Of Lost Things

I’ve been thinking about lost things. Where do they go? When I lost my bunch of keys a few weeks ago, and I exhausted my patience in searching for them in the most unlikely of places, I pondered what Carlin, my favourite comedian had said on lost things: “where exactly do they go?” It didn’t help that when the police finally traced it to me and gave me a call, they didn’t say where they found it either. They just took it to where they felt it belonged, and then gave me a call to come pick it up in its mangled state. At least one car had run over it… Sometime last year in one miraculous instance of divine intervention, I lost my $10 leather gloves along with sunshades I had got to make myself look a little more sophisticated in the sun. In any case, not only could I not find it, I also never figured out where it went, especially since I had gone to only one place that evening, and I’d gone back there to check many times, and it wasn’t there anymore, nor had anyone found it afterwards. Where did it go? And more importantly, what else did I lose with it that evening. That has always been my bigger worry.

Since the incident of the key, I have lost a few more things still: a Nokia phone (which I got back a week later), and my new sunshades. I’m almost fed up with myself. Now, what prompted this musing is not even a desire for those material things, but the thought of losing even bigger things. There was a short play I wrote in 2002 titled The Sculptor. It was once performed in the University theatre by a handful of actors in a private production but I lost the manuscript of that play a few months after then and I’ve not come across it since then. Occasionally when I sit in silence, I can recall the lines long enough to write them down, but not in the right sequence. It was a three-man satire on the state of the nation’s politics and intolerance at the time when a religious law was introduced to some parts of the country. Some day, I know that I will come across it while rummaging through stacks of papers in a locked up suitcase, yet the thought of it totally disappearing unnerves me. Of course I’ve not written another play of its kind since then. It’s one of those consequences of movement, and changing seasons.

Today I discovered online an one old article about language, non-literary translation and computer based language technology which I wrote for a literary journal in 2005, and it brought back memories of an earlier even more fascinating experience. It was one of those writings of mine that I remember vividly because of the events around the time I’d written it. I was in a spiral limbo and needed to move forward, desperately. Writing it provided that avenue, unexpectedly, and I was set free. But it was the last paragraph of the piece that surprised me, because as far back as then, I had never even considered the possibility of finding myself as I do now at Uncle Sam’s neighbourhood. Lessons learnt: times also change. Fast.

I still keep that lesson in mind, everyday, as I search around for all my lost things.

On the Nobel Week

With announcements of the winners in Economics, Medicine, and Physics earlier in the week and the winner in Literature to be announced tomorrow morning, the Nobel Week has lived up to its promises of secrecy, surprises and newsworthiness. Kenyan writer Ngugi Wa Thiong’o is one of the favourites to win the prize for literature. I hope he wins.

In this age of electronic books, blogs, e-readers and e-lives, I am hoping that the Nobel prize will one day catch up and give a nod in that direction. Nobel Prize for peace to Zuckerberg, the founder of Facebook would not be out of place for instance perhaps if shared with the founders of twitter, blogger and Youtube as well. They have brought the world together and provided new means of understanding and expressing ourselves to each other.

Lagos in the Office

After making the large prints of three of those photos I told you about a few weeks ago, I walked up to Amie at the office this morning and asked her which ones she liked the most. Her answer was unequivocal, she chose the one showing the Lagos traffic at night. When I asked her why, she said it was because she loved (big) cities. Sigh. A few minutes later, I asked James the same question and he chose the same picture. His reason was that it was more lively than the pictures of glowing lamps and a church window. In any case, I immediately began to rethink my earlier decision to take the photo home to install on my wall. As a third person suggested much later, I could actually put it right there in the office and let people admire it whenever they come in.

I tried that today, and it has thankfully failed as an experiment.

First of all, there’s not much space on the wall of the office to fit a 16 x 20 inches drawing without causing some aesthetic discomfort to some of the other cultural photos already there much of them smaller. Second of all, much as I gave it a chance to stay on my table where I can see it, I have painfully realized that I can’t stand the sight of that long energetic Lagos traffic for eight hours non-stop every day. Better to put one that shows more of a world at peace with itself, even if through the little light entering through a church window. I’m afraid of how agitated my days might be if I keep the Lagos traffic in front of me for much of the day. I have therefore taken it off, and now I’m taking it home to hang on the living room wall where I don’t spend much time anyway. All those in awe of (big) cities will gape at it and find their rhythm. And when I want to study, maybe it will help me to focus, or give me the needed spunk when I need the energy. And maybe not. In all, I have come to agree that it is a beautiful piece of photo that captures some of the fundamental elements of the Lagos evening: traffic.

I had taken it one late evening on my way from the Lagos Island, and it shows traffic on only one side of the road. A candid colourful shot of daily experience.

Monday at the Institute

Yesterday I returned to the Institute at St. Louis to continue my work as a volunteer in adult literacy teaching. Getting to the place was a little easier this time, and the music from the radio helped. Oh, there was this awesome show on the NPR about how the economy of Brazil was turned around by two young men who introduced a new (first virtual, and later real) currency, the URV, and helped to turn the tide of the country’s spiral inflation.

My student on Monday was a man from Bhutan of between sixty and sixty-five years old. He had never learnt to read or write in his life and was just beginning. I don’t know his condition of coming into the United States and I’m not interested in asking (nor am I even allowed/supposed to, I think), but I was impressed by his interest and a physical joy he expresses in his attitude to learning. Much of what we did on Monday were reading through images, repetition and demonstration. Then later we moved to dictation, crossword puzzles and word scrambles. The most interesting thing about each experience is that even when the students are not performing well in class exercises, there is a certain pride that come across in the faces of each tutor because of the efforts students have put in and the excitement on their faces for even having tried.

The students all come to the Institute everyday and will, after a while, learn sufficient literacy to conduct the business of daily living in the language of the society without help. Maybe not enough to read Dante, Shakespeare or Cervantes, but to do what they must to get through every day. If I could go there everyday of the week, I probably would.

Accents

Watch this: