Browsing the archives for the adventures category.

Visiting Karen

“To be lonely is a state of mind, something completely other than physical solitude; when modern authors rant about the soul’s intolerable loneliness, it is only proof of their own intolerable emptiness.” – Karen Blixen (Out of Africa, 1937)

 

IMG_0167IMG_0178IMG_0179IMG_0184 IMG_0185 IMG_0147Last October, during my visit to Nairobi, I convinced a few friends to take me to see the Karen Blixen’s house/museum. But because I’d also indicated that I’d like to see other interesting and “authentically Kenyan” places, whatever it meant, I was invited to visit the famous Giraffe Centre as well which, as it turns out, was in the same vicinity as the house where Karen Blixen stayed during the time recounted in her bestselling book Out of Africa (1937).

For a better report of our trip to the Giraffe Centre, you should read the account of one of my co-travellers, Nyambura Mutanyi, whose memory and attention to detail makes the retelling on her blog a delightful read. The Karen Blixen house and museum was what I had imagined it would look like: a large country house in the middle of a large, somnolent landscape. Ngong Hills, the most notable inanimate character in the novel (and in that area of Nairobi), was visible from afar, prominent for its many curves that reminds spectators of the knuckles on a fist.

Much of the history of the house has been preserved in a walk-through speech that one hears (or endures) from the house guide as one walks through the premises. You can’t take pictures within the house for fear – as the guide insists – of having plagiarists steal the idea and replicate some of its paintings and contents in some other place. Nothing in my insistence that a ban on photography is usually to prevent a damage to the artworks from camera flash impressed the guide. In any case, she had her orders and wouldn’t budge. She however promised to pass my message across to the management of the house in hopes of a policy review.

IMG_0192 IMG_0197 IMG_0207 IMG_0198IMG_0189 IMG_0212Karen Blixen, the Danish writer, born Baroness Karen von Blixen-Finecke, purchased the house with her husband in 1917 (during WW1). The house itself was built five years earlier by the Swedish engineer Åke Sjögren. It was donated to the Danish Government many years after she had left the place and returned to Denmark, and after her global bestseller Out of Africa put the house, Nairobi, and the people who live around Ngong Hills in public consciousness. The Danish Government, in turn, returned the house to the Kenyan Government as an Independence gift in 1964 after her death.

One of the most fascinating discoveries I made about her life is the fact that she was nominated for the Nobel Prize for Literature in 1962, which was won by John Steinbeck, and could perhaps have won it later had she not died later that year (of Syphillis-related ilness). The suburb of Nairobi where her coffee farm (and house) were sited has now been named “Karen” in her honour.

Guest Post: My Clicker

by Adaeze Ezenwa

 

I’d like to get a camera, not one of those high-tech contraptions with dials and buttons intended to confuse and confound. I’d want one that is just a simple shutter and lens operation but will make me some stunning pictures. I would not take pictures of people, they do not interest me. I might take pictures of babies though, just because they haven’t learned to be self-conscious before the camera. Their essence would shine through because they aren’t concerned with making a fine picture or in my capturing their most flattering side.

Animals are more appealing to me, goats especially. I’d take pictures of goats, cows and monkeys, no cats or dogs because I do not like either. Then I’d take pictures of houses, interesting houses. I’d find the most fascinating houses, no house built within the last twenty-five years would qualify. In Sapele I found the most beautiful colonial houses, I’m glad that they haven’t been torn down for space to make the monstrosities that are the stamp of the nouvelle rich. I’d travel from town to town and find houses worthy of my clicker, I’d print them in the widest photo paper and hang them everywhere.

 Nigeria is an art treasure trove and my camera would bring a huge portion to life. From the wood carvers of Epe who make the most exquisite carvings of canoes and Ẹ̀yọ̀ masquerades to the Bronze castings of Benin and Ifẹ̀ and the beautiful, beautiful patterns that our weavers produce on clothes that are almost too beautiful to wear. I’d show you the street painters of Lagos who put the Picassos and Monets of this world to shame and the extravagant poetry and glass works of Bida craftsmen. Have you seen the wall art that decorates most Northern palaces? Fret not, my camera will show you all that and more.

I’d go round the country looking for rocks and hills and jaw dropping landscapes. Finding the most beautiful plants and flowers would be my delight, my pleasure and perhaps my salvation. From the tiny sunflowers that line the road to my grandfather’s house but strangely do not grow around the house, to the pale pink hibiscus that makes me wonder if it’s a mutation or a deficiency that bleached the flowers from the variety that produced the bright red blooms that I used to wear in my hair and that has drawn my eyes in every part of Nigeria that I have visited. Not forgetting the Ixora from which my brothers and I sucked the nectar even though we didn’t really like it. We did it because we didn’t want to seem like we were snobbish Lagos children in our hometown, we didn’t know that we would never belong even if we sucked all the Ixora in the world. Ixora might have nectar but they do not hold a candle to the fresh flowers of the Hibiscus that deliver a burst of tangy and sweet when you chew them. The dried flowers make the drink you know as zobo, that red liquid that will stain your tongue and clothes, the same one that southerners are prone to make with ginger. Please stop that nasty habit.

  And the rocks? I’d travel from Ọ̀rẹ̀ to Okpella to Jos and Kaduna in search of hills clothed with the most diverse vegetation you could think of. I’d bring images of majestic rock sides polished by thousands of years of rainfall and of depressions in the earth that makes the houses look like match boxes and the people like ants. Wouldn’t you like to see the green that decorates the rain forest? All the shades of green and a dusting of light brown will give you a peace that words cannot describe and the plenty snails and other bush creatures that make Bendel the home of bushmeat.

Then I’d take pictures of the soil, the light brown sand of the Savannah that drinks up any liquid with a speed that will startle, the rich loamy soil of my hometown that pulses with life and brings only one word to mind- fertile. Then I’d go to Enugu and show the world the baby rocks and monstrous pebbles that the people there call soil. From Benin we’ll see images of that rich red clay that coats everything with a reddish patina before coming to Lagos the city I was born where I’d show the aptly named potopoto. That clingy blackish mass that SUVs like to spray on hapless pedestrians, it’s not surprising that the first thing a Lagosian wants is wheels and metal roof with four windows and a windscreen.

I’d love to take pictures of the sky, of the blue sky dotted with pretty white clouds that remind of Mary’s little lamb. Or the days when the clouds are a duller shade of white and seem heavy without promise of fruit. People of the earth would describe such weather as cloudy, I wouldn’t use such a mundane term. If I could, I’d capture the play of colour that makes the evening sky its canvas. Most of all, I’d like to take a picture of the sky just before a storm- the kind of storm that you’d instinctively know that your umbrella is hopeless against. I’d show you the papers and nylon bags whipped by the frenzy of the wind, show you the sky black with surging rage and the bands of lightning that provide the most amazing contrast you’ve ever seen. Then when the first drops of rain come down, I’d take pictures of the thick fat drops as they hit the earth. Thick and fat like the ones dotting the windscreen of the bus I’m currently sitting in. I am in Benin-city and it always rains here, if I had a camera I’d show you the patterns formed by the raindrops.

I want a camera, will you buy me one?

 

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Adaeze is a writer who recently started referring to herself as one. In another life, she studied pharmacy at the University of Benin and had high hopes of becoming the next Dora. Now she sits in front of her laptop and writes about the everyday trials and joys of a single sistah in Lagos. She still lives with her parents and brothers and she’s married to Jesus.

A Wasting Treasure at the LCC

I took my fourth, perhaps fifth, trip to the Lekki Conservation Centre, last weekend. It is located a stone’s throw from Chevron and the second toll gate at around the seventh roundabout on the Lekki-Epe Expressway. The Centre is owned by the Nigerian Conservation Foundation, a charitable foundation sponsored by a number of local and international organisations to preserve forests through the creation and maintenance of conservation parks around the country. Hidden slightly from view, but ostensibly housing a treasure trove of plant and animal specimen and data around a stretch of relaxing eco-park with trees and animal playgrounds, the LCC is a treasure that usually never fails to delight, and surprise, all visiting guests. Created in 1990, the Centre, according to Wikipedia, was established to serve as a biodiversity conservation icon and environment education centre. It stands on 78 hectares of land area consisting of swamp and savannah habitats of the African landscape, and has played host to over 2 million guests from its inception – an impressive feat. According to their website, the Centre was established to serve as a conservation icon of Nigeria’s southwest coastal mangrove resources and an information centre for environmental education and public awareness.

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The tree house is now closed to visitors. (Photo taken on October 24, 2015).

What occurred to me, however, on this trip, was how worse the place seemed to have become after each successive visit. The first visit, just about two years ago, had delighted with fresh greenery, and a nature walk that began at the entrance of the Centre and spiralled through a serene path of woods as if leading towards a magical place. From behind the ticketing office, the path went all the way, for many minutes, on nicely constructed elevated wooden walkways that kept the visitor up from the swampy reality underneath, through trees of a typical African mangrove rainforest to a crocodile and bird observatory, through a few other stops where lovers or friends can sit and chat. It eventually reaches a mid-way point from where one can either keep going forward into a huge playground arena constructed with the help of the state government, or turn right to follow the path back to the original starting point, like an arc, bypassing a large treehouse and other interesting sights along the way. The nature walk path is about 1.8km long, and usually takes about 45 minutes to an hour to complete.

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Taken on April 4, 2015. The path was, at the time, still open until one gets here and can go no further.

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The step that leads up into the tree house itself. It offered a small comfort for daring guests to sit and observe the park from about 200 metres above the ground. (Photo taken in September 2014).

Not only has it become impossible, over successive visits, to take the complete nature walk anymore, what we found on the last visit was that only half of the walk path is now open to visitors for reasons of safety. I do remember complaining to a friend, during the first visit, that the breakdown of many of the wooden planks of the walking path, without quick replacement – a sign of terrible management -would lead to an eventual state of disrepair. Over time, many more of these small planks have fallen off, rendering the path even less safe for visitors willing to take the walks by themselves, and later even with tour guides. On this current visit, we entered the trail through the exit route, and walked in a counter-clockwise motion towards the centre point.

Some times, the visitor is lucky, as we were on this visit, a friend and me. We arrived early enough, on a Saturday nevertheless, before many people had arrived at the park. Even the ticketing attendant hadn’t arrived yet. Another worker on the premises took our money (N1,500 each) and ushered us to the starting point. Being “lucky” meant having much of the walkways to oneself, except for the little monkeys that found it fit to sit confidently on the wooden handrails, indifferent to any threat from human visitors not yet familiar with the presence simians at such close proximity. In a couple of minutes, we arrived at the tree house now also closed down to visitors. At least twice in my past visits, I had climbed to the top of this tree, sat in the little house built there, looking down at the park with an amazement at the grandeur of the concept, and how much value this brought to a city too consumed by a busy, noisy, and polluted metropolitan experience. One was at least a year ago, and things are no longer what they used to be. As we sadly noticed, also closed was the path that led back to the crocodile observatory where visitors could sit in silence and pick out the few pairs of eyeballs that regularly peep out of the swamps.

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The old children playground, with swings and plastic chairs.

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A visitor, today, stranded on a plank, hoping to make his way to the new “Family Park”.

 

From the tree house, we approached the old playground, located at a centre of the park, where a few families gathered as if on a picnic. Around them were swings made for children all of which bore old and decrepit looks. A bigger arena, called the “Family Park” lay ahead, newly constructed and supported, reportedly by the last Lagos State government of Babatunde Raji Fashola. The governor had, earlier in the year, visited this place to inspect the Canopy Walkway which was reputed to be the longest on the continent, and to offer the support of the government for these conservation and recreational aspirations. That, for many here on this day, was an incentive for visiting. But now the newly constructed Family Park space was beyond reach because flooding from the rain of preceding days had rendered the path to it terribly damaged. You could only go at your own personal risk, we realised, but the visiting parents were not willing to take little children into dirty puddles that may host any kind of dangerous amphibians, so they remained behind. We kept on, wading through the dark swamp, until the green bush opened up finally into this open savannah dotted with cabana of different sizes on the one hand and obstacle courses all around the field on another.

IMG_1075IMG_1093IMG_1045IMG_1051The first time I discovered this part of the park was probably during my third visit in April 2015, (pictures attached, to the right), just out of curiosity. We had,  my young cousins and I, arrived at the central playground, and thought the trail had ended. But, seeking more adventure via a small bush path that lay ahead, we walked forward for a few more minutes and ended up in this beautiful open savannah land dotted with promise of adventure. When I inquired about the place on my way out on that day, I was told that it was not yet complete, as astounding as the whole place already looked. But when completed, it would be called the Family Park, meant for family and group entertainment. It had two big fish ponds one with tilapia, and the other with these colourful exotic fish I couldn’t place. It also had, along with the military-type obstacle courses for adventurers, life-size game boards: chess, Snakes & Ladder, ludo, and checkers. When complete, visitors would be able to park their cars at a different location close enough to offer easy access into this new part of the park. At the time also, the place looked quite alive or at least promising. There were many more people around and it seems, as incomplete as it was, to have justified its existence.

IMG_0017IMG_0008IMG_0028IMG_0024On this latest visit, however (pictures attached to the left), the opposite was the case and the Park was an overgrown shadow of itself. Not only was the flooding much more of an obstacle to accessing the arena, the space now wore a depressive look unworthy of the initial aspirations or of any valuable human contact. The grasses had grown unkempt, and the place lay spread like a giant wasteland, with plastic bottles and bags littering all around. Having braved the dirty stream-puddles to arrive here, we were not just going to retreat, so my friend and I walked around the yard, lamenting the lost promise of such a treasure. The tilapia pond was still there but now filled with a school of fish that looked as excited to finally make contact with human presence as they looked hungry for whatever these visitors bought. They seemed to congregate by each the side of the pool where our voices were the loudest, as if in need of some kind of acknowledgement, which we termed as food. Half of them had turned pink (or probably had been like that all along).  I asked my friend if the colouring meant anything about the state of their health, but he had no idea. We’d need to ask a fishery specialist. Maybe they’re really just as hungry as we had thought, absent of a sustained human contact.

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Here, the school of fish congregate to the sound to our voices.

I realised, a while later, how easy it would have been for a mischievous guest here to throw a bait and hook into the pond (or even just a basket, going by how they congregated easily in plain sight) and pick out as many of the tilapia as would satiate his hunger. Many of the idle wood around seemed dry enough to make fire, we were alone, and there was sufficient privacy to keep a clandestine roasting expedition secret for more than a few minutes. For the fish, left alone in such a desolate space for so long, it could as well be a more humane intervention than their hungry life in an isolated pond allowed, we thought. We never did fall for the temptation, though, instead spending spending our time looking around the arena like military spies. And then, bored, we headed out, meeting along the way, through the dirty stream, a few more adult men and women now interested in wading through the puddles to see whatever lay beyond the initial children playground.

The LCC is a serene place, and the big-picture concept of the park as an icon of conservation and relaxation is a promising one; has always been. Deforestation is considered to be one of the main contributing factors to global climate change and desertification, therefore, a place dedicated to preserving nature and reversing a negative trend on a large scale is worthy of public support. Seventy percent of the world’s plants and animals, according to this report, live in forests and are losing their habitats to deforestation and Nigeria possesses the highest rate of deforestation in the world– a dubious honour – according to the FAO and the United Nations. We’re not very free from desertification either as I noted, in pictures, just five years ago. So, If optimism alone were sufficient, this piece would be a celebration of the work so far done, and what the future holds. In the face of modernity and our unsparing exploitation of natural resources, conservation is a real and pressing need. Living in Lagos itself, a city where access to greenery is as much a luxury as access to traffic-free driving on a week day, offers the best justification for such a place as this, and very many more like it. One of the things that mark Nairobi, for me, as a model city is the work done over many years by the late Wangari Maathai in protecting the balance between nature and the needs of the city inhabitants. The resulting effect is a city with many more trees than I’ve found in any other African capital. Not just the trees themselves, but the resulting benefit to health, among many other advantages.

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The green opening into the new play arena which, for a while (when this picture was taken), looked like a promising attraction to the LCC with already dwindling number of visitors.

Unfortunately, the realities of the recurring visits to this otherwise magical place in Lagos have set me, and other visitors to the LCC, back to earth. Friends who remember their experience with the place during its most thriving moments recall the presence of a lot more animals, a better-managed park, a real bird observatory where one could actually see creatures of note, better maps for navigation, and a generally more satisfying visit. Until the early 2000s when the housing boom in the Lekki area of Lagos exploded, the current location of the LCC was remote enough to actually be exotic, and perhaps to also be conducive for the fauna it boasted of. The presence, today, of real estate at almost every available surrounding space may have, sadly, contributed to its degeneration and the exodus of the Centre’s most relevant fauna since not many animals thrive on noise and sustained human contact. Land grab is also a pressing problem in the area, threatening the sustenance of such an idea, or of any similar idea that thrives on a free open space that could otherwise bring millions to some ambitious realtor. The only advantage from the park’s closeness to human population now is, perhaps, the accessibility to people who would otherwise not care about conservation and outdoor fun, but now can. But that’s not enough.

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Latest photo, taken on October 24, 2015, shows one of the last animals left in the park, a monkey, relaxing on the handrail, perhaps overexposed by the dying trees.

The NCF will have to take a more hands-on approach in keeping up the standard of this facility for it to achieve its highest potential. So far, it is falling short. A quick trip to Ibadan’s Agodi Gardens – a project of similar aspirations but with different outcomes – may be needed to learn a few things regarding visual appeal, management style, and public perception through marketing and maintenance. A conservation centre that provides value to visitors will get more referrals and more recurrent visits. This translates to more money to manage the place, and more positive outcomes for its conservation aspirations.

The challenges of conservation on the continent are many, including poaching, pressure from real estate developers, and a lack of proper funding and management (as in this instance). But the promise of better outcomes is and should be a more pressing incentive. Left in the hands of poor management, the promised future eludes competent grip, and falters. With the enormous human and material resources that the country can boast of, a failure of this nature is a terrible shame. Alas, in this case, what is at stake is more than the aesthetics of an ever expanding city, but also the future of the planet and its species. That is not worth playing around with!

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All photos courtesy of the blogger (2013-2015)

Are Bicycles Back?

One of the responses, that made sense, given in response to some of my regular complaints that bicycles haven’t become more ubiquitous as an effective and efficient means of transportation was that nobody cares about them. It made sense at the time because the evidence supported it. At least as far as Lagos was concerned, there seemed to have been a general consensus that public (or private) transportation in vehicles were the only viable means of transportation.

It also made sense in light of little regard by the city planners to the presence of the few number of bicycles currently on the road: palm wine sellers, elderly (Hausa?) men with scant regard for our “civilisation” on wheels, and occasional young men with all the time in the world. If people didn’t have a place to ride their bicycles, why would they buy it? Or, if they bought it, why would they risk riding it outside where they can be knocked down by an impatient Lagos driver?

2015-10-29 18.03.43Things, today, seems to have changed however. In the last couple of weeks, my attention has been drawn to the presence of many more bicycles on Lagos roads than I observed before. Young men (and sometimes women), professionals, and everyone in-between, seem to have finally come around to their use, perhaps in the final acceptance of its pragmatic utility in the face of the intractable city traffic. I have been taking their pictures, and will continue to do so.

This development is a good thing, which only means a few more things must happen:

  • Lagos MUST create better pathways for cyclists to ply. Except one is part of the elite club of cyclists who ride in groups every weekend, followed usually by an ambulance or a private car to protect their rear, most cyclists today are not safe on the road. Most of them ride on the opposite side of the road so as to see oncoming traffic. It is smart, but that’s still not safe enough, nor is it where bicycles are meant for.
  • Following the first bullet point, Lagos MUST amend its traffic laws to create clear instructions for cyclists, at least on large highways. But first, let’s fix #1

2015-10-29 18.12.36I was thinking, today on the way back from work, how nice it would be if thought was actually put into planning the city. The middle lane of the Lekki-Epe Expressway, where street lights are erected, is wide enough. One wonders how nicer it would have been if it had been well planned to include a cycling lane, protected on each side by the same wire mesh used to prevent people from illegally crossing the highway.

There is a heavy presence of Chinese construction/interest on the continent today. It’s not hard to imagine a Chinese company being very interested in a contract to create a network of bicycle lanes around the city. If advertising stations have to be put along the paths to make the money back for the state, wouldn’t it at least have been worth it? I decide eventually that I’m a linguist, and this is probably not my job to think about things like this. That why we voted a governor into office!

I got a new bicycle myself, last week, gifted to my by my erstwhile employers as a thoughtful parting gift. I haven’t yet found the need to ride it, or an avenue, or a reason capable of convincing my wife that I’m not embarking on a suicide mission. But the possession delights. Now to the harder work of making the society take serious the health and safety of all city riders.

Calabar’s Old Residency

I came across this brilliant travel piece on Aljazeera a couple of days ago. It was written by Femke van Zeiji about a notable building in Calabar, South-South Nigeria, along with the histories it embodies. Worth a read.

“The Old Residency itself, however, could tell stories the museum does not. Like how, about 10 years ago, when looking down the hill, you might see Charles Taylor swinging his racket on the governor’s tennis court while enjoying the asylum the Nigerian government had granted him – and how the former Liberian president disappeared again in 2006 after Nigeria announced an end to its hospitality. Taylor is now serving a 50-year sentence for war crimes in a UK prison.

The Old Residency also served as a prison. At the back of the wooden building rises a white stone annex that used to house the kitchen. It was in the cellar below this kitchen that Oba Ovonramwen of Benin was imprisoned in 1897.

He was the monarch of one of the last independent kingdoms in the region and was resisting annexation by the British. In 1897, a military invasion put an end to that independence. British soldiers burnt down the city of Benin, killing many of its inhabitants and looting its treasures; countless pieces of art – some of which can still be found in museums in Britain and elsewhere outside Nigeria. The string-headed Oba was eventually imprisoned in the cellar that now serves as the computer room of the museum.”

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Read more about it here where from these excerpts were taken.