Browsing the archives for the Art category.

On Fela Kuti

In within constant replays of Fela’s Don’t make me garan garan and a complete album from the cast recording of Fela! on Broadway on my laptop, my flatmate stopped to wonder what I was listening to that sounded so nice as a mixture of jazz and something he couldn’t place. I told him it was Fela, Nigeria’s famous musical export to the world, and the subject of a coming biopic as well as a multi-award winning play on Broadway.

What I’ve found out within interactions with Americans here so far is not only the ignorance about who Fela was, what he stood for, and how great his influence was, and has now become, but also the depth and greatness of his music and legacy. This is a generalization, I realize. After all, the Broadway play captured the attention of the world and won three Tony awards last year, and has had the participation and support of top Hollywood players including Jay-Z, Patti LaBelle, Jada Pinkett Smith and a few others, and there is a biopic in the making, also by an American film company. It is mainly the young people on campuses that I’d naively expected to have at least got wind of the man’s story in the news enough to be somehow a little interested. Now I know that it is too much to expect that so early (less than two decades) after the man’s death, his name would have become such a household one for young music lovers in the country where he himself was mostly influenced to his style of music.

Fela Kuti would have been 72 on the 15th of this month. A series of events called Felabration are now taking place in Lagos and other spots in the world to celebrate the man, his music and his legacy.

Photo credit: http://www.therealfemioke.com/dbFemi5/?p=189

Of Lost Things

I’ve been thinking about lost things. Where do they go? When I lost my bunch of keys a few weeks ago, and I exhausted my patience in searching for them in the most unlikely of places, I pondered what Carlin, my favourite comedian had said on lost things: “where exactly do they go?” It didn’t help that when the police finally traced it to me and gave me a call, they didn’t say where they found it either. They just took it to where they felt it belonged, and then gave me a call to come pick it up in its mangled state. At least one car had run over it… Sometime last year in one miraculous instance of divine intervention, I lost my $10 leather gloves along with sunshades I had got to make myself look a little more sophisticated in the sun. In any case, not only could I not find it, I also never figured out where it went, especially since I had gone to only one place that evening, and I’d gone back there to check many times, and it wasn’t there anymore, nor had anyone found it afterwards. Where did it go? And more importantly, what else did I lose with it that evening. That has always been my bigger worry.

Since the incident of the key, I have lost a few more things still: a Nokia phone (which I got back a week later), and my new sunshades. I’m almost fed up with myself. Now, what prompted this musing is not even a desire for those material things, but the thought of losing even bigger things. There was a short play I wrote in 2002 titled The Sculptor. It was once performed in the University theatre by a handful of actors in a private production but I lost the manuscript of that play a few months after then and I’ve not come across it since then. Occasionally when I sit in silence, I can recall the lines long enough to write them down, but not in the right sequence. It was a three-man satire on the state of the nation’s politics and intolerance at the time when a religious law was introduced to some parts of the country. Some day, I know that I will come across it while rummaging through stacks of papers in a locked up suitcase, yet the thought of it totally disappearing unnerves me. Of course I’ve not written another play of its kind since then. It’s one of those consequences of movement, and changing seasons.

Today I discovered online an one old article about language, non-literary translation and computer based language technology which I wrote for a literary journal in 2005, and it brought back memories of an earlier even more fascinating experience. It was one of those writings of mine that I remember vividly because of the events around the time I’d written it. I was in a spiral limbo and needed to move forward, desperately. Writing it provided that avenue, unexpectedly, and I was set free. But it was the last paragraph of the piece that surprised me, because as far back as then, I had never even considered the possibility of finding myself as I do now at Uncle Sam’s neighbourhood. Lessons learnt: times also change. Fast.

I still keep that lesson in mind, everyday, as I search around for all my lost things.

The Best of Missouri Market

Photos taken at the food and products exhibition of the above name taking place at the weekend at the Missouri Botanical Garden on Shaw Blvd, St. Louis. Missouri.

Looking Forward

To October 1st, 2010

Clapping on the green hill with one withering hand, a loner
dances in the dust with trumpets blarring around his head.
A cake on the side, and black drying welts half a century old
around his back, he swirls with the new colours of the wind.

It’s dawning around a river of sweat, and a cool breeze blows.
The earth is wet with shining slivers of light, and tongues,
and mixed memories of glee, and a past of bilious giggles,
and smiles, and fond thoughts of what might have been.

But the bright day returns, as slowly as it must, within beats
of a thousand heart drums on a global stage. An orchestra
of sounds that must heal or yet renew the promises of dawn.
An old baton into new hands of hope within hope. A gamble.

For here is another gathering of tribes and a dance to promises.

(c) 2010 ktravula.com

El Mariachi

This was one of the songs that made me want to learn Spanish…

It’s from the movie Desperados, featuring Antonio Banderas, Steve Buscemi and the firector Quentin Tarantino himself. Lovely song.