Invisible Borders at Photography Museum of Amsterdam

Over recent years, in all kinds of places around the globe, collectives have been formed that are not tied to specific institutes or to ways of organising activities that are imposed from above. There is a growing tendency among photographers and artists as well to join forces and organise themselves. Many such collectives are based on do-it-yourself principles of ‘cut out the middleman’.

Although their points of departure, artistic strategies, processes and visual end products are extremely diverse, they have in common an enthusiasm for interdisciplinary collaboration and an open view of the world. The collectives differ in organization and form: some are no more than loose associations of varying composition without an agenda, while others operate as far more business-like undertakings. One collective might present itself as an auction house, another as a shop, digital flower-power movement or tirelessly travelling caravan.

The digitalisation of photography and the rise of social media have unleashed a huge flood of images. The immense quantity and the transience of photos may make it hard to attribute more significance to photography than is intrinsic to a quick glance at yet another picture on Instagram. Working together to attach value and meaning to images is the central theme of the exhibition Collectivism. Collectives And Their Quest For Value. Some collectives investigate the mechanisms and distributions systems that cause financial values to be attributed to images. Others operate as social agents, bringing people together by means of images and creating communities, online or otherwise. The exhibition also presents collectives that concern themselves with the value of images in the media and the organisation of dissenting voices to challenge the mainstream media.

In a world obsessed with artefacts – the physical, final object – as the preferred form of artistic outcomes, Invisible Borders shifts the gaze to emphasise the never-ending, evolutive nature of Process. No distinction, hence, is made between the value of images showing the work-process and images showing the outcome; they are complementary. The artist’s presence on the road is as important as the work that commences from that presence.

Central to the Invisible Borders Installation in the exhibition Collectivism. Collectives and Their Quest For Value is the idea of the collective as a platform for the nurturing of mindsets and perceptions that offer alternative methodologies and ways of being in an increasingly narrow and enclosed notion of place, territory, and identity. As such, we shall employ as a metaphor the Road ‘s unending nature. The project will be presented as a work-of-process, an interminable voyage so to speak.

Thus, the works of the participating artists will be presented as a complimentary association between process and precipitated outcome, consisting of images, texts, sound, and videos.

Artists whose works make up the Invisible Borders exhibition are: Ala Kheir, Amaize Ojeikere, Jídé Odùkọ̀yàLilian Novo IsioroTeresa Meka, Tom SaaterVanessa PetersonJùmọ̀kẹ́ Sanwó, Charles Okereke, Uche Okpa Iroha, Emmanuel Iduma, Ray Daniels Okeugo, Uche OkonkwoLucy Azubuike , Yínká ElújọbaEmeka Okereke. 

Contributing collectives of the entire exhibition are 8Ball Community (USA), Dead Darlings (NL), # Dysturb (FR), The Eternal Internet Brother/ Sisterhood (GR), De Fotokopie (NL), InvisibleBorders (NG), and Werker Magazine (ES/NL).

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For more information, visit: https://www.foam.org/museum/programme/collectivism

Judging Panel for 2015 Etisalat Prize for Literature Announced

Lagos, Nigeria; June 23, 2015: Fastest growing and most innovative telecommunications company Etisalat Nigeria, has announced members of the judging panel who will decide the winner of the 2015 Etisalat Prize for Literature. The judging panel will be chaired by Professor Ato Quayson a Professor of English and inaugural Director of the Centre for Diaspora Studies at the University of Toronto; completing the panel is Molara Wood, writer, blogger, journalist, critic and editor and Zukiswa Wanner, author of The Madam and Men of the South.

Commenting on the choice of judges for the prize, Chief Executive Officer, Etisalat Nigeria, Matthew Willsher stated that Etisalat carried out extensive research and consultation in deciding the choice of judges for this year, and also expressed the belief that the selected judges will bring their experience to bear on the Etisalat Prize for Literature. The judges, he said, will have the responsibility to develop the long list of nine novels as well as a shortlist of three novels before finally selecting a winner. Submission of entries are ongoing, having opened June 18, 2015 and would close on the 27th of August 2015.

The Etisalat prize is designed to foster writing in Africa, bring exciting new African writers to the attention of a wider audience, and promote a reading culture within the continent while also telling the African story. The winner will receive a cash prize of £15,000 in addition to a fellowship at the prestigious University of East Anglia, UK under the mentorship of the award-winning author, Professor Giles Foden. The winner will also receive a sponsored three-city book tour. In addition, the two other shortlisted writers will receive a sponsored two-city book tour to promote their books. The Etisalat Prize for Literature also supports publishers by purchasing 1000 copies of the shortlisted books for distribution within the continent.

This prize accepts submitted works which must be a writer’s first work of fiction with over 30,000 words, and published within the last 24 months. The Etisalat Prize will also launch the online based flash fiction prize later in the year to engage the rising stars of fiction.

Rules and guidelines for entry are available at prize.etisalat.com.ng

Profile of Etisalat Prize for Literature Judges

Professor Ato Quayson

QuaysonProfessor Ato Quayson is Professor of English and inaugural Director of the Centre for Diaspora Studies at the University of Toronto. He studied at the University of Ghana and the University of Cambridge and was also a Fellow of Pembroke College, Director of the Centre for African Studies, and on the Faculty of English at Cambridge.  He was the 2011/12 Distinguished Cornille Visiting Professor in the Humanities at the Newhouse Centre at Wellesley College; he held research fellowships at Wolfson College, Oxford (1994/95) and at the Du Bois Institute for African-American Studies at Harvard (2004).  He is a Fellow of the Ghana Academy of Arts and Sciences and of the Royal Society of Canada.

 

Molara Wood

Molara WoodMolara Wood is a writer, editor, journalist, blogger and critic. A former art columnist for the Lagos Guardian, she won the inaugural John La Rose Memorial Short Story Competition; and received an award from the Commonwealth Broadcasting Association. As Arts and Culture Editor of NEXT Newspaper (2008 to 2011), she steered a groundbreaking weekly supplement on the arts. More recently she served as Special Assistant on Documentation to Nigeria’s former President Jonathan. A culture activist, she is involved in many artistic projects in collaboration with groups and organisations, including the Africa Movie Academy (AMA) and the Africa International Film Festival (AFRIFF). She is the author of Indigo, a collection of short stories.

Zukiswa Wanner

ZukiswaZukiswa Wanner is the author of the novel The Madams (2006) shortlisted for the South African Literary Award’s K. Sello Duiker Award; Behind Every Successful Man (2008); Men of the South (2010) shortlisted for the Commonwealth Best Book Africa Region 2011; London Cape Town Joburg (2014). Her short story The Dress That Fed the Suit was selected as one of the top 20 stories in South Africa’s 20 years of democracy (1994-2014) and she was selected as one of the top 39 sub-Saharan African writers under 40 (Africa39). She co-edited the African-Asian anthology Behind the Shadows (2012) with Indian author/editor Rohini Chowdhury and co-authored the Mandela home biography 8115: A Prisoner’s Home (2010) with the late veteran photographer, Alf Kumalo.
Wanner has facilitated writing workshops in South Africa, Uganda, Denmark, Germany, Zimbabwe, Kenya, Tanzania and Ghana. She sits on the board of the continental writing initiative, Writivism.

Apply for The Young Aspirants Leadership Fellowship

unnamedAre you a youth thinking about contesting for elective position? Do you believe you have what it takes to lead and contribute to nation building through politics?
 
In The Young Aspirants Leadership Fellowship (YALF) – Season 2; come and understand:
  • What is elective position and public office
  • How youth can effectively run for elective offices
  • How young females can achieve their political aspirations
  • What are the best entry points for youth interested in elective positions
  • Participate in a non-partisan support network to encourage youth aspirants
  • What are other resources youth can tap into towards their political aspirations
  • And much more!
YALF Season 2 shall offer 2 workshops in Abuja and Lagos, a good governance learning visit to a highly performing state in Nigeria, a community leadership experience and certificate of participation.
 
Speakers
  • Prof. Pat Utomi – Centre for Values in Leadership
  • Senator Babajide Omoworare – National Assembly
  • Hon Abike Dabire – National Assembly
  • Hon Chris Fotabong – Youth Parliamentarian Cameroon
  • Ayisa Osori – CEO Nigeria Women Trust Fund
  • Hon Zainab Galadima – Councilor, Abuja
  • Nentawe Gomiyar – Young Aspirant
  • Lynus Okorie – CEO GOTNI
  • Hon. Nkoyo Toyo – National Assembly

How to Apply

3bute.com & Caine Prize: Press Release

The 2012 winner of the of the £10,000 Caine Prize, Africa’s leading literary prize, will be announced at a celebratory dinner at the Bodleian Library, Oxford, on Monday 2 July. To promote the new crop of young writers, 3bute.com in collaboration with the Caine Prize will be adapting (so readers can mashup) all the stories shortlisted for this year’s prize before the winner is announced.
Drop dates for the Caine Prize 2012 ‘3butes’:
–          Stanley Kenani (Malawi) ‘Love on Trial’ – May 27
–          Melissa Tandiwe Myambo (Zimbabwe) – June 3
–          Constance Myburgh (South Africa) ‘Hunter Emmanuel’ – June 11
–          Rotimi Babatunde (Nigeria) ‘Bombay’s Republic’ – June 20
–          Billy Kahora (Kenya) ‘Urban Zoning’ – June 30
 
3bute [pronounced: tribute] is an online anthology devoted to the contexts often missing when African stories are reported. Our mash-up platform lets artists collaborate with writers on 3-page visualizations of their stories and journalism. By being able to add context to these narrative and “mashable” surfaces, our goal is to render, with your help, the developing world in a more engaging and immersive way.
3bute’s mashable surface lets everyone add their voice to the story by submitting relevant links to any context/ media content they can find on the web. 3bute pages can also be embedded all over the web, and the context everyone has added to the page goes along with it. In other words, 3bute is a social, accessible and sustainable way of distributing African stories, along with much needed context, around the web.
This year, like never before, overwhelming attention is being drawn to the shortlisted stories, thanks to the efforts of portals like ZunguZungu. 3bute hopes to offer a hotspot for the discussions around the stories.
For more information visit www.3bute.com or email us at mail@3bute.com.

CFA: Sprouters’ Free Creative Writing Mentorship Program

SPROUTERS is now accepting applications for her 2012 online mentorship program.

We would like to invite all interested teenage girls, between the age of ten and twenty, who have a passion for creative writing, to submit an application for Nigeria’s pioneer online mentorship program.

This is a great opportunity for young writers at any stage of experience to have their talent honed by nine mentors of repute: Unoma Azuah, Ayodele Olofintuade, Ifesinachi Okoli-Okpagu, Abimbola Adelakun, Temitayo Olofinlua, Azafi Omoluabi-Ogosi, Abimbola Dare, Cheluchi Onyemelukwe-Onuobia, and Ugo Chime.

Mentees will be taken through a robust set of writing and critical analysis skills. They will be directed towards great literary works of fiction and encouraged to understudy these writings. The program will raise awareness on domestic and global issues affecting women and girls, encouraging mentees to write on these subjects.

SPROUTERS is a yearly program, and is free for all mentees.

DEADLINE FOR SUBMISSION: First fifty applications. Early submission is therefore strongly advised.

ENTRY REQUIREMENT:
1.      Must be citizens of Nigeria, resident anywhere in Nigeria.
2.      Must be female.
3.      Must be between the ages of ten to twenty. Older applicants should please send an email to applications@sproutersng.com requesting exemption, and wait for clearance before proceeding with their
application.
4.      Must have access to the internet, either owned by them or by someone who would permit them the use of it.
5.      Must have the time and passion to follow it through to the end. This is a long term program. All applications must be backed up by verification from a referee. The following are eligible to act as referees: Teachers. Parents. Church
leaders. Published writers (books and newspapers). Known editors. Members of Association of Nigerian Authors (ANA), or other writing groups. Referees may be citizens of any country, and do not have to be resident in Nigeria.

SELECTION OF MENTEES:
The editor will select a maximum of fifty mentees on the basis of the application submitted, which should include:
       Uploaded Passport Photo: Use jpeg, jng format. Size should not exceed 300×300.
       Personal Statement – In no more than 200 words, mentees should tell a little bit of themselves. There is no right or wrong answer.
       Writing Sample: In no less than 300 and no more than 450 words, showcase your best work (short story/poem). Mentees should choose subjects that interest them the most.
       All applications must be submitted through the online application form: http://www.sproutersng.com/Applyformentorship.php.
       Applications must be written in English.

To read more about SPROUTERS, please go to http://www.sproutersng.com. For additional information, contact us at: Email: editor@sproutersng.com, Tel: +2348024345207