Random Week/Nigeria

Talking with Ben about starting a business in Nigeria has reminded me once again of the problems that mitigate against successful enterprises in Nigeria. The chief is still electricity. Then security. Why do we have guards at our gates in Nigeria? I’ve never asked myself that question. Now, I can answer it. I think it is from the absence of a right to bear arms. If everyone had guns, we won’t need to pay people to watch over our houses. And now I believe that just mentioning to an intending immigrant/visitor to the country the fact that most residential houses in industrial areas of the country have guards that watch over them at night could be a very strong deterrent. In any case, just like the problem of electricity, water or good roads, it is a failure of government.

A second victory was in one moment of magical discovery, that in Nigeria the Press is actually more responsible, and responsive than the police. Maybe a little tyrannical as well at times, but they’re usually on the side of the people. So in a moment of epiphany while reeling out the things to remember if one wants to move to Nigeria as an expatriate, I said to Ben that if an expatriate was to ever be in any kind of trouble while in Nigeria, he should call a journalist first, before calling the police. Thinking about it again now, I’ve discovered that newspapers in Nigeria should actually adopt it as a public brand. Police cars here in the US go around with the large writing on the body of their car “When in trouble, dial 911”. It’s there for everyone to see, and even three year olds in America today know the short code in case any bad thing happens. Think about something like that on the front page of all newspapers in Nigeria every day. “When you’re in trouble, call 419” or any other easily-memorable number. The truth is that the police are held more accountable by the media than by the politicians, and there is a chance of redress if said victim brings a journalist along to the police station while reporting an incident. It works even better for expatriates/foreigners.

Don’t call the police first – they’re not your friend. Call a journalist!

_______________

PS:

  • I got a mobile phone at last. It is a T-mobile, and it gives me all I want from a phone. So far, so good. The best part of it is the answering machine with which I can receive messages when I’m not in a position to talk – which is like most of the days that I teach.
  • Western Union has not responded to my request.
  • I have sent out postcards to all who asked for them, and I will send some more this week.
  • I’m still seeking more guest-bloggers. I like the exciting idea of sharing and exchanging ideas this way.
  • The post I made last week about my friends has now been removed, regrettably. Lesson learnt: respect other people’s need for privacy, and never assume anything.
  • After a lot of fumbling around, and goading from a persistent friend, I have now solved the problem of blog comment editing, thanks to WordPress. Anyone who leaves comments will have up to five minutes after said comment is submitted to edit its content, or request a deletion.  I like the idea.

Meeting Paula Varsavsky

I came late to this talk by the Argentinean writer Paula Varsavsky who had come to our University at the behest of the the tenacious Professor Bezhanova. The professor of Spanish had brought the brilliant writer to enlighten students of Spanish language and literature here on campus, as well as other interested listeners, in spite of financial straits in the University that made it impossible to financially compensate the writer in any way. Paula the writer writes mainly in Spanish and grew up in Argentina and the United States. She works now as a journalist, translator, short story writer and novelist.

Notwithstanding my late coming, I found a choice spot to sit, and I listened to much of the talk from a distance. The beautiful and soft spoken writer spoke of the repression of women writers in Argentina, the person of Evita Peron and her polarizing figure, writing in Spanish and its challenges, her life story and progress up to date, the politics of women writing, and military dictatorship (The wealthy people in Argentina were the ones who instigated and sustained the military for their own selfish reasons. The military didn’t strike of their own accord). At the end, she read a chapter from her first novel No One Said A Word (I have the video of her reading it on camera.) The chapter was descriptive of a very tender moment between a father and daughter some time before the general election in the country.

Here are a few things I learnt from the talk: Women writers are unknown in Argentina, she said. Even in cases when women writers wrote far better or were more prolific than the male writers, the male writers’ names still dominated the literary landscape. She gave an example of the woman writer and poet Silivina Ocampo who even though was a better writer than many of the contemporary male writers was not given the required recognition in the country because women are not supposed to be heard out of the home. The public voice effectively belonged to the man, and becoming a writer in such a country is like trying to usurp a position reserved for the men. Argentina, even till date, is still a repressive society for women. Another thing I learnt was the relationship between the class of wealthy Argentineans and the military. Apparently since 1930, the military that took over the government had done so at the behest of a small group of wealthy landowners who wanted to gain total control of all the resources of state. So to achieve this, they instigated the military to take over – much like what happened in many parts of Africa after independence as well. Some people, a cabal, to retain their hold on the land resources, backed military people to keep the people in check and control the land. As soon as the country went back into poverty, democracy took over. According to Paula, they are not totally gone yet and may return if the country gets back to prosperity.

The best part of the day was at a get-together that took place later at Starbucks. Present was the writer and a few members of staff who had attended the talk earlier in the day, along with plenty coffee. Earlier in the day, I had read a translated short story of her titled El Retrato or “The Portrait” and found it very refreshing. Another one of her story, The Golden Dome, is online for reading and downloading. The informal get-together helped get to know her better, her influences, her interests, and her challenges. Meeting writers is always an exciting opportunity. I’m guessing that the only thing more interesting would be being a writer oneself.

Catharsis Regained

Here are a few pictures from a Black Theatre Workshop production yesterday night. It was my first time of visiting the theatre here on campus, and that is a shame. Back in the University at home, the theatre was a mainstay of campus life socialization, along with a few other stimulating endeavours, and there was always a production or more every week. I can’t say the same for my University here, so I immediately jumped at the wonderful chance to reconnect with the stage. And it was worth every second of it.

The theme of the event is “The Journey to Freedom” and it featured about twenty pieces with an intermission of fifteen minutes in-between. There was a poetry recitation, storytelling, drama skits, dance, choreography, oration and singing. Held at the Metcalf Theatre (named after a demised theatre patron and former budget director of the University), each piece enacted on stage told stories of the journeys of the Africans from slavery to freedom. Ones that stood out were a recitation of Daniel Beaty’s poem “Knock Knock” by student actor Curtis Lewis, and a scene from A Raisin in the Sun by three other actors.

Other pieces were “Freedom means to me” written by Cassaundra Sampson, “Celia” written by Edwidge Danticat, “Let it Be” written by The Beatles, “Old People” by Greg Fenner, “The Talking Eggs” by Robert D. San Souci, “The Lady in Orange” by Ntozake Shange, “Consideration before Annihilation” by Unknown, “Last of a Dying Breed” by Greg Fenner, “If We Faint Not” by Ricky Dillard, “Escape” by Curtis Lewis, “Exodus by Jereme Dyson”, “A Change is Gonna Come” by Sam Cooke. and “A Brand New Day” by Luther Vandross.

The show will run for three days, ending on Sunday night. Needless to say, the performances moved beyond words could capture, except of course that word was “Catharsis.”

India and its Plethora of Languages

Updated

The third event in my department marking the “Discover Languages Month” took place on Wednesday and it was a talk by a graduate student of the department Catherine Xavier who spoke about India and its “Plethora of Language and Culture.”

I learnt some new things about India at this talk, one of which was that the country – as large as it is in population and land area – had only about twenty-two languages spoken in official capacity. The biggest of them was Hindi which everyone spoke and understood, but there were so many others. Much of the talk was along the lines of mine: i.e a comparison of Indian and American cultures, their similarities and differences. And from the presentation, I found that India is not much different from Nigeria as I previously thought.

One of the things she skipped however was the subject of the Karma Sutra which I believe is one of India’s biggest export to the world, and the influences of the literatures of Salman Rushdie and V.S. Naipaul – the two biggest and perhaps controversial names in Indian/English literature. According to Catherine, they were names that always stirred emotions and she had left them out in order not to make people uncomfortable or be polarizing. I do not take it against her because it doesn’t remove from the breadth of the talk, which lasted an hour and dealt with so many other things including economy, taxes, eve teasing, transportation, speech patterns, greetings and interpersonal relationship of Indians in foreign lands, and many more. As conservative as the culture in India is, it still managed to have produced a deep and colourful legacy of sensual exploration of the human body and I’d have loved to have been able to ask about it during the event. I couldn’t. It was a nice presentation over all with many laugh-out-loud moments during the talk and during some of the video clips that she played.

I love it because it was a balanced presentation of the positives and negatives of the country, unlike mine of two weeks ago which was mainly a positive representation of myself and culture. Clarissa has already accused me of being too positive about everything I observe, so it is just as well. Many of Catherine’s points reminded of me of what Nigeria and India have in common as a society. Famous Indian people in the presentation were Mother Theresa and Mohandas Gandhi.

Paula Varsavsky on Campus

Paula Varsavsky, a journalist, novelist and short story writer from Argentina is coming to campus today to give a talk to students and all interested listeners.

The talk is titled “Patriarchy and Dictatorship: The Challenges for a Female Writer in Argentina Today

She has published novels Nadie alzaba la voz (Emecé, 1994) and El resto de su vida (Mondadori, 2007), both of which are taught at different universities in Argentina, the United States, and Germany (Yale, Queens College, University of Buenos Aires and Heidelberg Universität, among others).

Nadie alzaba la voz was published in the United States in a translation into English by Anne McLean with the title No One Said a Word (Ontario Review Press, 2000) to excellent reviews.

She also wrote a collection of short sories El retrato (soon to be Published by Editorial Nueva Generación). Some of her short stories have been published in journals and anthologies, such as Lamujerdemivida, Translation, World Literature Today, Hostos Review, Revista Cultural Avatares y In Our Own Words: A Generation Defining Itself – Volume 8.  Currently, she is working on her third novel to be published under the title Una clásica historia de política y poder.

Thanks to Prof Bezhanova for the link. 🙂