Browsing the archives for the Art category.

The First Test

Today is World Aids Day. For that, let me share with you an excerpt from my short story “Behind the Door”, published in the African Roar short story collection. The story was initially called “The First Test.” Enjoy.

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I followed her to the lab table and was going to ask her whether she had done the test on herself before, but I decided against it, convinced that she must have, at some point.

“What happens when one tests positive? Do you know?”

The words came out of me by themselves, but her response confirmed that she had heard it many times before. “Well, mostly we will just ask you first to do a few more tests to confirm that it is really the virus, before we know what to do next.”

“So you are telling me that it’s possible that this test shows positive and the other test shows negative?”

Her “yes”came in a firm tone that now got me uneasy. “It has happened before, you know. Sometimes there are some other infections that may manifest themselves on this test, and may not in fact be the virus.”

I was surprised, but more than that I was now scared. I thought back on my life and my confidence wavered. Her latest disclosure was now leading me to consider the possibility and consequences of being wrongly diagnosed. I did not like where my riotous thoughts quickly went.

“Let me ask you a last question,” I said, after a short pause.

“Alright.”

“What is the rate of infection in this part of the country?”

“Well, it depends on the organization that did the statistics.”

“No. I mean in your hospital. You do this every day, right?”

“Yes.”

“Like how many people, on the average, come here for testing every day?”

“About twelve.”

“Okay. Now about how many of them turn positive?”

“I would say about two.”

“Really?”

“Yes.” She said firmly.

Oh my God!

“Don’t be surprised, good sir. The infection is actually prevalent. With every ten tests I perform, there’s usually one positive person, at least. That is why we encourage people to come out and test themselves. There are actually more infected people roaming the streets than we know.”

I did not smile.

“So how many tests have you conducted today?” I asked.

She was busy writing on the notebook, so she gave no response. The statistics are not in my favour if all the people she had tested today were already negative, I thought. I could be the scapegoat. Oh wait, mathematics doesn’t work that way. Today may be the exception. Or in any case, the day is still too young for despair. The real unfortunate fella may be walking in very soon to receive his news. It is not for me. But even if this woman had already registered three positive people in her inglorious notebook today, is there anything in the world of random figures says that I can’t be another one. Damn, I should have spent more time in the arithmetic classes…

She gave me a wad of cotton wool on one hand, and in a quick movement of a professional punctured my right thumb with the little pin before I could scream for her to stop. She smiled assuredly, and proceeded to transfer the drop of my blood onto the little testing strip of cardboard resting on the table.

“Why don’t you go wait outside?”

“For how long?”

“Well, for just for a few minutes until the result shows on the strip.”

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The story is one of the twelve short stories in the anthology which you can buy here, here and here.

Sentinel Nigeria Magazine is Out

A little break from war stories, I’m pleased to announce to you that the new Sentinel Nigeria Magazine Issue #4 is out. It features poems, prose, reviews, interviews and essays from Nigeria and Nigerians in the diaspora (two of my poems made it into this one).

Here’s a poem by Jumoke Verissimo published in the issue:

Dirge

“He who does not mind torn clothes will soon be naked”
But we do not mind our rump in the wind
In this land of my birth, where will has died
As if cast with the curse of a thousand sores
The stroke of agitation copulates with anger
Pain is birthed. Ache will cease if scab will dry.
But in this land, anguish borders human dreams
Men’s brows thicken as the outline for a statue
Lives here are dressed in a uniform of desolation
Many days, we share stories of days we’ll laugh
We tell tales of the heroes who should have been
But as figments we live like we own no soul
The days that we walk like we own our souls,
Are the days when our souls walk with no legs,
Our legs, in a union with million wrongs, are numb,
But we do not curse, for we fear our voice will still,
So we wait and watch and weep, each decade for hope.

You can find the issue here.

At Westminster College, Fulton

These are a few photos from the College that hosts the Winston Churchill Memorial and Museum (Churchill is perhaps the only British Prime Minister with a Memorial and Museum in the United States). I’m going to put the other photos from the Museum on Picasa whenever I can.

Along with short films, photos, and some other artifacts that tie this college to Winston Churchill, we also saw a replica of the Berlin Wall which the Prime Minister had referenced in his “Iron Curtain” speech. The “wall” had striking similarities to the real one, and had graffitis and other paintings on it.

At the time of the speech at Westminster in 1946, Churchill had seen far ahead of his many peers as it regards the ambition of the Soviet Union, but it would take years for the rest of the world to catch up.

Two Poems

Rifling through a sheaf of e-papers bearing lines almost already forgotten, I came across these I wrote a few years ago. They were published on Concelebratory Shoehorn Review Journal in June 2007. Happy Thanksgiving everyone in the US

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IF THESE WERE WRITTEN IN TIMES PAST

They would smell of rum, maybe wine
Of a pristine dance on brown keys that tapped,
Rasped in echoes across father’s dusty lounge.

They would reek of innocence, shy lines
Of the toddler whose eyes lay only in the silence,
laden trivia of books, and old record sleeves.

They might show relics of a hopeful child lie
Within a bulwark of rage in the silence of night,
Quiet when adults slept with ears apart, dead to the world.

They would try to hide the author’s disgust
for past bustles, home noise and day jobs,
Useless rants that mainly deter than fuel a budding muse.

But it wasn’t written then, and so the past remains
Bilked in bits of old rum in even older flasks, and pains.

MACEDONIA

Lagos again, December

Speak you must, muse, in taps, raps –
Drum, tat-a, rolls of a furious key.
The tongue to rile a fog of blabbing naps.

As with a lost wing, flap on white winds –
Serrated dots of letters, dice dials of thought
Move the night with mares of omen rinds.

Why do you forget yourself so? Soul-
Journer of a sea of words and flaming fate?
It is I who call. Grant the bearing role.

Speak you must, muse, in raps, taps –
Drum, tat-a, rolls on a furious key.
From this fringe of meagre dream of wraps.

(c) 2007. All rights reserved

Asa – Questions

From the new album called Beautiful Imperfections. Asa sings and strums my heart strings along the way.