian lebih besar terhadap keseluruhan perjalanan pengguna. Mulai dari saat seseorang membuka situs hingga menjelajahi konten yang tersedia, setiap tahap semakin dirancang indobet dengan mempertimbangkan aspek aksesibilitas dan kenyamanan.

Sebuah platform modern dapat menghadirkan berbagai kategori hiburan bergaya slot, dengan masing-masing kategori memiliki identitas visual dan struktur permainan yang berbeda. Beberapa judul mungkin https://indobet.cfd/ menggunakan desain klasik yang terinspirasi dari simbol buah, sementara lainnya mengangkat tema fantasi, petualangan, mitologi, konsep futuristik, atau nuansa sinematik. Keragaman tersebut memberikan kesempatan kepada pengguna untuk mengeksplorasi berbagai gaya permainan sesuai dengan preferensi masing-masing.

Namun, memiliki banyak permainan tidak otomatis berarti situs indobet memberikan pengalaman yang lebih baik. Pengorganisasian konten tetap menjadi faktor penting. Koleksi permainan yang sangat banyak justru bisa terasa merepotkan apabila kategori, fitur pencarian, dan deskripsinya tidak disusun dengan jelas. Karena itu, platform yang mampu mengatur kontennya secara efektif dapat memberikan pengalaman browsing yang jauh lebih nyaman.

Konsistensi juga menjadi faktor penting lainnya. Pengguna pada umumnya mengharapkan halaman dapat berfungsi dengan baik, tombol memberikan respons sebagaimana mestinya, dan informasi penting tetap mudah ditemukan. Stabilitas teknis akhirnya menjadi bagian penting dari keseluruhan pengalaman digital, bukan sekadar fitur tambahan yang boleh diabaikan.

Akses di Berbagai Perangkat Modern

Smartphone telah mengubah secara fundamental cara orang menikmati hiburan online indowin88jp. Jika dahulu platform gaming lebih identik dengan komputer desktop, kini berbagai layanan digital dapat diakses melalui browser mobile maupun perangkat portabel lainnya. Perubahan ini membuat desain responsif menjadi bagian yang sangat penting dalam pengembangan situs modern.

Platform responsif seharusnya mampu menyesuaikan tampilan dengan berbagai ukuran layar tanpa membuat navigasi menjadi ribet. Teks harus tetap mudah dibaca, tombol ditempatkan pada posisi yang nyaman, dan bagian penting tetap dapat diakses tanpa harus melakukan scrolling atau zooming secara berlebihan. Detail seperti ini mungkin terlihat sepele, tetapi memiliki pengaruh besar terhadap kenyamanan penggunaan.

Kecepatan loading juga tidak kalah penting. Pengguna internet rajapoker saat ini sudah terbiasa dengan situs yang memberikan respons cepat, sehingga halaman yang lambat dapat langsung menimbulkan rasa kesal. Struktur halaman yang efisien, media yang telah dioptimalkan, serta antarmuka yang ringan dapat membantu menciptakan pengalaman browsing yang lebih smooth.

Pengguna modern juga semakin memperhatikan keamanan dan privasi. Sebelum berinteraksi dengan sebuah layanan gaming online, seseorang mungkin ingin mengetahui bagaimana informasi pribadinya dikelola, kebijakan apa saja yang berlaku, serta apakah platform tersebut menjelaskan ketentuan penggunaannya dengan jelas. Komunikasi yang transparan dapat membantu pengguna mengambil keputusan yang lebih tepat mengenai apakah suatu layanan sesuai dengan kebutuhan mereka.

Mengenal Hiburan Bergaya Slot

Permainan bergaya slot umumnya dikenal melalui konsepnya yang sederhana https://rajapoker.top/. Pemain berinteraksi dengan reel atau mekanisme visual sejenis, sementara simbol dan kombinasi tertentu menentukan hasil yang ditampilkan berdasarkan aturan masing-masing permainan. Meskipun memiliki fondasi yang cukup sederhana, pengembang modern telah menghadirkan grafis, animasi, efek suara, dan elemen tema yang semakin canggih.

Variasi tema menjadi salah satu alasan mengapa permainan seperti ini masih mendapatkan perhatian dalam industri hiburan digital yang lebih luas. Pemain yang menyukai desain tradisional mungkin lebih menikmati tampilan klasik, sedangkan mereka yang tertarik dengan dunia fantasi atau fiksi ilmiah dapat memilih pengalaman visual yang benar-benar berbeda.

Fitur permainan juga dapat memiliki variasi yang cukup besar. Beberapa judul menghadirkan ronde bonus, simbol yang dapat berkembang, animasi khusus, maupun konfigurasi reel yang berbeda. Fitur-fitur tersebut membuat setiap permainan terasa memiliki karakter tersendiri meskipun konsep dasarnya tetap serupa.

Meski begitu, penting untuk membedakan fitur hiburan dengan hasil yang dijamin. Tidak ada platform gaming yang sah yang dapat menjanjikan bahwa seseorang pasti mendapatkan nominal kemenangan tertentu atau memperoleh hasil yang sudah dipastikan. Hasil permainan ditentukan oleh mekanisme dan aturan masing-masing game. Karena itu, pengguna sebaiknya memandang aktivitas tersebut sebagai hiburan, bukan sebagai cara yang dapat diandalkan untuk menghasilkan uang.

Transparansi Itu Penting

Transparansi semakin menjadi aspek penting dalam lingkungan gaming online slotvip. Platform modern sebaiknya menyediakan informasi yang relevan secara mudah dan wajar, bukan menyembunyikan ketentuan penting di balik bahasa yang membingungkan atau navigasi yang berbelit-belit.

Syarat dan ketentuan yang jelas, informasi privasi, panduan bermain secara bertanggung jawab, serta berbagai batasan yang berlaku dapat membantu pengguna memahami layanan yang sedang mereka gunakan. Pendekatan seperti ini juga menciptakan kesan yang lebih profesional karena pengunjung dapat memeriksa informasi penting sebelum memutuskan untuk melanjutkan.

Bahasa promosi yang digunakan sebuah platform juga perlu diperhatikan. Pernyataan promosi yang terlalu agresif dapat membangun ekspektasi yang tidak realistis, terutama ketika menggunakan klaim seolah-olah kemenangan dapat dijamin atau seseorang dapat terus memperoleh keuntungan besar secara konsisten. Pendekatan yang lebih bertanggung jawab adalah menjelaskan fitur hiburan secara akurat tanpa memberikan janji yang tidak dapat dibuktikan secara masuk akal.

Hal tersebut semakin relevan dalam industri yang informasi promosinya dapat menyebar dengan sangat cepat melalui mesin pencari maupun media sosial. Audiens modern semakin mampu mengenali klaim pemasaran yang berlebihan, sehingga keaslian informasi dan kejelasan komunikasi menjadi nilai yang semakin penting.

Menciptakan Pengalaman Digital yang Lebih Bertanggung Jawab

Hiburan yang bertanggung jawab seharusnya tetap menjadi bagian dari pembahasan ketika membicarakan gaming online. Permainan bergaya slot melibatkan unsur peluang, sehingga pengguna perlu memahami bahwa hasilnya tidak dapat diprediksi secara pasti. Pengeluaran sebaiknya tetap berada dalam batas kemampuan pribadi dan aktivitas gaming tidak boleh mengganggu kebutuhan finansial utama.

Pendekatan yang sehat adalah menganggap gaming digital sebagai aktivitas rekreasi tambahan, bukan sebagai sumber pendapatan. Pengguna sebaiknya menghindari kebiasaan mengejar kerugian atau meningkatkan pengeluaran hanya karena sebelumnya mengalami hasil yang tidak sesuai harapan. Mengambil jeda secara berkala juga dapat membantu menjaga perspektif dan mencegah aktivitas hiburan berkembang menjadi sesuatu yang berlebihan.

Batasan usia dan peraturan lokal juga menjadi hal yang penting untuk diperhatikan. Peraturan mengenai gaming online dapat berbeda secara signifikan antara satu wilayah dengan wilayah lainnya. Oleh sebab itu, pengguna perlu memastikan bahwa aktivitas yang dilakukan sesuai dengan ketentuan hukum yang berlaku di lokasi masing-masing.

Platform juga dapat mendukung perilaku yang lebih bertanggung jawab dengan menyediakan informasi yang jelas dan membuat kebijakan terkait mudah ditemukan. Ketika informasi mengenai responsible play menjadi bagian normal dari pengalaman pengguna dan tidak disembunyikan, lingkungan digital dapat terasa lebih seimbang dan informatif.

Mengapa User Experience Tetap Penting

Platform modern yang kuat biasanya memahami bahwa hiburan digital tidak hanya berbicara mengenai jumlah permainan. Koleksi game yang sangat besar tidak akan memberikan banyak manfaat apabila pengunjung kesulitan menavigasi situs atau tidak dapat menemukan informasi yang mereka perlukan.

User experience yang baik merupakan kombinasi dari berbagai elemen, termasuk navigasi intuitif, desain responsif, konten yang mudah dibaca, stabilitas teknis, serta komunikasi yang transparan. Ketika seluruh elemen tersebut berjalan secara harmonis, pengguna tidak perlu menghabiskan terlalu banyak waktu untuk memahami cara kerja sebuah situs dan dapat lebih fokus mengeksplorasi konten hiburan yang tersedia.

Prinsip tersebut sebenarnya merupakan bagian dari tren yang lebih luas di dunia internet. Pengguna kini semakin mengharapkan situs yang cepat, bersih, mobile-friendly, serta mudah dipahami. Platform gaming online pun tidak terkecuali.

Masa depan gaming digital kemungkinan akan terus bergerak menuju antarmuka yang lebih personal, pengalaman mobile yang semakin baik, konten visual yang lebih kaya, serta perhatian yang lebih besar terhadap transparansi. Teknologi akan terus berubah, tetapi prinsip dasar pengalaman digital yang baik kemungkinan tetap sama, yaitu aksesibilitas, kejelasan, keandalan, dan penggunaan yang bertanggung jawab.

Melihat Perkembangan ke Depan

Sektor slot online dan gaming digital masih menjadi bagian dari ekosistem https://slotvip.cfd/ hiburan yang berkembang dengan sangat cepat. Teknologi baru, standar desain yang terus berubah, serta ekspektasi pengguna yang semakin tinggi akan terus memengaruhi cara berbagai platform dibuat dan dikelola.

Bagi pengguna, pendekatan yang paling bijak adalah tidak hanya terpaku pada bahasa promosi yang terlihat menarik, tetapi juga memperhatikan kualitas platform secara keseluruhan. Antarmuka yang jelas, performa teknis yang stabil, informasi yang mudah diakses, serta prinsip hiburan yang bertanggung jawab memberikan fondasi yang jauh lebih bermakna dibandingkan sekadar janji promosi yang berlebihan.

Pada akhirnya, gaming online modern semakin bergeser dari sekadar menyediakan akses menuju permainan menjadi sebuah pengalaman digital yang lebih lengkap. Platform yang memahami perubahan tersebut dapat menciptakan lingkungan yang terasa lebih praktis, transparan, dan engaging sekaligus menghindari pembentukan ekspektasi yang tidak realistis.

Seiring perkembangan industri, pengguna dapat mengharapkan layanan gaming https://www.ktravula.com/2023/06/learning-about-nigerian-libraries/ yang semakin canggih. Namun, partisipasi yang bertanggung jawab tetap menjadi hal yang sangat penting. Hiburan seharusnya tetap menyenangkan, terkendali, dan sesuai dengan kondisi masing-masing individu.

Dengan demikian, pengalaman gaming modern tidak hanya ditentukan oleh kualitas grafis, variasi permainan, atau kemudahan akses. Cara sebuah platform berkomunikasi dengan audiensnya juga memiliki peranan besar. Dalam lingkungan digital yang semakin kompetitif, kepercayaan, kemudahan penggunaan, transparansi, dan desain yang bertanggung jawab dapat memberikan kesan jangka panjang yang jauh lebih kuat dibandingkan sekadar hype promosi yang hanya bertahan sementara.

Learning about Nigerian Libraries

This was written in early 2020 and it was never published — in part because of the global pandemic that started shortly after, but mostly because it was supposed to be a private record of my trip to learn a bit more about the state of libraries and documentation in my country while I worked as a research fellow at the British Library in London. I’d always been fascinated by libraries and their role in the preservation and reinforcement of culture and history (Here’s one of my last visits to the best small library in America in 2010) so working at the BL brought many of my questions and curiosities to the fore. I went back to Nigeria to connect some dots that hadn’t yet made sense. I found the report in my drafts yesterday and I realised that it does stand alone as an important record. Still not satisfactory of all the queries I had then, it remains important as a guidepost to anyone else interested in the issues. Also, since then there have been some new private efforts in documentation in Nigeria, one of which is Archivi.ng, which gives me hope for the future.

***

I spent much of my time in Lagos between February 12 to March 1, 2020, learning about the library and archival culture in Nigeria. Until my fellowship began last September, I did not even know that there was a National Library in Nigeria, where it was located, or whether it was accessible for use. This was partly because I never looked, and also because — if it existed — enough work hadn’t been done to make citizens aware. 

When I was in high school, the closest ‘library’ around me was a private one, run by the Association of Reproductive and Family Health (ARFH) which owned the building in which it was located. They had made contact with my school as a way of introducing teenagers to information about reproductive health. So after school, we went to the building, where we could borrow books, spend some time in the reading rooms, join reproductive health clubs, and participate in a number of activities that complemented our learning in school. If there were public libraries in Ìbàdàn at the time — and my knowledge now shows that there were — I had no idea. At least in Ìbàdàn, there is a state library, a publicly funded library open to everyone. But it was centrally located and far from where my school was.

But on return to Lagos this February, I was more interested in learning about the National Library, which I believed would be the equivalent of the British Library in the UK — an organisation which collected all the books published in the country, which ostensibly had a record of all the books that have ever been published, had accessible reading rooms, and served about the same purpose as the BL does in the UK. 

Through social media, I found that there was an office located in Yaba in Lagos. So I drove there on February 21. It was located off Herbert Macaulay Road, in an alcove that made it easy to miss from the main road. Even the sign had been obstructed by a half-broken fence and an electric pole. Still, there it was. The compound was big enough to allow for parking. The building itself was spacious and the visit looked promising. Outside, by the fence, were a couple of students reading on small tables. 

At the National Library branch in Lagos

On my way in, I noticed shelves and cupboards placed outside, and in positions that suggested that some renovation was going on. This would be confirmed later. The Library was out of service on this day. Some renovation was going on that would not be complete for a few weeks. So only a few skeletal services were available. Even the director was not around. But I found two officers who would speak to me and answer some of my questions. 

One of the things I was curious about was Legal Deposit, the law that mandates that every book published in the country be sent to the National Library for keeping and archiving. I knew, by having read up on it (some links are online here, here, and here), that the law existed in Nigeria, but I didn’t know how it worked on the ground. I was also curious about how it was being implemented. 

In Nigeria, the law mandates at least three copies of books to be sent to the National Library in the state where the book was published. There are 27 branches of the National Library though more are being considered for the other states. The plan, according to the person who attended to me, was to have a branch in each of the 36 states in Nigeria. These three copies are then sent from the local branch to Abuja, the headquarters, where a bibliographic record is made, after which one of the copies of the book is retained in Abuja, one is sent to the Kenneth Dike Library at the University of Ìbàdàn, while the final one is sent randomly to any one of the 27 branches around the country. 

The Nigerian Legal Deposit law, it seems, stems from the fact that the Nigerian National Library is also the source of all ISBN numbers issued for books about to be published. This is not the same in the UK. So maybe the thinking is that publishers hoping to continue to get ISBN numbers will hold up their own part of the bargain by continuing to send in published books as required by law. I was surprised to find that, in spite of this, there are still some publishers who either forget or choose not to send in their required legal deposit. The woman who spoke to me said that there are some enforcement mechanisms to take care of this. Visits are often made to these publishers to remind them of their responsibilities.

So, because copies sent to the branches are selected randomly, no branch in the country has all the titles published that year. And none can boast of having copies even of the books published in the state. I found it interesting. I was also fascinated by the new discovery that the library in my alma mater, the University of Ìbàdàn — called Kenneth Dike Library — had copies of all the books published in the country since the establishment of the National Library in 1964 or even earlier. The suggestion was that even colonial legal deposit materials would be there. And so I arranged to visit it. But I was also interested in visiting the Ìbàdàn branch of the National Library, if only to compare the services, the environment, and the structure. I was also interested in at least making a connection, for the British Library, with the curators there.

At the National Library Branch in Ìbàdàn

The Ìbàdàn branch of the Library is at Iyaganku, across from the Customary Court of Appeals. It had a wider compound. The building used to be a residential house for one of the country’s earliest leaders and politicians. It was said that Anthony Enahoro once lived there. Even the compound of the Customary Court once hosted the second Premier of the Western Region, Chief Ládòkè Akíntọ́lá, who was murdered there during the first coup d’etat in January of 1966.

On the fence on my way in was the poster for an event that happened many months earlier inviting the general public for a sensitization workshop “on Legal Deposit Compliance and ISBN & ISSN”  Inside, after parking, I got in, and met a number of workers there who showed me the reading rooms, the storage rooms, and answered a number of questions I had about the challenges they have with running the place, attitudes of users, the state of libraries in Nigeria, and other things. They also asked me about the British Library, what I did there, and how to better create a collaboration between the two institutions.

The director wasn’t around on this day either, so I arranged to return, especially after seeing Kenneth Dike Library in Ìbàdàn.

At Kenneth Dike Library, University of Ìbàdàn.

KDL, as we often called it, is as old as the university itself. I had spent some time there as an undergraduate between 2000 and 2005. I just hadn’t known that it was also a library of archival records. Its role as a repository for all legal deposit materials was a revelation that I was interested in exploring.

Kenneth Dike Library, University of Ìbàdàn

I secured a meeting with the Head Librarian for a conversation. There was a strike action of non-Academic staff on the day I went there on February 25th, so she had some free time. We talked for almost an hour, some of which were productive. Mostly, she appeared either unfamiliar with the role of the Library as a legal depository for books from the National Library, or not understanding of my questions and follow-ups about where exactly one could find those books. The focus of the Library, she said, was on academic publications. Acquisitions are done only for publications that would help the students and professors in their research. All other materials — including fiction, history, or other “irrelevant” ones — are regularly pruned from the shelves to make way for these important ones. She also did not know much about colonial legal deposits, which I had been told at the Iyaganku branch of the National Library should also be in the holdings of the Kenneth Dike Library.

After a generally unhelpful conversation, I proceeded downstairs to speak to someone she had recommended had sufficient knowledge. This was Seun Obasola, who happened to have been my predecessor at the British Library as the Chevening Research Fellow. If the last hour had been frustrating, the next three were the opposite. Obasola, who had worked at the Library for over ten years, knew its ins and outs. She knew that KDL was, indeed, a repository for legal deposit materials from Abuja (and had an idea of where I could find them). She also admitted the already obvious fact that many people who currently work in, and occupy high administrative positions in, the Library might not always be the most knowledgeable about the location of many of its holdings. She pointed to me the storage areas where many archival and historical materials belonging to the Library from way back were stored, sometimes in terrible conditions. She is currently applying for an EAP grant to catalogue and digitize some of them. The sad fact, she said, was that there was just too much, and too little manpower. Thus, over time, materials just get piled up with no one knowing where they are or what to do with them. More funding, and more manpower would be very helpful. Not helped, also, is the fact that she herself was just about to begin another two-year fellowship in Canada, which may take her even farther from a place that needed her competence so badly.

Inside the KDL

It was a delight to hear that the catalogue records of KDL — at least of the materials that have been found and properly stored — was almost all available online through the online public access catalogue. Like the BLExplore page, one could search for any item in the KDL catalogue even without being on the physical premises. This is not the same for the Nigerian National Library, where manual cardboard catalogues are still being used. I was told that the Abuja office had an electronic record, but it just wasn’t online. It seemed unhelpful to think of a national library without a nationally-accessible catalogue, but that’s where we currently are. I have harboured the hope of one day meeting with the National Librarian, Professor Lenrie Ọlátòkunbọ̀ Àìná, whom I have been told is a progressive-leaning administrator, to discuss these questions. 

The Biggest Issues

It seems, from my experience during this visit, that the biggest issues in public library administration are funding allocation and management. 

The 2020 budget for the organisation was 2.9 billion naira (£6.12 million). This looks small compared to the annual budget of the British Library which is currently at £142 million but for what services it can offer in Nigeria, that is a lot. It is perhaps not efficient to have 27 branches (while aspiring to have 9 more). Current overhead costs are 227.9m naira (£480,965.24) which could probably be better used for acquisitions, digitization, storage, and other expenses. The capital expenses cost 1.6 billion naira (£3.37 million). From what I saw in Ìbàdàn and Lagos, which should certainly be the two most prominent centers apart from the HQ, that money is terribly spent. The computers don’t work. Those that work aren’t being used by students. The catalogues are still manual. There is no electricity or inverters to provide power. The generators are rarely on, and people who use the reading rooms are often in quasi-dark environments. The library’s branches do not pay for their own acquisitions, and often even turn their backs on donations, for lack of space to store and preserve the materials being donated. I would be interested in knowing what capital expenses were made with £3.37 million every year!

National Library in Lagos. The condition of book storage.

The other, of course, is leadership. Until I speak with the National Librarian, I will have nothing particular to say here. But I hope to in the future. He apparently has a home in Ìbàdàn, and comes around often, every few months. Putting the right directors at each center — who know what is right, and who are capable of better managing the funds allocated there — might be a way out. One, of course, needs transparency about how much is being allocated to each branch. None of this information was made available to me, for the obvious reason of my non-insider status. But there were insinuations, particularly by the lower members of staff that I talked to, that mismanagement was also a part of the problem.

Everyone I met had mentioned the Olúsẹ́gun Ọbásanjọ́ Presidential Library in Abẹ́òkuta as one model of a decently managed and decently run library in Nigeria. It was founded shortly after the tenure of the man in whose name it was built, who had then ruled Nigeria for the second time as a civilian president. It turned out that Chief Ọbasanjọ́ himself had been instrumental in securing the land for the permanent site of the National Library in Abuja, and was a passionate advocate for proper archiving and documentation in Nigeria. So I was intensely curious about meeting him. Unfortunately, my time in Lagos had run out by the time the necessary arrangements were made, and I could not make the trip to Abẹ́òkuta. I intend to do this on my return from the fellowship. The Presidential Library, according to those who have visited it, boasts of a number of relevant records in Nigerian political and social history, and also the life of its patron as well, who was imprisoned in 1995 on the accusation of being an accessory to a fabricated coup. He was freed in 1998 as part of the amnesty programme of the subsequent military administrator. He became a candidate for office that same year, and was elected president in 1999.

One of the limitations, I believe, in getting sufficient funding for the Nigerian National Library is the ban on fundraising. All the funds for running the Library is given by the government. The act setting it up also prohibits any fundraising of any kind. So people can use it “free”. The result of that is that if the money disbursed from Abuja is insufficient, the library and the books suffer. At the British Library, at least one could pay to become a member, or use venues in the Library, or buy food at the public cafeteria. The BL also gets private funding, for activities such as the Endangered Archives Project or the Eccles Center. Those help support the Library as a public institution. I saw no sign of any such public-private partnership with the Nigerian equivalent. Perhaps changing the laws to make this possible, and allowing the branches to make money through small services, will help improve their use and competence.

Conditions at the National Library in Lagos

There are a number of grants that have supported library work in Nigeria. A sign at the Yaba branch says “This e-Library Project is supported by the Universal Service Provision Fund.” In Ìbàdàn, I learnt about TETFUND, which is a fund dedicated to helping tertiary institutions in Nigeria. Kenneth Dike Library got some of it. EAP at the BL has also been named as a potential funder for some documentation projects. These and many more can be helpful if properly managed.

Other Libraries, Comparisms, Conclusions

In Nigeria today, especially in more metropolitan places like Lagos, private libraries and reading spaces are springing up. In the same Yaba, about a kilometre or so from the National Library, there is a new private library renovated by a private bank and used to host readers and other enthusiasts. Some public events have been held there as well, including the famous one where a Guinness Record was made in 2018. There are also state-controlled public libraries which, very likely, suffer from the same problem as the federal one. One of my favourite places to go in Lagos, of course, is the Ouida House. It is not a library per se, but a bookshop with a public-facing side. It also has a reading room that is accessible. 

A private library and reading space in Lagos Island

 

 

But in all, the library I found closest in ambition, scope, capability, and history, to the British Library is the Kenneth Dike Library in Ìbàdàn. With better funding and management, it might do even better. I suspect that the Hezekiah Oluwasanmi Library at the University of Ifẹ̀ comes real close, but I never got a chance to explore it either.

____

Thanks to Budgit for some of the budget figures I used here.

Panduan Modern untuk Akses Gaming Online dan Hiburan Digital

Dunia gaming online berkembang dengan sangat pesat bos67. Dari yang awalnya hanya dianggap sebagai aktivitas internet yang cukup niche, kini gaming telah berubah menjadi bagian besar dari ekosistem hiburan digital yang bisa diakses melalui berbagai perangkat dan dari beragam lokasi. Platform modern saat ini semakin menaruh perhatian pada kemudahan akses, desain responsif, waktu loading yang cepat, serta navigasi yang simpel dan user-friendly. Daripada haha303 menggunakan tampilan yang ribet dan bikin pengguna harus klik ke sana kemari, banyak layanan digital kini berusaha menghadirkan pengalaman yang lebih smooth agar pengunjung dapat menjelajahi konten yang tersedia dengan cepat sekaligus memahami fungsi setiap bagian dengan mudah.

Salah satu perkembangan yang paling terasa adalah semakin pentingnya hokihoki akses website yang praktis dan nyaman. Pengguna sekarang sudah terbiasa mengharapkan sebuah platform digital dapat berjalan dengan baik di smartphone, tablet, laptop, maupun komputer desktop. Halaman yang loading-nya lambat, navigasinya membingungkan, atau terlalu sering tidak dapat diakses tentu berpotensi membuat pengunjung langsung cabut. Karena itu, platform gaming masa kini umumnya mengutamakan tampilan responsif, menu yang lebih ringkas, serta fitur akses akun yang sederhana dan mudah dipahami.

Akses Website yang Praktis

Halaman akses alternatif juga sudah menjadi konsep yang cukup umum dalam lingkungan hokihoki.link. Ketika sebuah halaman utama mengalami kendala teknis, sedang menjalani maintenance, atau menghadapi keterbatasan akses di wilayah tertentu, operator layanan terkadang menyediakan alamat alternatif. Meski begitu, pengguna tetap harus memastikan bahwa alamat tersebut benar-benar resmi dan dapat dipercaya sebelum memasukkan informasi pribadi. Jangan asal klik koko11 link yang beredar di media sosial, aplikasi pesan, atau website yang tidak dikenal, karena tautan random seperti itu bisa membawa risiko keamanan yang sebenarnya tidak perlu.

Keamanan dalam Hiburan Digital

Aspek keamanan harus selalu menjadi perhatian utama ketika koko188 seseorang berinteraksi dengan platform hiburan online. Tampilan website yang modern dan terlihat profesional bukan berarti secara otomatis menjamin bahwa platform tersebut aman atau terpercaya. Pengguna sebaiknya memperhatikan koneksi yang aman, kebijakan yang transparan, bagaimana informasi pribadi dikelola, serta apakah tersedia saluran kontak yang jelas. Selain itu, hindari memasukkan koko288 password atau informasi privat lainnya pada website yang diakses melalui iklan mencurigakan maupun pesan yang datang tanpa diminta.

Perkembangan Desain Website Gaming

Desain website gaming online juga mengalami perubahan koko303 yang cukup signifikan. Platform lama sering kali menggunakan halaman yang penuh dengan banner, tombol, tulisan, dan berbagai elemen visual sekaligus. Sementara itu, pengguna masa kini cenderung lebih menyukai layout yang clean, kategori yang jelas, serta susunan visual yang membuat informasi penting langsung terlihat. Pengunjung idealnya tidak perlu melewati banyak halaman yang tidak relevan hanya untuk https://koko303.cfd/ menemukan informasi dasar. Perubahan ini sebenarnya merupakan bagian dari tren internet yang lebih luas, di mana kesederhanaan, kecepatan, dan kemudahan penggunaan semakin menjadi standar utama dalam desain produk digital.

Menemukan Game dengan Lebih Mudah

Kemudahan menemukan game juga menjadi bagian penting dari pengalaman koko33 modern. Sebuah platform online dapat memiliki berbagai macam kategori hiburan, mulai dari game digital, permainan bergaya arcade, pengalaman bertema olahraga, puzzle, casual game, hingga berbagai format interaktif lainnya. Interface yang tertata dengan baik memungkinkan pengguna menjelajahi kategori tersebut tanpa merasa overwhelmed. Fitur pencarian, filter, preview, serta informasi deskriptif dapat membuat proses menemukan konten menjadi jauh lebih praktis dan tidak ribet.

Gaming dan Teknologi Mobile

Popularitas gaming digital juga memiliki hubungan yang sangat erat koko5000 dengan perkembangan teknologi mobile. Smartphone saat ini sudah memiliki kemampuan yang cukup tinggi untuk menjalankan berbagai pengalaman berbasis browser dengan tampilan yang kompleks. Artinya, seseorang dapat menikmati hiburan interaktif tanpa harus selalu duduk di depan komputer. Website responsif bahkan dapat menyesuaikan layout secara otomatis berdasarkan ukuran layar, sehingga navigasi tetap nyaman meskipun pengguna mengaksesnya melalui layar smartphone yang lebih kecil.

Pentingnya Performa Website

Performa website juga tidak kalah penting. Pengguna internet https://koko5000.link/ modern sudah terbiasa dengan layanan digital yang serba cepat. Karena itu, beberapa detik tambahan ketika sebuah halaman sedang loading saja bisa memengaruhi pengalaman secara keseluruhan. Struktur website yang efisien, gambar koko 5000 yang telah dioptimalkan, hosting yang stabil, serta kompatibilitas dengan browser modern dapat membantu menciptakan performa yang lebih smooth. Fondasi teknis yang stabil menjadi semakin penting bagi website yang memiliki elemen interaktif, menu dinamis, serta informasi yang diperbarui secara berkala.

Konten yang Fresh dan Relevan

Tren modern lainnya adalah meningkatnya perhatian terhadap kokogacor77 konten yang fresh dan relevan. Pengguna internet biasanya lebih tertarik pada platform yang secara rutin memperbarui informasinya dibandingkan halaman yang terlihat seperti sudah lama ditinggalkan. Deskripsi yang diperbarui, tampilan interface yang lebih fresh, kategori hiburan baru, serta informasi layanan yang akurat dapat membuat sebuah platform terasa lebih aktif dan relevan mami188. Namun, update yang terlalu sering juga tidak seharusnya mengorbankan kejelasan, konsistensi, atau tingkat kepercayaan terhadap informasi yang diberikan.

Sisi Sosial dalam Hiburan Digital

Hiburan digital juga semakin memiliki sisi sosial. Banyak mega288 orang menemukan game dan platform baru melalui komunitas online, forum diskusi, content creator, serta berbagai jejaring sosial. Sebuah rekomendasi bahkan bisa menyebar dengan sangat cepat, terutama ketika game atau platform tertentu sedang menjadi bagian dari tren internet. Namun, popularitas tidak boleh langsung dianggap sebagai bukti bahwa sebuah layanan aman atau legitimate. Sebuah layanan bisa saja mendapatkan perhatian besar di internet, tetapi tetap perlu diperiksa dan dievaluasi secara kritis sebelum digunakan.

Partisipasi yang Bertanggung Jawab

Partisipasi secara bertanggung jawab menjadi semakin penting ketika sebuah platform megawin188 hiburan melibatkan aktivitas yang menggunakan uang sungguhan. Pengguna perlu memahami perbedaan antara hiburan dan ekspektasi finansial. Tidak ada game yang secara sah dapat menjamin hasil tertentu, sehingga klaim mengenai keuntungan instan atau kemenangan yang seolah-olah pasti sebaiknya disikapi dengan skeptis. Aktivitas yang melibatkan unsur keberuntungan memiliki hasil yang tidak dapat dipastikan, dan bahasa promosi seharusnya tidak pernah dianggap sebagai sebuah jaminan.

Menetapkan Batas Pribadi

Menetapkan batas pribadi dapat membantu menciptakan hubungan yang lebih sehat dengan hiburan digital. Batas waktu dan batas pengeluaran merupakan langkah praktis untuk mencegah aktivitas rekreasi mengganggu kehidupan sehari-hari. Jangan sampai seseorang merasa harus terus bermain hanya karena sebelumnya sudah mengeluarkan uang atau mengalami kerugian. Mengambil jeda merupakan pilihan yang wajar, terutama ketika sebuah aktivitas sudah tidak lagi terasa menyenangkan atau mulai memberikan tekanan.

Memahami Syarat dan Ketentuan

Kebiasaan lain yang tidak kalah berguna adalah membaca syarat dan ketentuan pulsa303 sebelum menggunakan layanan yang belum dikenal. Informasi mengenai persyaratan pengguna, kebutuhan akun, kebijakan privasi, prosedur pembayaran, ketentuan penarikan dana, serta mekanisme penyelesaian masalah dapat memberikan gambaran mengenai bagaimana sebuah platform beroperasi. Memang, dokumen semacam ini terkadang terlihat panjang dan agak bikin malas membaca. Namun, memahami aturan dasarnya dapat membantu pengguna menghindari kejutan yang tidak menyenangkan di kemudian hari.

Menjaga Privasi Pengguna

Privasi juga membutuhkan perhatian yang sama seriusnya. Pengguna sebaiknya berhati-hati terhadap website yang meminta terlalu banyak informasi pribadi. Menggunakan password yang kuat dan berbeda untuk setiap akun, memperbarui perangkat secara rutin, serta mengaktifkan autentikasi dua faktor apabila tersedia dapat memberikan lapisan perlindungan tambahan. Jangan sembarangan membagikan detail akun kepada orang lain, bahkan ketika seseorang mengaku sedang menawarkan bantuan teknis.

Bahasa Modern dalam Digital Marketing

Lingkungan online modern bergerak dengan sangat cepat, dan istilah yang digunakan di dalamnya ikut berubah mengikuti tren. Kata-kata seperti “trending”, “viral”, “next-level”, dan “instant access” sering digunakan dalam digital marketing karena mampu menciptakan kesan yang menarik dan membangun rasa penasaran. Bahasa seperti ini memang bisa membuat sebuah konten terasa lebih fresh dan engaging, tetapi pengguna tetap harus bisa membedakan antara kata-kata marketing yang catchy dengan informasi yang benar-benar dapat diverifikasi.

Pentingnya Konten Berkualitas

Bagi pemilik website, membuat konten yang benar-benar bermanfaat kini sama pentingnya virtusplay dengan menciptakan interface yang menarik. Search engine dan pengguna internet semakin menghargai halaman yang memberikan informasi genuine dibandingkan konten yang hanya mengulang kalimat promosi secara terus-menerus. Penjelasan yang original, penggunaan bahasa yang natural, struktur yang jelas, serta informasi yang relevan dapat membuat sebuah artikel lebih berguna bagi pembaca sekaligus meningkatkan kualitas keseluruhan website.

Originalitas dan Autentisitas

Karena itu, artikel tentang hiburan digital yang berkualitas seharusnya tidak hanya mengulang frasa yang sudah sering digunakan. Konten yang baik perlu menjelaskan apa yang dapat diharapkan pengguna, membahas berbagai hal penting terkait akses, menjelaskan aspek keamanan, serta memberikan informasi realistis mengenai penggunaan platform secara bertanggung jawab. Pembaca modern biasanya cukup cepat menyadari ketika sebuah artikel terasa terlalu repetitif atau dibuat secara asal-asalan. Itulah kenapa originalitas dan autentisitas menjadi semakin penting.

Perkembangan Teknologi Internet

Pada akhirnya, gaming online dan hiburan digital akan terus berkembang seiring dengan kemajuan teknologi internet. Koneksi yang semakin cepat, desain yang mengutamakan perangkat mobile, layanan berbasis cloud, interface yang semakin baik, serta pengalaman yang semakin personal terus membentuk cara orang berinteraksi dengan platform digital. Semua perkembangan tersebut memang membuat hiburan menjadi lebih praktis dan accessible, tetapi kemudahan tetap harus diimbangi dengan kesadaran dan kehati-hatian.

Gaming sebagai Hiburan

Pendekatan terbaik adalah melihat gaming online sebagai bentuk hiburan, bukan sebagai sumber pendapatan yang dijamin. Sebelum mengakses platform yang belum dikenal, pengguna sebaiknya memeriksa legitimasi layanan tersebut, memahami kebijakannya, menjaga keamanan informasi pribadi, serta menetapkan batas yang masuk akal. Interface yang terlihat keren atau rekomendasi yang sedang viral tidak seharusnya menggantikan prinsip dasar keamanan digital.

Masa Depan Hiburan Online

Seiring internet terus berkembang, masa depan hiburan online kemungkinan https://www.ktravula.com/2025/01/whats-happening-at-randle-centre/ akan menjadi semakin terkoneksi, mobile-friendly, dan interaktif. Platform yang mampu menggabungkan desain berkualitas dengan transparansi, keamanan, praktik yang bertanggung jawab, serta informasi yang benar-benar berguna akan memiliki peluang lebih besar untuk membangun kepercayaan pengguna dalam jangka panjang. Bagi pengguna, kuncinya adalah tetap update, mampu mengenali klaim yang berlebihan, dan mengambil keputusan berdasarkan informasi, bukan sekadar mengikuti hype.

Di tengah lanskap digital yang dipenuhi begitu banyak pilihan, satu prinsip sederhana tetap relevan: kemudahan memang penting, tetapi keputusan yang didasari informasi jauh lebih penting. Baik ketika seseorang sedang mengeksplorasi casual game, hiburan interaktif, maupun pengalaman digital lainnya, memahami sebuah platform sebelum menggunakannya dapat membantu menciptakan perjalanan online yang lebih aman, nyaman, dan terkendali.

Is Akátá a Bad Word?

 

Every once in a while, a conversation returns to my timeline about the meaning of ‘akata’, the origin, the use, and other social dimensions of its existence in the relationship between Africans on the continent and those in America. Discussions are had and the issue goes away, only to return in another form at another time. Yesterday was one such event when, shortly before going to bed, someone tagged me on Twitter about the meaning of the word again. I shared photos of the entries in two of my dictionaries and thought that was all. 

I found out, later, that the invitation came from a bigger context: an apology by my colleague and language professor, Uju Anya, for using the word in the past in different twitter contexts. The debate that followed was whether the word was a slur in the first place, whether she had the reason to apologise, whether those calling for her resignation were overplaying their hand about an issue of no relevance, or whether certain words are allowed a pass if the intentions are pure. 

This time, I thought it best to put my thoughts down on what I know about the word, what I think about the perennial controversy. This essay draws from my experience as a linguist and lexicographer, native speaker of Yorùbá, and a scholar of history, especially of transatlantic slavery and attendant consequences.

What is akata?

Let’s start with the three meanings recorded in the Yorùbá dictionary:

From the CMS dictionary from 1913
  1. n. Jackal, same as ‘Ajako’. Source: A Dictionary of Yorùbá Language by CMS (1913).
  2. n. Civet-cat. Also “ajáko ẹtà”. Source: Dictionary of Modern Yorùbá by R.C Abraham (1958)
  3. n. A type of bird which eats ripe-palm nuts. Source: Dictionary of Modern Yorùbá by R.C Abraham (1958)

As far as we know, the word doesn’t exist in any other Nigerian language.* It is a Yorùbá word — at least in its origin.

Is it a slur? 

First, let’s start with history. Growing up in the eighties in Nigeria, I heard the word only as a descriptive term with no pejorative intent. 

It was just any word, to refer to a certain demographic. We had òyìnbó for ‘white people’ (similar to muzungu in Swahili or onyi ocha in Igbo, or  gringo in Spanish/Portuguese); we had akátá for Black Americans; we had Gambari for northerners in Nigeria (Sulu Gambari was the name of a famous Yorùbá-Fulani king in Ìlọrin); we had Tápà for Nupe people many of whom had intermarried with Yorùbá people; and we had kòbòkóbò for almost everyone else that didn’t speak Yorùbá.

Of all the terms, kòbòkóbò was the only one that seemed to carry a negative intent, because it referred to someone who, in the imagination of the Yorùbá person using the word, was not cultured enough to understand the language. The people we referred to with those words knew they were called that, and it never — to my knowledge — carried any negative blowback. It was used in film and popular culture.

There was a famous fuji music album by Àyìndé Barrister from the late eighties or early nineties in which he sang the following lines:

Akátá gba ‘jó

Òyìnbó gba ‘jó

Yorùbá gba ‘jó o

Translated:

American blacks danced to my song

American whites danced to my song

Yorùbás also danced to my song. 

The album was one he waxed shortly after returning from an American tour, so it was a celebration of his popular appeal across different demographics. No slur in sight.

How did akátá even come to refer to African Americans?

No one has found any verifiable answer, but a plausible one goes like this:

In the sixties and seventies, African Americans channelled their social and political rebellion through the Black Panther movement, claiming an African cat as a symbol of their struggle for self-actualization. Yorùbá Nigerians in the States at the time, perhaps happy to participate, referred from then on to African Americans as akátá. It was not the exact Yorùbá word for panther**, but it was close. Whether that initial use was meant to be derogatory is something that needs to be researched, but there is no substantive proof of that, and many notable African scholars of Yorùbá extraction have written favourably about the Civil Rights Movement and all that came with it in the African-American struggle.

When/How did it become a slur?

It was when I became an adult that I started noticing different ways in which the word was used. Not just akátá, by the way, but also gàm̀bàrí and the others. You would hear someone being called gàmbàrí because he didn’t pay attention to instructions or appeared slow to act. Or for any random reason. This would be in-group conversations, particularly when no northerner was in sight. So it was not directed at the outsider, but at a Yorùbá person as an insult. The insult was to the Yorùbá target, not the northerner (even though the secondary insult to the northerner is also implied, but not overt). It is possible that akátá also then took on this character as time went on.

Such that almost every time I heard it from the early 2000s, it had a non-positive character. It was not a slur in a way that the n-word or even gàmbàrí was, that is, it was not a word that was used to insult a person to their face. In fact, I don’t think I recall any instance in which someone used akátá as a weapon. You can’t stand in front of someone and say “you bloody akátá”, it doesn’t quite work. But when it was used to refer to African-Americans, the meaning seemed to have changed. It could be about crime rates in the US, about any other unsavoury characteristic, or even about a normal or even friendly conversation. Which of those black people standing there do you want me to call? The akáta one? Okay. In fact, not many people today even know that it referred to a certain cat or bird — either of which are likely extinct anyway. You hear akátá and you think African-American. Not Obama, but Jesse Jackson. African parents could mention not wanting their children to “behave like those spoilt akátá kids” Or a man could tell his friend that his new girlfriend is an akátá; not as a pejorative but as a descriptor. Maybe it was the fact that such a word exists at all that referred to our black cousins on the other side of the Atlantic that brought the pejorative colouring; or maybe because people started saying it meant “wild animal” or maybe it was because of the conspiratorial way in which I’ve heard people use it as if in a secret code to prevent the subject of the conversation from knowing that it’s them to whom the word refers. There was just some othering seemingly implied in the common contemporary usage that perceptive listeners started to decry. The word itself had not changed, but it was no longer possible to call it just a descriptor.

But as with when meanings of words change everywhere, there are still people in Nigeria today who knew the word only in its first cross-continental non-negative use. People of my parent’s generation fall into this category. In normal everyday conversation, they will use akátá to demarcate an African in America from an African-American. They do not know it any other way, because we never found another word for that demographic. There are also other people, who don’t speak Yorùbá, who have only encountered the word from other Nigerians or from other Africans, and just continue to use it. 

Does intention matter?

This is where the debate gets interesting: the question of whether one should mean to denigrate before the meaning of a word is called into question. This is a big ongoing debate. Not just with the n-word but also with words in other domains. Even the word ‘òyìnbó’, which I mentioned earlier, got me thinking a few years ago, after a white student asked me in class if it was a slur. I knew that it was not, but I realized, in explaining to her, that I couldn’t successfully convey all the contexts in which we use it without raising her suspicion that I was hiding something. I wrote an essay instead, but the response I got to it, especially from Nigerians, showed me that even the question of whether the word could be derogatory in certain contexts was not one that people wanted to have. “If we don’t mean it to be offensive, then why should we listen to you who say you find the usage uncomfortable?” the argument went. If you told my mother that akátá was derogatory, when she had not used it in that way, she would strongly object. I can point her to African-Americans finding it objectionable, so she might not use the word in public, but it won’t be because she believes that she’d done something wrong.

Recently, Beyoncé conceded that her use of spazz was ableist and she had it removed from an album — even when she didn’t have such an intention from the start. The word ‘negro’, which started as being just descriptive, is no longer in fashion today, because of the other connotations it took on in the hands of a more powerful culture. Shouldn’t akátá suffer the same fate?

I’m of the opinion, knowing how I’ve seen the word used, that we lose nothing by no longer using it for anything other than the animals. But I am also sympathetic to those who recognize their past usage, and apologise for doing so. I don’t expect that every Nigerian knows the origin of the word or the ways in which modern usage seems to have perverted it. The only thing we know is that African-Americans do not like it as well, and that should be enough, especially if the purpose of the conversation is to improve relations across the pond. 

But the word won’t go away, because not every Yorùbá speaker lives on the internet or care about language-based social crusades, and because words don’t just disappear. Gringo and mzungu will continue to be in use, even if we can point to instances in which their usage is problematic. All we can do is continue to have the conversation. 

Should anyone who uses it be cancelled?

No. As with many things, intent matters. So does knowledge, and one’s response to new information. We continue to evolve as a society, and so will our use of language and interaction with each other. Not every African-American is insulted by akátá either, perhaps because not every one of them has heard it, and some who have don’t care, unless they encounter it first through an online essay in which the meaning of the word is put as “cotton picker”, which it has never been. But many deeply resent it, either because of what they think it represents or just because of the othering implied in the way it has been used over the years. This is valid, and Africans should absolutely take it into account when they speak. My recommendation is that we stop using it totally to refer to anything but the animal. But I know that I’m not in the majority. If this is your first time hearing the word, all you need to know is that the origin is benign, its growth in use is muddy but complex, and that there are people from the language community where the word originated who never use it, just as there are some who don’t have any other way, but mean absolutely no harm. 

____

* I’ve been informed on Twitter that there’s another “akata” in South-south Nigeria, which is a common personal name.

** Update (August 20): The entry for ‘Panther’ in A Dictionary of Yorùbá (1913) lists these two answers: n. àmọ̀tẹ́kùn, akáta

Further reading

Platform Slot Online: Panduan Modern untuk Akses Game Digital dan Bermain Secara Bertanggung Jawab

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Selain aksesibilitas, keberagaman gokil33 game juga menjadi salah satu alasan mengapa slot online terus menarik perhatian. Saat ini, pemain dapat menemukan berbagai macam permainan digital dengan tema, desain visual, mekanisme, dan gaya penyajian yang berbeda-beda. Beberapa game mengandalkan visual bergaya sinematik yang detail, sementara lainnya justru mempertahankan konsep sederhana dengan reel klasik dan simbol yang familiar. Ada pula permainan gototo yang mengusung tema petualangan, dunia fantasi, mitologi, teknologi, olahraga, hingga berbagai konsep kreatif lainnya.

Variasi tersebut membuat dunia gaming online terasa lebih dinamis haha788 dan tidak gampang membosankan. Pengguna tidak lagi terpaku pada koleksi permainan tradisional dalam jumlah terbatas, tetapi dapat mengeksplorasi berbagai format sesuai dengan selera masing-masing. Bagi pengguna kasual, menemukan game baru bisa menjadi bagian seru dari aktivitas hiburan. Sementara bagi pemain yang sudah lebih berpengalaman, membandingkan mekanisme hahagacor permainan dan gaya visual juga dapat menjadi bagian dari pengalaman menjelajah platform.

Optimasi untuk Perangkat Mobile

Platform slot modern juga semakin memperhatikan pengguna smartphone hao788. Saat ini, smartphone sudah menjadi bagian penting dari aktivitas internet sehari-hari. Karena itu, website yang tidak mampu bekerja dengan baik pada layar berukuran kecil berpotensi kehilangan perhatian pengguna dengan cepat. Desain responsif memungkinkan halaman menyesuaikan diri dengan berbagai ukuran layar sehingga menu, tombol, tampilan permainan, dan bagian informasi hwtoto menjadi lebih nyaman untuk diakses.

Desain yang Sederhana dan Responsif

Namun, desain mobile-friendly bukan berarti sebuah website istana2000 harus dipenuhi efek visual yang berlebihan. Justru, tampilan sederhana sering kali menjadi nilai plus. Layout yang rapi, tulisan yang mudah dibaca, navigasi intuitif, serta posisi tombol yang tepat dapat membuat sebuah platform terlihat jauh lebih profesional. Di tengah aktivitas digital yang serba cepat seperti sekarang, pengguna biasanya lebih menghargai website liga2000 yang memungkinkan mereka menemukan informasi penting tanpa harus melewati terlalu banyak halaman.

Kecepatan Akses Website

Kecepatan akses juga menjadi faktor yang tidak kalah penting. Pengguna internet modern sudah terbiasa dengan website yang cepat dan konten yang dapat diakses hampir secara instan. Ketika sebuah halaman membutuhkan waktu terlalu liga5000 lama untuk terbuka, pengunjung bisa saja langsung pergi dan mencari alternatif lain. Struktur website yang efisien, gambar yang telah dioptimalkan, server yang stabil, serta desain yang ringan dapat membantu menciptakan pengalaman browsing yang lebih smooth.

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Keamanan dan transparansi juga wajib menjadi perhatian utama ligatoto. Sebelum berinteraksi dengan sebuah platform gaming online, pengguna sebaiknya memahami terlebih dahulu bagaimana layanan tersebut bekerja. Informasi mengenai aturan penggunaan, prosedur akun, kebijakan privasi, metode pembayaran, serta ketersediaan layanan berdasarkan wilayah seharusnya disampaikan secara jelas. Tampilan website yang terlihat profesional saja tidak cukup untuk membuktikan mcmtoto bahwa sebuah platform benar-benar legal, terpercaya, atau aman digunakan.

Informasi Lisensi dan Regulasi

Informasi mengenai lisensi naga2000 juga dapat menjadi pertimbangan, tergantung pada wilayah hukum tempat platform tersebut beroperasi. Pengguna sebaiknya melakukan verifikasi secara mandiri untuk memastikan bahwa lisensi yang dicantumkan memang valid dan operator memiliki izin untuk menyediakan layanan di wilayah mereka. Setiap negara dan wilayah memiliki aturan yang berbeda, sehingga layanan yang tersedia secara legal di satu tempat belum tentu diperbolehkan di tempat lainnya.

Memahami Istilah “Slot Gacor”

Istilah “slot gacor” sendiri cukup sering digunakan dalam berbagai naga5000 diskusi online untuk menggambarkan permainan yang menurut sebagian pemain sedang terasa lebih menguntungkan atau memiliki performa tertentu. Namun, istilah tersebut pada dasarnya lebih merupakan bagian dari budaya dan bahasa komunitas gaming internet, bukan jaminan terhadap hasil yang akan datang. Permainan berbasis sistem acak tetap memiliki pptoto.click unsur ketidakpastian, sehingga hasil sebelumnya tidak dapat dijadikan patokan yang benar-benar dapat memprediksi putaran berikutnya.

Bermain Secara Bertanggung Jawab

Di sinilah konsep bermain secara bertanggung jawab menjadi sangat penting pptoto. Slot online sebaiknya dipandang sebagai bentuk hiburan, bukan sebagai metode yang dapat diandalkan untuk menghasilkan pendapatan. Tidak ada jalan pintas yang sah untuk menjamin kemenangan secara konsisten. Karena itu, berbagai klaim yang memberikan kesan seolah hasil tertentu dapat dipastikan sebaiknya disikapi dengan hati-hati. Bahasa promosi terkadang membuat aktivitas hiburan terlihat seperti jalan mudah menuju keuntungan finansial, padahal pengguna tetap perlu membedakan antara materi pemasaran dan ekspektasi yang realistis.

Mode Demo atau Latihan

Mode demo atau latihan juga dapat menjadi pilihan bagi pengguna pucuk33 yang ingin mengenal sebuah permainan tanpa langsung menggunakan uang sungguhan. Jika tersedia secara resmi, mode seperti ini memungkinkan pengguna mempelajari tampilan antarmuka, paylines, mekanisme bonus, serta cara kerja permainan secara umum. Fitur tersebut cukup berguna terutama bagi pengguna baru yang ingin memahami sebuah game terlebih dahulu sebelum menentukan apakah permainan tersebut sesuai dengan preferensi mereka.

Perkembangan Teknologi Gaming

Perkembangan gaming online turut memengaruhi cara developer rextoto menghadirkan sebuah permainan. Grafik beresolusi tinggi, efek animasi, soundtrack yang imersif, bonus interaktif, hingga mekanisme permainan yang lebih inovatif kini sudah menjadi bagian umum dari industri ini. Para developer tidak hanya bersaing melalui gameplay, tetapi juga melalui storytelling, konsep kreatif, dan identitas visual yang membuat sebuah judul terasa lebih memorable.

Memahami Mekanisme Permainan

Meski perkembangan visual semakin keren, pengguna tetap tidak seharusnya rrtoto membiarkan tampilan yang flashy mengalihkan perhatian dari mekanisme dasar permainan. Game dengan desain yang sangat menarik tetap dapat memiliki hasil yang tidak dapat diprediksi. Karena itu, memahami aturan dan informasi yang tersedia jauh lebih penting daripada menganggap bahwa tampilan yang lebih menarik otomatis berarti peluang hasil yang lebih baik.

User Experience yang Lebih Baik

Tren lainnya adalah meningkatnya perhatian terhadap user experience. Sebuah platform mungkin memiliki koleksi game yang sangat banyak, tetapi tetap dapat terasa menyebalkan jika navigasinya membingungkan. Pengguna masa kini cenderung menyukai website yang menyusun konten secara logis dan menyampaikan informasi penting tanpa membuat semuanya terasa complicated. Fitur pencarian, kategori yang jelas, deskripsi singkat, serta saluran bantuan yang mudah ditemukan dapat memberikan perbedaan besar dalam pengalaman pengguna.

Customer Support

Customer support juga memiliki peran penting ketika pengguna mengalami masalah teknis maupun kendala terkait akun. Layanan yang profesional seharusnya menyediakan metode yang jelas untuk mendapatkan bantuan sekaligus menjelaskan proses dukungan kepada pengguna. Di sisi lain, pengguna perlu tetap waspada jika ada pihak yang meminta informasi sensitif melalui saluran komunikasi tidak resmi.

Komunitas Gaming Online

Komunitas gaming online juga memiliki pengaruh yang cukup besar. Media sosial, forum diskusi, platform streaming, dan komunitas gaming memungkinkan orang saling bertukar pendapat mengenai game baru maupun tren slot2000 yang sedang berkembang. Diskusi semacam ini dapat membantu pengguna mendapatkan perspektif berbeda, tetapi komentar komunitas tidak seharusnya langsung dianggap sebagai fakta. Pengalaman setiap orang berbeda, sementara klaim mengenai hasil yang dijamin tetap perlu dipertanyakan secara kritis.

Perkembangan Bahasa dan Tren Gaming

Perkembangan tren pencarian di internet juga menunjukkan betapa cepatnya bahasa dalam komunitas gaming berubah. Istilah baru, singkatan, serta berbagai bahasa informal terus bermunculan seiring berkembangnya budaya komunitas digital. Menggabungkan bahasa santai dengan informasi formal kini menjadi hal yang cukup umum di berbagai website gaming modern. Meski begitu, konten yang bertanggung jawab tetap perlu membedakan dengan jelas antara bahasa hiburan dan informasi yang benar-benar bersifat faktual.

Pendekatan yang Bijak dalam Gaming Online

Bagi siapa pun yang ingin mengeksplorasi platform slot online, pendekatan paling bijak adalah tetap informatif dan realistis. Baca ketentuan website, pahami regulasi yang berlaku, lakukan verifikasi terhadap klaim penting, dan jangan pernah menganggap sebuah game atau platform dapat menjamin hasil tertentu. Jika permainan dengan uang sungguhan memang diperbolehkan secara hukum di wilayah Anda, tentukan batas pengeluaran sejak awal dan jangan melewatinya.

  • Baca ketentuan website sebelum menggunakan layanan.
  • Pahami regulasi yang berlaku di wilayah Anda.
  • Lakukan verifikasi terhadap klaim penting.
  • Jangan menganggap sebuah game atau platform dapat menjamin hasil tertentu.
  • Tentukan batas pengeluaran sebelum bermain jika permainan uang sungguhan diperbolehkan secara hukum.

Menjaga Keseimbangan dalam Aktivitas Gaming

Penting juga untuk memahami bahwa mengambil jeda dari aktivitas gaming adalah xxtoto sesuatu yang normal. Hiburan digital seharusnya tetap menjadi bagian yang seimbang dalam kehidupan sehari-hari dan tidak sampai mengganggu pekerjaan, hubungan sosial, kondisi finansial, maupun tanggung jawab pribadi. Jika aktivitas bermain mulai terasa tidak menyenangkan dan justru menimbulkan tekanan atau masalah finansial, mengambil langkah mundur merupakan pilihan yang lebih sehat.

Masa Depan Pengalaman Slot Online

Pada akhirnya, pengalaman slot online modern berkaitan erat dengan aksesibilitas, variasi, teknologi, dan hiburan. Berbagai platform terus mencoba menghadirkan desain baru serta konsep gameplay yang semakin beragam, sementara pengguna semakin mengharapkan performa cepat, kompatibilitas mobile, informasi transparan, dan navigasi yang praktis.

Memahami Realitas Gaming Digital

Seiring industri gaming digital terus berkembang, pendekatan yang paling berharga bukanlah mengejar janji yang terdengar terlalu bagus untuk menjadi kenyataan, melainkan memahami apa yang sebenarnya ditawarkan sebuah platform. Interface yang rapi, koleksi permainan yang beragam, serta akses yang nyaman memang dapat meningkatkan pengalaman hiburan, tetapi tidak satu pun dari fitur tersebut dapat menghilangkan unsur ketidakpastian yang melekat pada permainan berbasis keberuntungan.

Eksplorasi Digital Secara Bertanggung Jawab

Internet kemungkinan besar akan terus menghadirkan konsep gaming baru, interface yang semakin inovatif, serta cara-cara berbeda bagi pengguna untuk berinteraksi dengan hiburan digital. Bagi pengguna sendiri, tetap memiliki informasi yang cukup adalah langkah paling aman. Eksplorasi secara bertanggung jawab, pahami aturan yang berlaku, lindungi informasi pribadi, dan tempatkan gaming sebagai hiburan, bukan sebagai sumber keuntungan finansial yang dijamin.

Dengan pola pikir tersebut, pengguna tetap dapat menikmati perkembangan teknologi, kreativitas desain, dan berbagai inovasi yang hadir dalam dunia gaming modern tanpa membangun ekspektasi yang tidak realistis. Pada akhirnya, pengalaman digital yang baik bukan hanya soal seberapa menarik sebuah game terlihat, tetapi juga tentang bagaimana pengguna https://www.ktravula.com/2024/07/living-the-toulousain-life-my-language-teaching-assistant-experience/ memahami fitur, aturan, risiko, dan batasan yang menyertainya.

Ibadan Jazz Forum and the Riffs of Remembrance

 (Celebrating Black History Month, 2022) 

by Niyi  Osundare

Professor Níyì Ọ̀ṣúndáre.

 

Thank you very much for inviting me to keynote the dialogue segment of this year’s edition of your Black History Month activities. As someone who has been with you and has been privileged to participate in some of your activities from the very beginning, I have come to appreciate the dreams which necessitated the inauguration of the Ìbàdàn Jazz Forum, the visionary acumen that has characterized its idealism, and the modes and methods of its operations over the years. For daring to dream in a world in which such an act is constantly sidelined by blatant realism, for standing for the cultivation, defence, and projection of lasting values in a country overwhelmed by cynical materialism and instant gratification; to enter a plea for Culture in an age of philistinism, the Ìbàdàn Jazz Forum (IJF) has succeeded in pointing a way to the future by leading us towards the apprehension of the inevitable connection between the past and the present.

The Black History Month and the Ìbàdàn Jazz Forum are products of the same initiative. On a more specific note, it could be said that the latter grew out of the global ferment of the former. Hence the similarity between their mission: the imperative of Memory, the necessity of Remembrance, and the need to bring both to bear on the present in the much-needed effort to re-shape the future. Primary to both initiatives is the task of repossessing our history by taking control of our own narrative; for, it is a universally acknowledged fact that whoever controls your history will end up controlling your destiny by shaping to their own interest and design not only your memory but the memory of you by others. For many centuries, this was the case with Africa where the enslaver and the colonizer were the ones who wrote the history of their exploits as well as that of the objects of their exploitation.

As Chinua Achebe once observed, the hunter’s story of the hunt will always be different from that of the antelope. So, when we gather here every year for the celebration of Black History Month, what the IJF is asking us to do is to repossess our narrative, tell our own story in our own way and in our own voice, and doing this without forgetting how the Black story connects inextricably with the universal human story, and the mutual seepage between the two. From Olaudah Equiano to Frederick Douglass; from Harriet Jacobs to Sojourner Truth whose powerful “slave narratives” focused human conscience on the inhumanity of slavery and the slave trade, to relatively more contemporary writers such as Achebe, Soyinka, Toni Morrison, W.E.B. Du Bois, and Edward Kamau Brathwaite, a strong un-ignorable articulacy has come to the telling of the Black story. A “race” once spoken for, or on behalf of, or spoken against has reclaimed the I-Paradigm of the Human discourse and the ability to say “I am”. The retrieval of the Black person’s agency is way up on the Black Liberation agenda. But this instance of self-determination, cultural re-affirmation, and epistemological re-configuration has not come without opposition from those who have always been at the commanding heights of the power hierarchy. These are the people for whom an old, by now offenceless terminology called critical race theory has recently become a spine-chilling bogeyman. Long denied, blissfully neglected, cleverly negated truths and ideas whose restoration is considered threatening to an unjust status quo, are currently under assault, especially in the United States where acts of curricular cleansing, shelf-clearing, and book-banning are happening at a pace and with partisan political ferocity that would have done brave credit to the Spanish Inquisition.

But this world, our world, is moving on, undeterred, though at differential speeds by its constituent parts. Central to our concern as we gather for this year’s Black History Month events is the velocity (or lack thereof) of the progress of Africa, our continent, currently in the grip of three debilitating afflictions: the global COVID pandemic, centuries-old poverty, degradation,  and underdevelopment, the resurgent plague of political instability as evident in the current spate of terrorism and military coup de’tat. Humanity’s oldest continent remains the world’s poorest and most miserable, marginalized, despised, and zeroed out. As I have soberly put it in my forthcoming book of essays, it takes an awful lot of courage to own up to being an African today. The last time that sorrowful confession invaded my thoughts, I was hard at work on the sixth movement of Midlife, a volume of poems that marked the attainment of that existential milestone clearly proclaimed by the title of the book. Let me appeal for your patience as I poach a long and sombre excerpt from that book of verse:

                      Midlife

now Africa, beholding you full-length, from shoulders

baked strong by your Black sun;

my hands towards the sky, feet towards the sea,

I ask you these with the urgency of a courier

with a live coal in his running palm:

The skeletal song of Zinjanthropus,

was it a lie?

The awesome ruins of Zimbabwe,

were they fiction?

The bronze marvels of Benin, of Ife

were they a lie?

Is the Nile really a fickle tear

down the cheeks of unmemorable sands?

The geometry of your idioms, the algebra of your proverbs,

were they sad calculations of a pagan mouth?

My question, Africa, is a sickle, seeking

Ripening laughters in your deepening sorrows

                    *

Giving, always giving,

scorched by the Desert, blanched by the Sea

bankrupted by the Sun, indebted by the Moon,

robbed of your tongue, bereft of your name

Giving, always giving

ebony springboard for giants of crimson heights

Giving, always giving

my memory is the thrashing majesty of the Congo

its dark, dark waters fleeced by scarlet fingers

its shoals unfinned, its saddled sands

listening earlessly to the mortgaged murmurs

of ravished ores

giving, always giving

the tall lyric of the forests

the talkative womb of the soil

the mountain’s high-shouldered swagger

pawned, then quartered, by purple cabals.

The elephant’s ivory is a tale of prowling guns,

the crocodile mourns its hide on the feet

of trampling gods

Giving, always giving,

fiery dawns once wore you like a robe, oh Congo,

soft, warm, gracious like the cotton laughter

of Lumumbashi,

the Niger, the Volta, the Benguela

bathe the rippling hem of your luminous garment

the sky was your loom, April’s elephant grass

your needle with a hundred eyes;

your thread was the lofty spool of the eagle,

the chalky string of the egret in the dusty shuttle

of meticulous harmattans

And now noon

With the sun so young in the centre of the sky,

That robe is a den of dripping fragments

awaiting the suturing temper of a new, unfailing Thunder

                      *

My question, Africa, is a sickle, seeking

Ripening laughters in your deepening sorrows

                       *

           Midlife

on a continent so ancient and so infant

crawling, grey, in the scarlet dust of twilight horsemen,

ravished by the gun, crimsoned by ample-robed

natives and their swaggering fangs;

our sun so black with crying hopes,

wounded by the boundless appetite of hyena rulers

Shorter every inch by our tower of dreams,

Their eyes smugly sitting in the blind pit

Of their funeral stomachs;

eunuch between the moons, their claws

gore-deep in assassinated wombs;

they whose fathers, whose fathers’ fathers

emptied whole epochs into slaving galleons

have pledged once more the eulogy of the chain,

their hearts crammed with rums, fickle mirrors,

and other gifts unremittingly Greek.

A knee-eyed sun shouts from the middle                 

of a drifting sky:

     Who will cure Africa’s swollen foot

     Of its Atlantic ulcer?

My question, Africa, is a sickle, seeking

ripening laughters in your deepening sorrows .

                        (from Midlife, 1993)

                    *

Here is a poet-patriot’s quarrel with his continent. A song of pain and anguish, of patriotic anger, of lingering doubts and desperate deliberativeness, as evident in these words from the ‘Foreline’ of the volume:

Past forty now, the riddling kola of life ripening, ripening in my mouth,. . . . Taller too, able to look the giant in the face, able to ask Africa a few sunny questions about her dormant dawn. Able to ask the world how many wasted nights really make up a single day.

These ‘questions’ which engaged my consciousness at midlife are there, still there, now over three decades on, some of the old problems have even surged into more intractable mutations, with Africa frequently dismissed as basket case and the epicenter of global problems. But a “stubborn hope” (Viva Dennis Brutus!) keeps sharpening my machete as I cut a path through Africa’s jungle of problems and promises. Those promises have always been there, but we all know that promises do not a continent make. Needed as a matter of urgency: a new grid of positive values, informed, competent and ethical governance, a sound educational base that puts ignorance to flight and keeps us abreast of the velocity of a fast-moving world and its digital imperative, an end to our dependent, cargo mentality that has turned us into blind, gluttonous consumers of the products of other people’s imagination and labour in our abject posturing as “importers and manufacturer’s representatives”, instead of being “manufacturers” ourselves, a stronger belief in ourselves and our infinite possibilities.  

 These are some of the ideas behind the significance of the Black History Month and Ìbàdàn Jazz Forum, its noble offshoot and local companion. Over these many years, the IJF has shown us the primacy of ideas and their ability to change the world by creating an intellectual and socio-cultural community that prides itself on its ability to think different, feel different,  and act different. Not even the countless debacles of Nigeria, one of the most chaotic and wickedly misgoverned countries in the world, have been able to put a clog in the wheels of their progress. On the contrary, the IJC has ceaselessly highlighted the problems of Nigeria and the Black world, and the ways of turning those problems into possibilities. The overriding purpose of the Black History Month and the Ìbàdàn Jazz Club is to get us to know that we are actually more than we think we are. To come to this awareness, we need to pay more attention to History and its dual cohorts of Memory and Remembrance. The future belongs to those who remember the past and its storehouse of wisdom and folly, and are therefore able to think hard and make informed choices. Like Black History Month, Ìbàdàn Jazz Forum is there to make sure that we do not forget. Like jazz, that music genre from which it derives its name, the riffs are many and unsilenced-able; the wind is its chariot; it is a seed that grows everywhere it touches a good soil. Like that seed, Jazz has taught us the boundless possibilities of the creative spirit, its regenerative transgressivity, its constant striving at doing it differently, doing it new, its unfathomable Soul and sinuous swagger, that proverbial resilience that has enabled its progression from “nigger-noise to state-of-the-art”. What better way to end this piece, then, than the chanting of this brief oríkì  of Jazz and its profoundly complex biography:

                   

JAZZ

(from ‘nigger noise’ to state-of-the-art)

Once

offspring of a tattered trumpet

rescued from a rusty dump

by the restless fingers of toil-

encumbered hands;

animated by a new wind,

powered by a strange metallic thunder

which rocks the eaves of slumbering ears

once

shuffling accent of seedy lanes

and dreams long deferred

in the blue memory of prisoned voices…

Now

horn of well-hoofed stars

lulling purple chambers

with riffs of syncopated silence

saxy splash of running garlands

adulations which surprise the song….

The stone once rejected by the master builder,

is it really now the cornerstone of the glittering house?

Let’s jazz it up then. Let’s jazz it real good. Happy Black History Month!

Ìbàdàn                          

 

 

Níyì Ọ̀ṣúndáre

Feb. 14, 2022

 

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Notes on Becoming 40

First off, I don’t know where all the time went.

One day I am twenty-one in Ibadan as a young undergraduate, looking to the future and what it might bring. Then I wake up and it’s already forty. Where did all that time go?

It’s either the earth is moving faster around the sun than I remember, or the days have just been filled with so much adventure than it’s hard to keep track of.

I started this blog in 2009 when I was barely 28. Even that was supposed to be a short experiment. But here I am twelve years later. Even that time has gone by quicker than I can say WordPress, and all the travel books I’d planned to write from my blogs remain in drafts and proposals.

Last week, I completed the manuscript of my third book, a biography of Nigeria’s (and Africa’s) first Nobel Prizewinner in Literature, Wọlé Ṣóyínká. The editor is looking at it. It is one of the most difficult projects I’ve ever worked on, but I’m happy I have completed it before the 40+ years begin.

My second book, a translated collection of poetry titled Ìgbà Èwe was published last July. It’s now available worldwide via Amazon, Amazon UK, eBay and bookstores in Nigeria.

So what does it feel like to have hit the big 4-0? I can’t tell you that it feels different, or that it doesn’t.

One, however, feels a renewed sense of urgency about things one cares about. For instance, I want to write more books, and I want to visit more places. I want to do more things that bring me joy. I want to create great art and literature.

Two weeks ago, I went with family to visit Addis Ababa and Nairobi, the former for the first time. It was great to once again discover how big the continent is, and the tremendous breadth of colour each new experience of humanity brings on one’s own perception of the world and one’s place in it. Both places changed and renewed me.

So here’s to more of such new and varied experiences as the forties begin.

____

Photo taken at Giraffe Manor, Nairobi.