Browsing the archives for the Fun category.

The Yoruba Talking Drum

I made this video during the cultural awareness week on the campus of the University of Ibadan in May 2009. The talking drum is a uniquely Yoruba percussion instrument that is peculiar because of its ability to mimic tonal patterns of actual human speech. In this video, I tried to engage the drummer in a little competition of abilities; he on the skill of drumming, and I on the skill of discerning. Enjoy.

I showed it to students in class today, along with some music videos of Lagbaja, once again to illustrate the blend of tradition and modernity in Nigerian contemporary music. I had a reaction to his appearance almost in a similar form to the one I had the first time I showed him in class. My students are supposedly aware of the concept of the masquerade, but apparently, not in this particular shape and form. Let me get back to you after the Mardi Gras, and I’ll let you know what I learn about how American masquerades really look like. I’m guessing that they are not as elaborate, or as “scary”. We also learnt about the concept of Abiku, how different it is from the scientifically verifiable child mortality, and how many children often used it as a weapon against abusive parents.

Books On My Desk

On Black Sisters’ Street by Chika Unigwe. This is a powerful book about the lives of prostitutes from Nigeria in the brothels of Belgium. To write this very moving account of an oft neglected but very crucial social phenomenon, the author had to travel to the red light districts of Belgium and conduct one-on-one interviews with the prostitutes, and record their stories. In a recent interview, she confessed that she was able to earn their trust only because they didn’t believe that she was a writer, but a novice hoping to learn the secrets of the trade by asking around. The author Chika, a Nigerian writer, lives in Beligium with her family. Her first book De Feniks was the first work of fiction to be written by a Flemish author of African origin. Get the books, and read them. As soon as I finish reading it, I hope to come back with a mini-review.

In Dependence by Sarah Ladipo Manyika. In judging this book first by its cover, I give deserved kudos to the artist who placed the map of my home town and the town of Oxford, UK on the two unknown faces that grace the pink cover. The novel itself tells the story of love that spans generations, continents, amidst several obstacles , passion, idealism, courage and betrayal. Of the book, this has been said: “…has the subtle power of a well woven work, nothing is out of place… it is full of surprises” among other nice things by journalists and reviewers.

The first chapter begins thus in a sentence of quite enticing prose: “One could begin with the dust, the heat and the purple bougainvillea. One might eve begin with the smell of rotting mangoes tossed by the side of the road where flies hummed and green-bellied lizards bobbed their orange heads while loitering in the sun.”  So far, it is a very good read.

I can’t explain why I read so many books at once, as I can’t explain why I keep acquiring them. All I know is that some times my mood requires a different kind of literary satisfaction. At some other times, another. I recommend these two good books for their entertainment as well as their literary value.

For my copies of the book, let me thank Tayo who got me an autographed copy from Sarah Manyika, and sent the book to me all the way from Nigeria, and Ikhide who gave me his copy of “On Black Sister’s Street” along with his review notes within its margins. Then Chika Unigwe, the author herself who graciously sent me a copy from Belgium.


A Nice Old Pic

“One day your life will flash before your eyes. Make sure its worth watching.” – Anonymous.

Picture taken during the Fulbright conference at the Hyatt Regency Hotel, Washington DC.

On Chinese Poetry

Professor Tom Lavalle is a great man. He is soft-spoken, he has sparse beards that cover much of his chin, and he smiles a lot. And he speaks Chinese! He is an American Professor in my department and he learnt, speaks and teaches Chinese language and literature. Isn’t that amazing? I met him for the first time on Monday even though we had been communicating a lot through email, and even though his office is just a stone throw from mine. For all I know, we may have gone past or maybe even bumped into each other more than once since August without knowing. For sure, the image of him that I had in my head before meeting him was not of someone of such height and demeanour. Why I had the preconceived image in my head, I have no idea. All I know is that when I met him, I was pleased. He is a pleasant person to talk with.

During the first email exchanges we had before we actually met, he had sent me these few translated poems from Chinese which I loved, so on meeting him, conversation inevitably turned to the subject of Chinese poetry and language and how it had influenced Japanese language and literature as well, especially in the form of writing. I learnt so many new things, about him, about China and about writing, language and culture. Why an American would be interested in Chinese poetry is not a question I would always ask, but I did ask for his own motivations, and I found them rooted in a craving for private space in the solace of words. He is a poet himself, writing in English, and his contact with Chinese writings had sparked a different kind of interest in him that has been sustained up to the present day. And because of him, students of this department now have the chance to learn Chinese language and culture at SIUE, and take field trips to a country of so much intriguing history.

Because of meeting him, one day I hope to start learning Chinese. I don’t know where to start from though, whether on a lesson in good calligraphy or on a lesson in Chinese alphabets which I am very sure is larger than the English one. And unlike many of the students who register for the class, my motive will not really be in anticipation of, and preparation for the new world order where Chinese is spoken as a first language by all world citizens, but to access many of the different forms of expression of thought buried within the texts of old and classical Chinese poetry.

Well, maybe I lie when I say that, but how would you know?

“Drinking Wine” #4 of 4

Tao Qian (365-427)

Autumn chrysanthemums have beautiful color,

With dew on my clothes I pluck their flowers.

I float this thing in wine to forget my sorrow,

To leave far behind my thoughts of the world.

Alone, I pour myself a goblet of wine;

When the cup is empty, the pot pours for itself.

As the sun sets, all activities cease;

Homing birds, they hurry to the woods singing.

Haughtily, I whistle below the eastern balcony –

I’ve found again the meaning of life.

(Translated by Wu Chi-liu)

“Exploring Yoruba through American Eyes”

  • I don’t usually write the word “Programme” as “Program.”

The long process that became today’s presentation began a little over a week ago when Prof Tom Lavalle, a professor of Chinese language and literature sent me a mail asking if I would be willing to kick off the “Discover Languages Month”  with a public presentation. I said yes. He asked me to suggest a title, and I did. He liked it. I didn’t have too much time to plan for it however, which would explain why I had spent a few nights sleepless putting everything in form. For this, I also owe credits to the pictures on my room wall who listened to my mock pre-presentation, and to Deola, Zainab, Tayo and Chris who offered valuable suggestions after previewing the presentation. I also thank Clarissa who sat gently and almost anonymously at the back, smiling at almost everything I said, and blogging 🙂 but whose presence along with that of other colleagues and friends gave me the needed encouragement; and Belinda Carstens, my head of department who barraged me with questions when necessary, thus inevitably pointing me to a few things I seemed to have been taking for granted talking to a people from a different background.

  • My undergraduate project in the University was called “The Multimedia Dictionary of Yoruba Names.”

One of the most intriguing discussion from the talk came during the realization by a few members of the audience that we still had kings in Nigeria, within Yoruba kingdoms. “Are they all monarchies?” Someone asked. “No,” I said, and went into a long explanation about the peculiar (and prehistoric) republican nature of the kingship system in Ibadan in sharp contrast with the rest of Yoruba kingdoms in Oyo, Ife and elsewhere. Even to me, that was a moment of personal reflection and pride in the accomplishment of Ibadan ancestors who broke with tradition long before the British came, and did away with a succession system of government that is based on heredity like is practised in Oyo or Ife for a more meritocratic system based on long-standing and verifiable contribution to the society. Even at the end of the talk, a few more scholars came over to talk to me and ask questions about the kingship system. The kings, we discussed, do not have political powers as such in the country, but do occupy a status of responsibility that makes them indispensable in the proper governance of the country. There was also a question about spirituality. This elicited a response in reaffirmation of the Yoruba worldview: that which has never sought to impose its belief system on any other group of people for any reason. We had fought wars for women, for land, but never ever to spread a system of belief or to proselytize to our own way of life.

  • Do you have Six Flags in “Yorubaland”?

So there was food, plantain chips. There were over forty people in the audience, many of them standing. I saw a few old students in the audience, and a few current ones as well. How the old students knew about the event, I have no idea. Professor (Papa) Rudy showed up as well. It was my first time of seeing him this year. Also present was Prof Schaefer, professor of Linguistics, and SIUE Director of International Programmes who is no stranger to Nigeria himself, having taught at UNIBEN for many years and worked on the Edo language of Emai for a long time. I spoke about the mark on my face. I also spoke about the noted similarities between the Opa Oranmiyan and the Washington Monument; and about why I wear the cap in the United States even though I never did while I was in Nigeria; and about the meaning of names; and about masquerades, Lagbaja and the KKK (a little uncomfortable for me to broach); about Wole Soyinka and the many things he wrote about; among other topics. And then read a translated poem about The Owner of Yam and his Neighbour, which everyone seemed to have loved.

  • Is “Yorubaland” like Disneyland?

It was nice. I had fun. I’m guessing that from the response there will be more students next year registering for the Yoruba if the Fulbright commission decides to send more Yoruba teachers to this institution. I have also been told by professors whose students came to listen that they would be discussing what they learnt from the talk in their subsequent classes, and on Facebook groups created for the discussion of language ideas. I look forward to getting feedbacks from there. I enjoyed the talk. It was a nice but busy day. And oh, I also got the side pocket of my dress badly torn by a loose metal during the first jittery moments of sitting alone in front of the so large audience. Now I’ll need to find a good tailor to mend it, or leave it as a marker of this interesting speech-giving experience.

Well, there’s the report. I am glad to be here at this department of foreign languages at this point in time. You too should have been there.

  • Q: Why learn a new language? Why learn about a new culture?  A: The same reason why we learn anything new… to acquire new ways of interacting with the world around us.