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Drama at the NLNG

I realized, just last week, that the call for entries for the Drama Category of the annual Nigeria Prize for Literature is out. The Prize, as will be familiar to those following Nigerian literary conversations, carries $100,000 and is awarded annually in four rotating genres. Last year’s winner, Ikeogu Oke, won for poetry (and you can watch my interview with him here, or read a review of his willing entry).

At a lunch invitation in Lagos with interested stakeholders, literary journalists, and selected members of the public, Mr. Tony Okonedo, Manager, Corporate Communications and Public Affairs at the Nigeria LNG spoke about the progress of the prize, fielded questions about its shortcomings and public expectations, and announced a number of initiatives being planned for this year’s edition.

One of the attendee inputs that got a favourable response by the organizers is the suggestion that NLNG consider sponsoring a command performance of whichever play that won the prize last. In this case, that will be Iredi War written by Sam Ukala, and which won in 2014 when the Drama Prize was last awarded. I can already imagine such a performance (open to the public, perhaps) helping to draw more attention to the prize, the winning writer, and the genre in particular.

Another suggestion which I particularly like will involve having the NLNG sponsor a type of writing workshop every year either with all the longlisted authors in its prize categories or for selected and/interested writers who are then taken to the Island of Bonny where NLNG makes most of its money through the liquified natural gas. Either that or a type of residency. What I’ve heard of the tranquil nature of that island makes this something of a perfect fit.

According to a press release, the NLNG-sponsored Science Prize will also be accepting entries on Innovations in Electric Power Solutions. The literature prize opened on February 13, 2018 and will close on March 29, 2018. The window for the science prize, on the other hand, opened on February 15, 2018, and will close on May 25, 2018.

Professor Matthew Umukoro will chair the panel of judges for this year’s Literature prize competition. He is a professor of Theatre Arts at University of Ìbàdàn. Other members include Professor Mohammed Inuwa Buratai, a Professor of Theatre and Performing Arts and the Dean of the Faculty of Arts at Ahmadu Bello University, (ABU), Zaria; and Dr. Mrs Ngozi Udengwu, a Senior Lecturer in the Department of Theatre and Film Studies at University of Nigeria, Nsukka.

Do people still write plays? Silly question, I know. But are there still many being published every year, a vibrant industry like we have for prose and, sometimes, poetry? I don’t know. Are unpublished plays eligible for this prize even? If not, why not? I know, though, that Sefi Atta published a collection last year, so I look forward to seeing the writers on this year’s long and shortlist. Who knows, maybe I’ll get to interview the shortlisted playwrights as well. Still, about 10 days for you to enter if you qualify. More information here.

NLNG presents $200,000 to 2017 Literature, Science Prizes winners

Nigeria LNG (NLNG) Limited, yesterday at a Public Presentation in Lagos, formally presented The Nigeria Prize for Literature and The Nigeria Prize for Science, which come with a cash prize of $100,000 each, to four winning entries that emerged from the 2017 cycle.

Author of the winning entry for The Nigeria Prize for Literature, The Heresiad, Ikeogu Oke, was awarded a $100,000 cheque, while joint science prize winners Ikẹ́olúwapọ̀ Àjàyí, Ayọ̀délé Jẹ́gẹ́dẹ́, Bídèmí Yusuf, Olúgbénga Mokuolu and Chukwuma Agubata were awarded the Nigeria Prize for Science, with a cash prize of $100,000, split evenly.

The science prize sought to find solutions to malaria through its theme for 2017, Innovations in Malaria Control.

The joint winning entries for the science prize were “Improving Home and Community Management of Malaria: Providing the Evidence Base” by Ikẹ́olúwapọ̀ Àjàyí, Ayọ̀délé Jẹ́gẹ́dẹ́ & Bídèmí Yusuf; “Multifaceted Efforts at Malaria Control in Research: Management of Malaria of Various Grades and Mapping Artemisinin Resistance” by Olúgbénga Mokuolu; and “Novel lipid microparticles for effective delivery of Artemether antimalarial drug using a locally-sourced Irvingia fat from nuts of Irvingia gabonensis var excelsa (ogbono)” by Chukwuma Agubata.

The 2017 cycle of the science prize ended a seven-year drought of winners. There had been no winner since 2010.

VIPs who were present at the high profile event include the Executive Governor of Lagos State, Akínwùnmí Ambọ̀dé, represented by the Commissioner for Special Duties, Honourable Olúṣẹ̀yẹ Adédèjì; the Honourable Minister for Science and Technology, Dr. Ogbonnaya Onu, represented by Dr (Mrs) Julie Momah; Honourable Minister of Education, Adamu Adamu, represented by Mrs Elizabeth Ibezim; the Obi of Onitsha HRH Nnaemeka Achebe; Egbere Emere Okori 1 Eleme, His Royal Highness Appolus Chu; Paramount Ruler of Ondo Kingdom, HRM, Oba Dr Victor Adésìḿbọ̀ Kiládéjọ Jilo III; members of the NLNG Board of Directors; members of the diplomatic corps; members of the Advisory Board for Literature and Science; members of the panel of judges for both prizes; the media; the academia; as well as invitees from the Nigerian literary community and secondary schools in Lagos.

Tony Attah, Managing Director and Chief Executive Officer of NLNG, in his keynote remarks, said “The question is often asked, why Nigeria LNG Limited chose to honour writers and scientists despite its huge basket of Corporate Social Responsibility programmes that include the provision of roads, light, water and wide-ranging education intervention scholarship schemes.

“Our answer is very simple. No business can exist in isolation and be sustainable. Just like the adage says, “If you want to go fast; go alone, but if you want to go far; go together”. And for Nigeria LNG Limited, as a company, we have chosen to walk together with Nigeria.

“In Nigeria, we have the intellectual capability, we also have the resources; what we need is the will, and together we can all continue to progress the reputation of Nigeria in these spaces,” he added.

The Deputy Managing Director, Sadeeq Mai-Bornu, also remarked: “The Science and Literature prizes have come this far because stakeholders, especially the advisory boards, the panel of judges and our very distinguished guests have shown rare commitment towards making the prizes a success and one of the most prestigious initiatives of its kind in Africa.

“It is important to highlight here that Nigerian Scientists have continued to demonstrate that they can defend their space against the best anywhere in the world. So we look forward to more entries to provide solutions to issues classified as Nigerian problems in our subsequent competitions to enable us actualize this lofty ambition to speed up Nigeria’s socio economic advancement,” he said.

He announced that 2018 literature competition would be on Drama while the science prize theme is Innovations in Electric Power Solutions.

Accepting the award for Literature, Oke said: “In a world in which we do not always get what we deserve, and fortune does not always favour the most qualified or hardworking, I think we should all feel humble and appreciative for any success we achieve. This, besides happy, is how I feel as the recipient of this honour. To Nigeria LNG Limited, the members of the Advisory Board of the Nigeria Prize for Literature and the award-giving judges, I say, “An award-winning poet salutes you!”

The winners of the science prize also commended NLNG for instituting the prize and urged the academia and innovations to have more interest on the prize to showcase Nigeria’s talent.

The Nigeria Prize for Literature has since 2004 rewarded eminent writers such as Abubakar Adam Ibrahim (2016, Prose) with Season of Crimson Blossoms; Sam Ukala (2014; Drama) with Iredi War; Tade Ipadeola (2013; Poetry) with his collection of poems, Sahara Testaments; Chika Unigwe (2012 – prose), with her novel, On Black Sister’s Street; as well as Adeleke Adeyemi (2011, children’s literature) with his book The Missing Clock.

Others are Esiaba Irobi (2010, drama) who clinched the prize posthumously with his book Cemetery Road; Kaine Agary (2008, prose) with Yellow Yellow; Mabel Segun (co-winner, 2007, children’s literature) for her collection of short plays Reader’s Theatre; Professor Akachi Adimora-Ezeigbo (co-winner, 2007, children’s literature) with her book, My Cousin Sammy; Ahmed Yerima (2006, drama) for his classic, Hard Ground; and Gabriel Okara (co-winner, 2005, poetry), Professor Ezenwa Ohaeto (co-winner, 2005, poetry).

The Nigeria Prize for Science has also been awarded to science laureates such as Professor Akii Ibhadode (2010); the late Professor Andrew Nok (2009); Dr. Ebenezer Meshida (2008); Professor Michael Adikwu (2006); and joint winners Professor Akpoveta Susu and his then doctoral student, Kingsley Abhulimen (2004).

The Nigeria Prize for Literature and The Nigeria Prize for Science are some of Nigeria LNG Limited’s numerous contributions towards building a better Nigeria.

Farafina Releases Three New Books

Press Release

 

Kachifo Ltd is pleased to announce the release of three new books – What It Means When A Man Falls From The Sky (Nigerian edition), How to Win Elections in Africa and Àníkẹ́ Ẹlẹ́kọ under its Farafina, Kamsi and Tuuti imprints.

The three titles were released on 13th November 2017 and are available on online platforms and in selected bookstores nationwide.

The Books

WHAT IT MEANS WHEN A MAN FALLS FROM THE SKY by Lesley Nneka Arimah

The collection of short stories, which was shortlisted for the 2017 Caine Prize for writing, boasts of powerful storytelling, unique female protagonists, and a world where women are depicted as the center of the society.

Reviews:

From Tendai Huchu, author of The Hairdresser of Harare, and The Maestro, The Magistrate & The Mathematician:

“Arimah has a gift of crafting intimate familial relationships . . . and the pressures and strains of those relationships form the most intricate and astonishing narratives. The powerful stories in this dark and affecting collection will show you that magic still exists in our world.”

From Chinelo Onwualu, editor of Omenana Magazine: “Masterfully moving between the speculative to the mundane, this is a riveting read that will stay with you long after you’ve put it down.”

From Igoni A. Barrett, author of Blackass and Love Is Power, or Something Like That:

“From the very first story in What It Means When a Man Falls from the Sky this thunderstruck reader began to glean the answer to the question embedded in the book’s title. . . Lesley Nneka Arimah has landed in my rereading list like a blast of fresh air.”

About the Author

Lesley Nneka Arimah’s work has received grants and awards from Commonwealth Writers, AWP, the Elizabeth George Foundation, the Jerome Foundation and others. Her short story, What It Means When A Man Falls From The Sky was shortlisted for the 2017 Caine Prize for African Writing. She currently lives in Minneapolis.

 

ÀNÍKẸ́ ẸLẸ́KỌ

Àníké has to hawk ẹ̀kọ every morning but that does not stop her from going to school. She loves school and wants to be a doctor. However, her mother has decided her fate: once she finishes primary school, she will join her Aunt Rẹ̀mí in the city as a tailor.

When a mystery guest visits Àníké’s school, she has the chance to win a scholarship that will change her fate. Will the help of her friends Oge, Ìlérí and Àríyọ̀ the cobbler be enough?

Written by Sandra Joubeaud and illustrated by Àlàbá Ònájìn, ÀNÍKÉ ELÉKO tells a colourful story of one girl’s courage in the face of opposition to her dreams.

 

About the Authors

Sandra Joubeaud is a French screenwriter and script doctor based in Paris, France. She has also worked on Choice of Ndeye, a comic book commissioned by UNESCO and inspired by the novel, So Long a Letter (Mariama Ba).

Àlàbá Ọ̀nájìn is a graphic novelist with a diploma of Cartooning and Illustration from Morris College of Journalism, Surrey Kent. His work includes The Adventures of Atioro, and other collaboration projects with UNESCO and Goethe Institut. He lives in Ondo State, Nigeria.

 

HOW TO WIN ELECTIONS IN AFRICA

Democracy involves the process of changing custodians of power from time to time in order to maintain a useful equilibrium of performance and accountability. But the post-colonial narrative in most African countries has been one of the strongmen and power brokers entrenching themselves deeply across the crucial levels of society. The past few years have however seen citizens become more aware, and some revolt against these systems.

How To Win Elections in Africa explores how citizens, through elections can uproot the power structures. Using examples from within and outside Africa, this book examines the past and present to map a future where the political playing field is level and citizens can rewrite existing narratives.

Politicians have been handed their notice: It is no longer business as usual.

 

About the Authors

Chude Jideonwo is the managing partner of RED, which brands include StateCraft Inc, Red Media Africa, Y!/YNaija.com and Church Culture. His work focuses on social movements shaking up and transforming nations through governance and faith, with the media as a tool. He teaches media and communication at the Pan-Atlantic University. In 2017, he was selected as a World Fellow at Yale University.

Adébọ́lá Williams is the co-founder of RED and chief executive officer of its communication companies – Red Media Africa and StateCraft Inc. A Mandela Washington Fellow under President Barack Obama, he has been a keynote and panel speaker at conferences across the world including at the London Business School, Wharton, Stern, Yale, Columbia, Oxford and Harvard.

NLNG 2017 Literature Prize Interviews and Reviews

As promised, over the last week, this blog has featured reviews of the shortlisted work on the 2017 NLNG Nigeria Prize for Literature (Poetry), as well as interviews with the shortlisted writers, and the prize coordinators. You can now read and watch them here, below:

Monday, September 25, 2017: A Review of A Good Mourning” by Ogaga Ifowodo

Thursday, September 28, 2017: A Review of Songs of Myself by Tanure Ojaide

Sunday, October 1, 2017: A Review of The Heresiad by Ikeogu Oke

Monday, October 2, 2017: Conversation with Professor Ben Elugbe, member of the advisory board of the Nigeria Prize (video)

Tuesday, October 3, 2017: Conversation with Ogaga Ifowodo, author of A Good Mourning (video)

Wednesday, October 4, 2017: Conversation with Tanure Ojaide, author of Songs of Myself (video)

Thursday, October 5, 2017: Conversation with Ikeogu Oke, author of The Heresiad (video)

Friday, October 6, 2017: Excerpts from each of the collections (video)

Sunday, October 8, 2017: Conversation with Kudo Eresia-Eke, General Manager, External Relations for NLNG (video)

Monday, October 9, 2017: Prize Announcement/World Press Conference.

Update: October 9, 2017: Ikeogu Oke’s The Heresiad is the winner of the 2017 Nigeria Prize for Literature. 

The intention behind this effort was to help engage the community of writers and give visibility to each year’s shortlist as a way to better improve the prize through conversations and constructive criticism. The end game, of course, is the hope to stimulate an improved culture of reading and appreciation of literature around the country.

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WanaWana Celebrates Love, Sensuality and Feminine Agency

I was present at Rele Gallery Onikan on August 27, 2017 at the listening party organized for Wana Udobang’s sophomore poetry collection called In Memory of Forgetting. I have also spoken with the poet, in an interview published on Brittle Paper, about her work, craft, and opinion on the Nigerian literary scene. So I was glad to see that she has created visuals for a few of the poems in the collection.

This one is called “20”. It was released on September 20. According to the press release, ‘the video was filmed in Lagos at Freedom Park. The concept of “20” was developed by WanaWana, directed by XYZ, and features MTV VJ Folu Storms. The video artistically celebrates love, sensuality and feminine agency in a poem that has been described by one critic as “steamy and intense”.’

Enjoy.

You can get the album here: https://store.cdbaby.com/cd/wanawana, or at Salamander Café (Abuja), and at Terra Kulture and Rele Gallery (in Lagos).