Browsing the archives for the Observations category.

Let’s Save Binyavanga!

BinjOn October 31st, 2015, Kenyan writer and all-round brilliant mind Binyavanga Wainaina suffered a stroke. We didn’t know this until he himself wrote about it on a Facebook post that he has since deleted.

For those who don’t know him, Binj, as he’s fondly called by friends and acquaintances is the winner of the 2002 Caine Prize (which had on its shortlist Nigeria’s Chimamanda Adichie) and the founder of Kwani? online magazine, which he founded with his Caine Prize winnings. He authored the famous Granta essay How To Write About Africa and the memoir One Day I Will Write About This Place (2001). In January 2014, he came out as gay in an online essay titled “I’m Homosexual, Mom.” In the same year, he was featured as one of Time Magazine’s 100 Most Influential People. The profile was written by his good friend, Chimamanda.

More than any of his literary prizes however, Binyavanga is an all round humane (and childlike) soul. He is friendly, unassuming, and down-to-earth, as many who know him will attest. About five weeks ago, I featured him on Writer Sightings, using pictures taken during my last conversation with him in his house at Karen, on the outskirts of Nairobi. There was no hint that he was about to break down nor that he would not be making this year’s Aké Festival. His energy was as infectious as ever, and we talked into the evening, discussing everything in African writing, art, entertainment, language, among others, over mandazi and cold smoothie. Having him still come to Facebook to write, “like” posts, and share interesting links (as he has done many times) after the stroke is a testament first to his resilience, and his commitment to never be silenced.

IMG_4651He is now about to undergo some medical procedures in India to put him back together, and a few fundraising efforts have been set up to support his treatment. This morning, I gave my token to this cause, run by Kwani Trust (that has now raised 50% of the target goal. You can do the same, with Paypal or any other means, particularly if you live in Kenya, or anywhere else where Paypal works). For those living in Nigeria, Ake Arts and Book Festival (in collaboration with Nigerian artists, writers, and friends of Binyavanga) has set up a fundraiser this weekend at Freedom Park (poster attached). You can also donate through the Nigerian bank account that you can also see on the poster above.

Needless to say, this is a worthy cause. Binyavanga is one of Africa’s (and certainly this generation’s) living original and finest thinkers. Through his work, his words, and his life, he has given so many people new ways of interrogating set assumptions, and charting a new course for a battered continent. For this, for his large heart, and for more, he deserves our prayers, but more importantly, our help.

In the picture, he’s there holding my son who seemed to have fallen in love with him. Photo was taken at Aké Festival 2014 in Abẹ́òkuta.

Aké Diary (IX): The Deadly Laughter

by Emeka Ofoegbu

 

When the four kings of the satire sit down to have a panel discussion you can only expect brilliance.

12240855_1072254982794106_817242026421824695_o The panelists are Pius Adésanmí, author of Naija No Dey Carry Last, Adéọlá Fáyẹhùn, host of popular online show Keeping It Real, Ayo Sógunró, author of The Wonderful Life of Senator Boniface & Other Sorry Tales and Victor Ehikhamenor, visual artist and author of Excuse Me. The topic is Deadly Laughter: Satire and Public consciousness in Africa. The moderator is Kọ́lá Túbọ̀sún, acclaimed linguist.

The discussion kicks off to Adéọlá admitting she has received countless death threats for the work she does on her show even with the disclaimer. This is something her fellow panelists agree with. Satire is an approach to dealing with major issues that affect our immediate society which is quickly catching on. The satire is meant to be as subtle as possible but still heavily packed with intent and often met with disapproval and hostility. One thing the panelists agree on is that as a writer of satire you must develop a readiness for vicious backlash. The art of subtle reproach is often too much for people to handle and for those who understand what is implied they cannot stand to be portrayed in that light so they strike back or speak out against it.

12291120_1072255166127421_2596372418372204354_oVictor lets us know that amidst the vicious attacks on satirists, the satire is meant to deflect violence being a way to say what you want to say without being direct. On whether people effectively understand the satire, Ayọ̀ says there are some people who “even if it is clearly marked and sent, some people still don’t get it”. Pius talks about his work saying that the satire respects no one. It brings out the people perpetrating wrongdoings and ridicules them. Often times the case is that they don’t like how they are portrayed so they prefer a direct attack.

Although the satire is meant to be daring, Ayọ̀ tells us there are certain things he cannot write about. He believes feminism is one of these things. He says this simply because he personally cannot handle the onslaught when it does come. To this Victor drops one of his many wise sayings “because you have sharp scissors doesn’t mean you’re going to be cutting everybody in the village’s head off”. It is explained that the moment as a satirist you threaten yourself by attacking matters that are unnecessarily dangerous you’ve crossed satire into sensationalism.

12247737_1072255476127390_4458254252724755255_oWhen the question of who censors the satirist came up, Adéọlá was quick to say “everyone.” She gave us examples of how she was hounded for speaking about a particular issue and again hounded by the same set of people when she decided to remain silent on the same issue. She explained her style of approaching the satire and how it has worked for her this far. According to her she lays the fertile ground before doing the dirty work of planting. She says complimenting before hitting the nail on the head is a style she has developed in her career as a satirist.

Questions were taken from the audience with Professor Niyi Ọ̀súndáre saying the steps to being a good satirist include: “dig your grave” “buy a good coffin” and “write your will”. When asked what it takes to be a satirist, Victor says to portray serious issues in a humorous yet objective way requires a level of humour to avoid it coming across as forced. After all, according to him “it helps for the snake to have venom before it bites”.

 

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Photo credit: Ake Festival

Aké Diary (VI): The Transgender Discussion

by Fọpẹ́ Òjó

LS introduces the discussion and talks about how she believes that Nigerians jet themselves by totally shutting themselves off from necessary conversation and dialogue that help us learn about the struggles of other people, the type of conversations that show what these people are going through and help us understand them and develop empathy for them.

Oláòkun Sóyínká is the moderator of this session with Ima Da Silva, an Angolan transgender woman.

“I’m really happy that we have our own Caitlyn Jenner.” Dr. Sóyínká says.

“Who is Imani Da Silva?” he asks.

“I am first a human being and yes, I am a transgender. And I’ve always felt like I was a girl since forever since I was five. When I was five I had my first crush.”

Imani Da Silva is a pretty woman. Her face is oblong and she is light-skinned. She ties an ankara scarf on her head and it suits her. She has lovely glowing skin. And slender legs and is dressed in an ankara skirt and a blouse. She wears light makeup and light red lipstick.

When she talks about happiness she says “We often forget that life is not a rehearsal, it’s today. I decided to be the change that I wanted to see.”

About the people who have influenced her and helped her through her journey, she says “I was always lucky to meet people who saw me for who I am personally and professionally. It’s so unfair to say that I got to where I am on my own.”

She talks about her mother. How her mother was a strong woman who never judged her or her brother or her sister. She later says that the kind of woman that she is has been majorly influenced by the kind of women that she grew up with.

Dr. Sóyínká asks her about the surgeries.

“This wasn’t a choice. You knew you were gay.” Dr. Sóyínká says.

“I had the sex reassignment surgery four years ago and it was the best decision I ever made.” She answers.

She also talks about growing up and religion.

“When I was a teenager I was so religious. So I had this fight inside me about what was right what was wrong what I had been told and what I felt.”

There are many questions from the crowd. This Aké audience is a particularly quiet one. It is as though a very fragile bubble is being passed around from person to person and the audience is being careful so that it does not burst.

About religion, Imani says  “I realise that I don’t need a religion to identify myself as a person. What matters is how you treat the people around you for me the biggest sin is to hurt another human being.”

Another person asks about how female people expect her to be for being transgender and how she deals with the pressure.

She answers and explains that some transgender people have pressure to be as female as they can so that they can convince other people that they’re really women. They end up doing too much makeup and trying to live up to the standards of what society defines a woman as for acceptance.

She says that she doesn’t need to have wide hips or a huge backside to be woman.

About privileges on being born male and lightskin she says “I really believe that it is such a big privilege to be woman in Angola because women are so empowered. Women are strong and are made to believe that they can do anything. Girls are told to study their books.”

She is asked why she had to go as far as the transition, why she didn’t just remain a gay man instead of going through the whole process of changing.

She says that what we first have to do is check the many effeminate men and ask them if they are happy with being effeminate. Or if they want to change to women. She talks about some of her gay friends who are happy with being gay men. She says they’re gay and happy to remain men.

On how she relates with the trans community, Imani says she is the spokesperson of a community that works with such rights. She was approached by such community to be their spokesperson and she took it up.

“When there’s phobia. It’s because people are scared of what they don’t know.”

She goes further to say that respect is the most important thing. Teach gays and transgenders to love and respect themselves, to love and respect others. Then they will get the love and respect because in life, you give what you get.

She also speaks about the difference between gender identity and sexual orientation.

“Gender identity is one thing. Sexual orientation is one thing. How I feel about my gender is different from who I have feelings for.”

She explains that you can be a transgender man or woman and still be attracted women or men.

“I didn’t wake up one day and say I want to be barbie. Nobody told me to wear lipstick. And nobody told me to wear a dress. This is how I felt.”

On the surgical process of changing genders. She talks about how impatient transgenders can get with the process.

“You have to be patient through the process of changing. You have to be patient and know that you will get there.”

Someone asks her about her sexual relation with men, if her transition is complete yet and if she has wild orgasms with the men that she gets sexual with.

“I feel like I was born this way. And I thank my doctors everyday ” she answers simply. And the crowd laughs.

When she talks about motherhood, she says “I believe in marriage. It was never part of my dreams to have a child. I don’t feel like I need a child to be complete. Some people tell me that would change when I meet the right person. But I just don’t feel like I need children to complete.”

A man asks about how long it takes for her to tell the men that she goes on dates with about her history.

She says that it depends on how serious things have gotten. But that respect is always the most important thing in her dealings.

It is a very enlightening session and Dr. Sóyínká and LS thank her for her time and LS jokes about how this Aké audience is probably the most quiet and gentle one that she has ever witnessed.

Imani Da Silva is courteous and lovely as she exits the stage.

In Memoriam: Fiyinfoluwa Onarinde (1984 – 2015)

10411811_868467093166267_7783033631112677398_nI first “met” Fiyin Onarinde one day in April, 2014, when I called to tell him, in Lagos, that I had once occupied the Fulbright FLTA role that he had by then being selected to fill at my old university. His supervisor, the director of the SIUE International Programmes Office, had sent me a mail and asked me to talk to him, answer some of his questions, and generally make him comfortable about travelling to the US for a new experience. We talked for a while, and he promised to call me back, which he did.

He eventually went to SIUE to become one of the memorable Fulbright FLTAs at the Department of Foreign Languages where he taught Yorùbá for two semesters, and made lots of friends. While he was there, we kept in touch regularly, and got feedback from his colleagues, who saw him as a kind and sensitive soul. Later that year, I got a request from him to write an introduction to his book of poems which he had been trying to publish. It was a heartwarming request, which I immediately jumped at. You can read the introduction here, on his Facebook page. The book was published in February 2015.

Fiyin is dead now.

I heard the sad news last week through the same person who had first introduced me to him (who is now based in Ghana, who also heard the news from the university). After his Fulbright year, Fiyinfoluwa had moved from Southern Illinois University in Edwardsville to SIU Carbondale to begin a graduate programme. We lost contact for a while, and connected briefly in July while I was in the US. He had wanted to meet, and so did I. We scheduled a meeting, but it didn’t come through, and I haven’t heard from him since. Nobody knows the cause of his death, yet, but foul play has been ruled out, and an autopsy is pending. He was 31 years old, born on Apr 24, 1984, and died on October 18, 2015.

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In this picture, he’s reading to the daughter of his host parent. (Photo: Facebook)

The little I know about him show him to be a kind, sensitive, creative, and decent young man. Our Facebook messages were intermittent, but when we talked, we shared ideas about foreign language teaching, poetry, and the university culture in general. I regret not having met him in person, but the outpouring of condolences from those who did confirms that he made quite a significant impact on those who called him friend. His colleagues and supervisors had only nice things to say about him. He is survived by his parents, and a wife, Busola Asaolu Onarinde.

The SIUE African Student Association is holding a memorial service for him on Friday, November 6 at 4:30 at the Center for Spirituality and Sustainability. An online memorial has also been opened for him here.

His new book, Market Parliament and Other Poems can be purchased on Amazon.

A Wasting Treasure at the LCC

I took my fourth, perhaps fifth, trip to the Lekki Conservation Centre, last weekend. It is located a stone’s throw from Chevron and the second toll gate at around the seventh roundabout on the Lekki-Epe Expressway. The Centre is owned by the Nigerian Conservation Foundation, a charitable foundation sponsored by a number of local and international organisations to preserve forests through the creation and maintenance of conservation parks around the country. Hidden slightly from view, but ostensibly housing a treasure trove of plant and animal specimen and data around a stretch of relaxing eco-park with trees and animal playgrounds, the LCC is a treasure that usually never fails to delight, and surprise, all visiting guests. Created in 1990, the Centre, according to Wikipedia, was established to serve as a biodiversity conservation icon and environment education centre. It stands on 78 hectares of land area consisting of swamp and savannah habitats of the African landscape, and has played host to over 2 million guests from its inception – an impressive feat. According to their website, the Centre was established to serve as a conservation icon of Nigeria’s southwest coastal mangrove resources and an information centre for environmental education and public awareness.

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The tree house is now closed to visitors. (Photo taken on October 24, 2015).

What occurred to me, however, on this trip, was how worse the place seemed to have become after each successive visit. The first visit, just about two years ago, had delighted with fresh greenery, and a nature walk that began at the entrance of the Centre and spiralled through a serene path of woods as if leading towards a magical place. From behind the ticketing office, the path went all the way, for many minutes, on nicely constructed elevated wooden walkways that kept the visitor up from the swampy reality underneath, through trees of a typical African mangrove rainforest to a crocodile and bird observatory, through a few other stops where lovers or friends can sit and chat. It eventually reaches a mid-way point from where one can either keep going forward into a huge playground arena constructed with the help of the state government, or turn right to follow the path back to the original starting point, like an arc, bypassing a large treehouse and other interesting sights along the way. The nature walk path is about 1.8km long, and usually takes about 45 minutes to an hour to complete.

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Taken on April 4, 2015. The path was, at the time, still open until one gets here and can go no further.

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The step that leads up into the tree house itself. It offered a small comfort for daring guests to sit and observe the park from about 200 metres above the ground. (Photo taken in September 2014).

Not only has it become impossible, over successive visits, to take the complete nature walk anymore, what we found on the last visit was that only half of the walk path is now open to visitors for reasons of safety. I do remember complaining to a friend, during the first visit, that the breakdown of many of the wooden planks of the walking path, without quick replacement – a sign of terrible management -would lead to an eventual state of disrepair. Over time, many more of these small planks have fallen off, rendering the path even less safe for visitors willing to take the walks by themselves, and later even with tour guides. On this current visit, we entered the trail through the exit route, and walked in a counter-clockwise motion towards the centre point.

Some times, the visitor is lucky, as we were on this visit, a friend and me. We arrived early enough, on a Saturday nevertheless, before many people had arrived at the park. Even the ticketing attendant hadn’t arrived yet. Another worker on the premises took our money (N1,500 each) and ushered us to the starting point. Being “lucky” meant having much of the walkways to oneself, except for the little monkeys that found it fit to sit confidently on the wooden handrails, indifferent to any threat from human visitors not yet familiar with the presence simians at such close proximity. In a couple of minutes, we arrived at the tree house now also closed down to visitors. At least twice in my past visits, I had climbed to the top of this tree, sat in the little house built there, looking down at the park with an amazement at the grandeur of the concept, and how much value this brought to a city too consumed by a busy, noisy, and polluted metropolitan experience. One was at least a year ago, and things are no longer what they used to be. As we sadly noticed, also closed was the path that led back to the crocodile observatory where visitors could sit in silence and pick out the few pairs of eyeballs that regularly peep out of the swamps.

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The old children playground, with swings and plastic chairs.

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A visitor, today, stranded on a plank, hoping to make his way to the new “Family Park”.

 

From the tree house, we approached the old playground, located at a centre of the park, where a few families gathered as if on a picnic. Around them were swings made for children all of which bore old and decrepit looks. A bigger arena, called the “Family Park” lay ahead, newly constructed and supported, reportedly by the last Lagos State government of Babatunde Raji Fashola. The governor had, earlier in the year, visited this place to inspect the Canopy Walkway which was reputed to be the longest on the continent, and to offer the support of the government for these conservation and recreational aspirations. That, for many here on this day, was an incentive for visiting. But now the newly constructed Family Park space was beyond reach because flooding from the rain of preceding days had rendered the path to it terribly damaged. You could only go at your own personal risk, we realised, but the visiting parents were not willing to take little children into dirty puddles that may host any kind of dangerous amphibians, so they remained behind. We kept on, wading through the dark swamp, until the green bush opened up finally into this open savannah dotted with cabana of different sizes on the one hand and obstacle courses all around the field on another.

IMG_1075IMG_1093IMG_1045IMG_1051The first time I discovered this part of the park was probably during my third visit in April 2015, (pictures attached, to the right), just out of curiosity. We had,  my young cousins and I, arrived at the central playground, and thought the trail had ended. But, seeking more adventure via a small bush path that lay ahead, we walked forward for a few more minutes and ended up in this beautiful open savannah land dotted with promise of adventure. When I inquired about the place on my way out on that day, I was told that it was not yet complete, as astounding as the whole place already looked. But when completed, it would be called the Family Park, meant for family and group entertainment. It had two big fish ponds one with tilapia, and the other with these colourful exotic fish I couldn’t place. It also had, along with the military-type obstacle courses for adventurers, life-size game boards: chess, Snakes & Ladder, ludo, and checkers. When complete, visitors would be able to park their cars at a different location close enough to offer easy access into this new part of the park. At the time also, the place looked quite alive or at least promising. There were many more people around and it seems, as incomplete as it was, to have justified its existence.

IMG_0017IMG_0008IMG_0028IMG_0024On this latest visit, however (pictures attached to the left), the opposite was the case and the Park was an overgrown shadow of itself. Not only was the flooding much more of an obstacle to accessing the arena, the space now wore a depressive look unworthy of the initial aspirations or of any valuable human contact. The grasses had grown unkempt, and the place lay spread like a giant wasteland, with plastic bottles and bags littering all around. Having braved the dirty stream-puddles to arrive here, we were not just going to retreat, so my friend and I walked around the yard, lamenting the lost promise of such a treasure. The tilapia pond was still there but now filled with a school of fish that looked as excited to finally make contact with human presence as they looked hungry for whatever these visitors bought. They seemed to congregate by each the side of the pool where our voices were the loudest, as if in need of some kind of acknowledgement, which we termed as food. Half of them had turned pink (or probably had been like that all along).  I asked my friend if the colouring meant anything about the state of their health, but he had no idea. We’d need to ask a fishery specialist. Maybe they’re really just as hungry as we had thought, absent of a sustained human contact.

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Here, the school of fish congregate to the sound to our voices.

I realised, a while later, how easy it would have been for a mischievous guest here to throw a bait and hook into the pond (or even just a basket, going by how they congregated easily in plain sight) and pick out as many of the tilapia as would satiate his hunger. Many of the idle wood around seemed dry enough to make fire, we were alone, and there was sufficient privacy to keep a clandestine roasting expedition secret for more than a few minutes. For the fish, left alone in such a desolate space for so long, it could as well be a more humane intervention than their hungry life in an isolated pond allowed, we thought. We never did fall for the temptation, though, instead spending spending our time looking around the arena like military spies. And then, bored, we headed out, meeting along the way, through the dirty stream, a few more adult men and women now interested in wading through the puddles to see whatever lay beyond the initial children playground.

The LCC is a serene place, and the big-picture concept of the park as an icon of conservation and relaxation is a promising one; has always been. Deforestation is considered to be one of the main contributing factors to global climate change and desertification, therefore, a place dedicated to preserving nature and reversing a negative trend on a large scale is worthy of public support. Seventy percent of the world’s plants and animals, according to this report, live in forests and are losing their habitats to deforestation and Nigeria possesses the highest rate of deforestation in the world– a dubious honour – according to the FAO and the United Nations. We’re not very free from desertification either as I noted, in pictures, just five years ago. So, If optimism alone were sufficient, this piece would be a celebration of the work so far done, and what the future holds. In the face of modernity and our unsparing exploitation of natural resources, conservation is a real and pressing need. Living in Lagos itself, a city where access to greenery is as much a luxury as access to traffic-free driving on a week day, offers the best justification for such a place as this, and very many more like it. One of the things that mark Nairobi, for me, as a model city is the work done over many years by the late Wangari Maathai in protecting the balance between nature and the needs of the city inhabitants. The resulting effect is a city with many more trees than I’ve found in any other African capital. Not just the trees themselves, but the resulting benefit to health, among many other advantages.

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The green opening into the new play arena which, for a while (when this picture was taken), looked like a promising attraction to the LCC with already dwindling number of visitors.

Unfortunately, the realities of the recurring visits to this otherwise magical place in Lagos have set me, and other visitors to the LCC, back to earth. Friends who remember their experience with the place during its most thriving moments recall the presence of a lot more animals, a better-managed park, a real bird observatory where one could actually see creatures of note, better maps for navigation, and a generally more satisfying visit. Until the early 2000s when the housing boom in the Lekki area of Lagos exploded, the current location of the LCC was remote enough to actually be exotic, and perhaps to also be conducive for the fauna it boasted of. The presence, today, of real estate at almost every available surrounding space may have, sadly, contributed to its degeneration and the exodus of the Centre’s most relevant fauna since not many animals thrive on noise and sustained human contact. Land grab is also a pressing problem in the area, threatening the sustenance of such an idea, or of any similar idea that thrives on a free open space that could otherwise bring millions to some ambitious realtor. The only advantage from the park’s closeness to human population now is, perhaps, the accessibility to people who would otherwise not care about conservation and outdoor fun, but now can. But that’s not enough.

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Latest photo, taken on October 24, 2015, shows one of the last animals left in the park, a monkey, relaxing on the handrail, perhaps overexposed by the dying trees.

The NCF will have to take a more hands-on approach in keeping up the standard of this facility for it to achieve its highest potential. So far, it is falling short. A quick trip to Ibadan’s Agodi Gardens – a project of similar aspirations but with different outcomes – may be needed to learn a few things regarding visual appeal, management style, and public perception through marketing and maintenance. A conservation centre that provides value to visitors will get more referrals and more recurrent visits. This translates to more money to manage the place, and more positive outcomes for its conservation aspirations.

The challenges of conservation on the continent are many, including poaching, pressure from real estate developers, and a lack of proper funding and management (as in this instance). But the promise of better outcomes is and should be a more pressing incentive. Left in the hands of poor management, the promised future eludes competent grip, and falters. With the enormous human and material resources that the country can boast of, a failure of this nature is a terrible shame. Alas, in this case, what is at stake is more than the aesthetics of an ever expanding city, but also the future of the planet and its species. That is not worth playing around with!

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All photos courtesy of the blogger (2013-2015)