Browsing the archives for the Art category.

The Murtala Cenotaph

IMG_1695IMG_1701At a small roundabout facing the old Federal Secretariat in Obalende, Lagos, is an almost inconspicuous artwork designed in the form of a military epaulette bearing the rank of a general. For those familiar with it, it is a cenotaph, commissioned 24 years ago at the spot of the gruesome act, to commemorate the assassination of Nigeria’s third military president, General Murtala Muhammed. On the way to work on the morning of February 13, 1976, without adequate security detail (a result of personal modesty), the then thirty-eight year old head-of-state with a reform agenda was shot and killed in a coup attempt.

IMG_1685Those unfamiliar with the story will only notice the spot as a weird anomaly at a roundabout between a fuel station and the old Federal Secretariat. Worn by time and a poor maintenance culture, the object merely (and barely) puts up a dignified presence where the intention must have been a bold and defiant resistance to the memory of terror. The plaques describing its purpose are broken and dirty, the lawn around the object is barely tended, and the object itself seemed needing of a face lift at worst, or an upgrade at worst.

IMG_1688This is not a peculiar problem to this location. A few miles from here, at the Onikan premises of the National Museum, the Mercedes Benz car in which the president was assassinated lay within the dusty corridors of a poorly maintained room. The bullet holes and the caked dried blood from the gruesome event can be seen (and touched), providing at least some relief to a museum without any other redeeming quality. Original artworks that used to be housed in there have either been stolen and sold, or given, in a fit of subservient generosity, to foreign sovereign.

On one of the  four sides of the base on which the epaulette and two gun replicas stand is the inscription: “The Cenotaph erected by Eti-Osa Local Government in honour of Late General Murtala Muhammed on the spot where he was assassinated on the 13th of February, 1976, was commissioned by the president and commander in chief of the armed forces of the Federal Republic of Nigeria, Gen. Ibrahim Badamosi Babangida CFR, FSS, MNI, on the 13th of February, 1992. On the others are quotes attributed to the late head of state.  One of them reads: “As true Nigerians, we must at all times put the national interest above all considerations.”

We could do with some of that.

Molara Wood Reads…

IMG_0151IMG_0132IMG_0144IMG_0149IMG_0153IMG_0164IMG_0166IMG_0171IMG_0191IMG_0202IMG_0135IMG_0206IMG_0139IMG_0190These were taken yesterday at the Women Rising event described as “Music Concert & Arts Weekender”, organized by The Life House in special celebration of the International Women’s Day, 2014. The Day 1 event held at the Wheatbaker, Ikoyi to a room full of diverse guests.

In this photo are some of the guests, guest readers, and performers. The event itself centred around Molara Wood and her new collection of short stories Indigo from which she read a few excerpts.

The other part of the evening, sponsored by Etisalat, was the reading of letters to younger selves by invited guests.

Guests present, some of which are in this photo album, include Lola Shoneyin (Secret Lives of Baba Segi’s Wives), Eghosa Imasuen (Fine Boys), visual artist Victor Ehikhamenor, spoken word poet Bassey Ikpi, Director of CORA Toyin Akinosho, among many others.

The show was moderated by Wana Udobang and Najite Dede. More poets and performers expected during the rest of the weekend event include Kemi Lala Akindoju, Aderonke Adebanjo, Sian, Waje, Fatima, Aramide, Diwari, Pilani Bubu, and Dupe Ige Kachi.

 

More about the organizers at www.thelifehouselagos.com

PRESS RELEASE: ARTMOSPHERE MARCH 15, 2014

ARTMOSPHERE is the leading monthly platform for the revival of a vibrant reading culture and the promotion of creative expressions in literature, music and the arts amongst Nigeria’s teeming youth population. 

Curated by WriteHouse Collective since July 2011, ARTMOSPHERE has consistently incorporated the classic ideals of artistic erudition with the innovations of performance practice and contemporary culture. The event offers an eclectic mix of creative dexterity from leading and emerging culture practitioners in Nigeria. Book readings, poetry performances, panel discussions, music and art exhibitions are creatively fused together to make each edition a memory to be relished.

The March edition of ARTMOSPHERE will play host to renowned writer and publisher, africanwriting.com, Chuma Nwokolo. Chuma Nwokolo will read from his new collection of short stories, How to Spell Naija and also discuss the creative process, governance, political as well as social issues alongside five emerging writers. There will also be book signings and music performances by D’Jazz Band at the event.

The event will take place from 3PM to 6PM on Saturday, March 15, 2014. Additional information about the event, together with details about how to get to the venue at the NuStreams Conference & Culture Centre, KM 110, Iyaganku Road, off Alalubosa GRA, Ibadan are available on our fan page: www.facebook.com/writehouseng.

1394061812789GUEST OF THE MONTH: CHUMA NWOKOLO 

Chuma Nwokolo is one of Nigeria’s most prolific writers working in the short story subgenre. A lawyer and satirist, Chuma was writer-in-residence at the Ashmoleon Museum, Oxford, United Kingdom between 2005 and 2007 and is currently the publisher of African Writing Magazine. His published collections include, One More Tale for the Road (2003), Diaries of a Dead African (2003), Ghost of Sani Abacha (2012) and How to Spell Naija in 100 Stories (2013). In 2006, he released a poetry collection titled Memories of Stone. He is the inaugural editor for the Nigerian Writers Series, a publishing project promoted by the Association of Nigerian Authors and endowed by the Niger State Government.

Etisalat Reads in Lagos

WP_20140222_004WP_20140222_009WP_20140222_012WP_20140222_017WP_20140222_019WP_20140222_027WP_20140222_028WP_20140222_013WP_20140222_020WP_20140222_010Here are pictures from the Etisalat-organized event at the Freedom Park, Lagos Island, on Saturday, to introduce to the Nigerian (and global audience) the shortlisted writers for the inaugural Etisalat Literature Prize. The shortlisted writers were NoViolet Bulawayo, author of We Need New Names (2013); Yewande Omotosho, author of  Bomboy (2011); and Karen Jennings, author of Finding Soutbek (2012).

The winner of the prize, declared yesterday, February 23rd, was NoViolet Bulawayo. She was presented the check of £15,000. She will also be attending The Etisalat Fellowship at the prestigious University of East Anglia, mentored by Professor Giles Foden, author of the Last King of Scotland.

Other people in these shots are Ayodele Olofintuade, Ayodele Morocco-Clarke, Lola Shoneyin, Victor Ehikhamenor, Ama Ata Aidoo, Toni Kan, Femi Morgan, and Kole Omotosho, among many others.

Poem for a Newborn Child*

Love peeps through the screen, many miles away
In rough, rumbled, beats of a new toddler’s heart;
Dark, with restless tiny fingers gripping winter’s tray.

Weird happy tingling pokes of a creation complete.
Commenced with many yells, and now another start:
New breath into a complex palette and dizzying street.

Eniafe, the one we wanted; the stylish, fanciful guest;
And his father’s edge in repose; art in blood of new hues.
His mother’s rock chiseled in the dreams of harvest.

The world will not end. Not now, for the fresh terrain,
and tomorrow, nods to better selves and better views.
Here is a new earth, embodied, like a bitty human grain.

He is here, bouncing. He is here, bouncing. He is here.
He is here. He is here, bouncing. He is here, bouncing.

___

* Born Febrary 14, at around 4.23pm, in Minneapolis Minnesota. Mother and son are doing okay