I saw this picture on the wall of the Meridian Ballroom where the African Night Dinner took place on Sunday. It shows the writer Maya Angelou in one of her animated moments, and I couldn’t resist taking the picture. It was definitely one of the liveliest portraits on the wall that night.
My mother said I must always be intolerant of ignorance but understanding of illiteracy. That some people, unable to go to school, were more educated and more intelligent than college professors. – Maya Angelou
The only reason I can give for the title of this post is a recurring thought I have when entering any structure that is higher than a leaping distance from the ground. Saturday was one of them, and you already know what I was thinking while looking down from 630 feet. A few months ago while flying from Lagos to London, similar thoughts entered my head at some point during the long flight, and from London to Boston. What are my chances of survival from this height of over 60,000 feet? There is a kind of surrender that inevitably accompanies a decision to take a plane flight. Our lives are in the hands of the pilot whom we never ever get to see.
About two and a half weeks ago, there was a major news item about a pilot on the London-Boston route who was caught drunk just before take-off. Just two and a half weeks ago! The plane was grounded and the passengers resettled into another plane. Sigh. I mean, it could have been any of the planes that I have been in. And what are the chances that the pilot of my plane from London to Boston wasn’t equally drunk? Come to think about it, I kinda felt the plane shake and wobble one too many times during the flight. Or not. Well, one of the reasons Maya Angelou gave when she came to Edwardsville in October for buying her travel bus instead of travelling on a plane was a plane trip of hers in which the pilot, just a few seconds after take-off – even before the plane reached cruising altitude – came out of his cockpit and meet and greet “the distinguished Maya Angelou” who he had learnt was on board. Ha! According to her, she knew then that it was time to change tactics before someone got hurt from the effect of her star power. Those were not her exact words.
I can say also that one of the reasons for my choice of writing as a hobby, pastime, vocation or whatever one can call it is – not really a fear but – a preemptive strike against the eventuality of death. And no, I’m not depressed at the moment. Not even as bored as I might like to think. I’m just taking liberty with my ability to imagine.
Whenever I sit and stare at an empty page like tonight, my mind wanders to the the many things I could be blogging about besides the adventures of class and teaching. Earlier today I tried without luck to write a poem about the foods I eat with names I can’t pronounce. I failed. The reason for that, in my opinion, is that I was hungry. I had the image I wanted to portray in my head, but my stomach hurt a little from not having eating in the morning so I couldn’t get my words out in the particular order of my choice. Feeling deflated, I went out and got myself some really nice microwave-ready food which was ready to eat in less than ten minutes. But by the time I got well fed and satiated, the muse had left. I was left only with desires of different kind so I went into Facebook to stare at pictures instead. When poet Maya Angelou came to SIUe in early October, one of the poems she read was called The Health-Food Diner, a satirical response to a particular occasion when she was stopped from smoking in a public restaurant. In the absence of a own lyrical response to my particular situation at the moment, I will leave you with Maya Angelou’s words. It’s certainly one of her funniest poems.
| The Health-Food Diner |
No sprouted wheat and soya shootsAnd Brussels in a cake, Carrot straw and spinach raw, (Today, I need a steak). Not thick brown rice and rice pilaw Or mushrooms creamed on toast, Turnips mashed and parsnips hashed, (I'm dreaming of a roast). Health-food folks around the world Are thinned by anxious zeal, They look for help in seafood kelp (I count on breaded veal). No smoking signs, raw mustard greens, Zucchini by the ton, Uncooked kale and bodies frail Are sure to make me run to Loins of pork and chicken thighs And standing rib, so prime, Pork chops brown and fresh ground round (I crave them all the time). Irish stews and boiled corned beef and hot dogs by the scores, or any place that saves a space For smoking carnivores. -- Maya Angelou
Culled from http://www.cs.rice.edu/~ssiyer/minstrels/poems/383.html
There was a fore-warning that there would be no question and answer segment, but listening. Only listening and laughing, for the poet is one who commands her audience in charm, and holds them spellbound as soon as she steps onto the stage like an acrobatic masquerade. She was introduced by poet Eugene B. Redmond (Poet Laureate of East St. Louis) who calls her his sister, and the audience rose in applause. Maya had come.
She came in a coach, a large bus that also functions as a mobile house, with bathrooms and other conveniences. According to her, she stopped flying in planes about nine years ago when she found it impossible to go out in public without someone pulling her clothes, making an embarrassing scene that often bothers on the ludicrous. In a funny but scary encounter, the pilot of a plane she was on had showed up by her seat a few seconds after take-off in order to pay homage. “We just took off! We are barely at cruising altitude” She recalled screaming. “Who is in charge of the darn plane?”
She gave another instance of someone screaming above her lungs as soon as she saw Maya get out of her car somewhere in Arkansas. “Maya Angelou is getting out of her car,” the stranger yelled. And the poet pulled her close and asked why she was screaming towards a set of (white) people a few feet away who didn’t ask for it. “Because they don’t know you,” the other replied, to the poet’s amazement and everyone’s rounds of laughter as she relayed it. But we knew she was serious. From then on, she said, she realized that it was time to take charge of her own travel. So whenever she traveled in the United States, she took her private bus on the road rather than air plane flights. On this day, she had been on the road all the way from Carolina to Illinois, and she would be going straight to New York, also by road.
She also joked, and took time to correct news stories that claimed she was sick and dying. “Don’t believe them,” she said. “It’s not the truth. Here I am.”
Then she read from her poem, “The Health Food Diner“, a poem she wrote in response to a diner in Mississippi where a staff had warned her not to smoke.
And then she told stories from her past, in a husky voice that bellowed around the room. She told of discrimination, and hope, and joy, and rebellion, and progress, and love. “We are all rainbows,” the author said, “placed in the clouds to make some other person happy. And we’ve all been paid for,” she continued, “with either blood and human excrement from the slave ships from Africa, or the blood and brine of fleeing Jews from the camps of Eastern Europe, or the sweat from the brows of the Asians who came to this country in the 1800s to lay the railroad tracks, and buy properties so that their descendants can lay claim to the new nation.” Each one of us has an ancestry of brave people who have suffered so that we may enjoy. And so when we go out in the morning, just a little word of hope, of compliment, can always, always make a difference in some other person’s life.
About the racist N-word, Maya compared it to poison pills in a labelled container. Putting the pills into a nice plate of gold would never make them less poisonous, or less potent, she said, in response to today’s youths (take that, Jay-Z!) who present new filmsy reasons in the entertainment circuit as justification for the continued use of these words. Poison is still poison, Maya said, no matter how it is wrapped, and I agree.
And then she sang, beautifully. Pleasantly. At her age, one would expect brokenness. But no, she definitely didn’t sound coarse or broken, but rather mellifluous. She let it be known that she had written a couple of songs for some of Roberta Flack’s albums, and she sang one of them today as well, to rounds of laughter and applause.
I remember meeting her the first time as an undergraduate while browsing through the now rested Microsoft Encarta Africana CDs, and watching her perform her poem, “Still I rise.” It was an enchanting experience. While reading more about her, I realized how impossible it would be for anyone not to be enchanted, considering how much of remarkable stories her life embodies. She was born in St. Louis, grew up in Southern California and Arkansas, then moved over to Ghana with her African Revolutionary husband whom she had met in the United States during the anti-colonial movement of the fifties. She returned to the States after her first son to the African, became a dancer, writer, teacher, public speaker, novelist, poet, film director and movie producer and later Inaugural Poet, the first African-American so honoured to recite for the in-coming president. She read her poem On the Pulse of Morning for the Bill Clinton in 1993. She is also a script writer, having written Down in the Delta, and acted in a few other films about African-America life. She also acted in Roots, a TV miniseries made from Alex Haley’s 1977 best-selling and Pulitzer-winning book.
This traveller did get the photos he had planned to get of the traveling writer, but could not get an desired autograph, at least not immediately. Like he had dreaded, the 81 year old woman had sneaked out of the hall before anyone else could, immediately after her completing her reading, and got onto her big dark coach before any member of the audience got there. But something else happened afterwards. Poet Eugene B. Redmond has taken away with him my new copy of Maya’s last autobiography, All God’s Children Need Travelling Shoes, to be duly autographed by the author, and returned to me. Within its pages is something that I had slipped in, with his collusion, brought all the way from home: a compact disc of songs and poems from Yorubaland, signed in my trembling student ink: “To Maya, With Love.”
This is how the story goes: Every human being on the planet is closer to any other person in any other part of the world by just 6 degrees, or six human beings. According to Wikipedia, ‘it refers to the idea that, if a person is one step away from each person they know and two steps away from each person who is known by one of the people they know, then everyone is at most six steps away from any other person on Earth. It was popularized by a play written by John Guare.”
In the begining, there was just me, going to a University in Ibadan, Nigeria. I had gone through all my primary and secondary education in this same city, so it was just as well that I never knew – nor would have given any thought to – the reality, fact or fiction of the phenomenon of “six degrees of separation.” There was no way in the world that a little boy from that ancient town could relate to the likes of Martin Luther King Jnr, Roberta Flack, Bill Clinton, Oprah Winfrey, Coretta Scott King or Toni Morrison, even if by chance I knew a few of their names back then. The first American I could say I warmed up to was James Hardley Chase, and I didn’t know if we’d have gone along well if the chance ever presented itself for us to meet. Then there was Denise Robbins, whose many novels I read before I completed secondary school. The likes of Mark Twain, and Alex Haley came much much later, as did Toni Morrison, Eugene Redmond and Maya Angelou. I remember seeing Maya the first time while browsing through the now rested Microsoft Encarta Africana CD of 2002, and watching her read her poem, “Still I rise.” I was enchanted immediately, and while reading more about her, I realized that it was impossible not to be, considering how much of stories her life embodies. She was born in St. Louis, grew up in Southern California and Arkansas, then moved over to Ghana with her African Revolutionary husband whom she had met in the United States during the anti-colonial movement of the fifties. She returned to the States after her first son to the African, became a dancer, writer, teacher, public speaker, novelist, poet, film director and movie producer and later Inaugural Poet, the first African-American so honoured to recite for the in-coming president. She read her poem On the Pulse of Morning for the Bill Clinton in 1993.
Now here I am in Illinois, less than ten years after that memorable introduction, now meeting the icon face to face in a campus auditorium. Looking at a slide show of pictures taken from the Eugene Redmond collection of photos of Maya Angelou on the big screen, I see a shot of her once with Coretta Scott King, the widow of the slain Civil Rights Activist, then another with Toni Morrison, then Oprah Winfrey, Eugene Redmond, Amiri Baraka and very many other famous names in African-American culture, and I remembered the rule of separation. If only because of this enchanting day, this time and this moment of fate, I can say that I may have finally connected my last branch of life’s six degrees, joining imaginary hands with all of the rest of the world, with everyone just six persons – or less – distant from me, no matter where they are. Oh how I like the sound of that!