Browsing ktravula – a travelogue! blog archives for August, 2011.

Under the Weather

The first woman took all diagnosis on the computer, asked the right questions which I answered, looked at the computer strangely and then went out to call in another man. He came in, more confident, and asked just about the same questions: do I have sore throat? No. Diarrhea? No. Anything else? No. “Just the things I told her before: fever, cold, headaches and nausea. If I didn’t know better, I’d say I’m pregnant.”

It eventually looked like all my symptoms were the normal, non-alarmist ones.  So he asked me to lie down shirt off while he poked his hands on my abdomen where all of my vital organs were: liver, spleen and colon. No problem. He examined my ears, and eyes. No problem. “The good news”, he said eventually, “is that there’s nothing here. You’re fine. The bad news however, is that I can’t give you anything to make you feel better without complicating it with other side-effects. I’d just say take a whole lot of fluids and rest. It could be one of the many common viral infections that will wear itself out in a couple of days, usually in a maximum of five. If you still feel worse after then, then run back here. And no Aspirins either. If you want anything, take Tylenol.”

 

I thanked him after a few other pleasantries and left. In this day of internet and ipad diagnosis, it’s a wonder that I had to walk all the way see a human specialist to tell me what I most likely already knew. Maybe I should just stay in bed all day tomorrow. Huh?

On African-themed Schools

This piece of news in the Dispatch of today highlights the success of a new kind of special public education in Missouri addressed mainly to black and African-American students with focus on African culture and values. According to the piece, the Missouri example follows the success of similar successful projects in Detroit, Kansas City and Los Angeles. Kinda reminds of specialized schools and institutions around Nigeria offering American-type or British-style education. With a widening achievement gap between white and African-American students, and research showing that the gap is not as much a gap of intelligence as it is a gap in teachers being able to address students’ needs, maybe this is not such a bad idea.

Sexy Accents

CNN concludes through this mysterious poll that the Nigerian English accent is the 5th sexiest in the world but didn’t forget to coat the ‘honour’ in cheeky stereotypes. Meh.

Call for Papers and Panels

Rethinking African Popular Culture and Performance: A Colloquium in Honour of Sola Olorunyomi at 50

In spotlighting the contributions of Sola Olorunyomi – author of the seminal Afrobeat!: Fela and the Imagined Continent and other influential texts – to literary and cultural studies, this colloquium intends to incite a debate around the ferment that Olorunyomi has generated as an idea, a scholar, a teacher within and outside the classroom, a performer, a social activist and a fifty-year-long insurrectionary event.

Popular culture and performance in Africa, more intently, are isolated as the hub around which the colloquium’s sub-themes will revolve. We also want to look, beyond the normative cultural forms, at para-artistic sites such as television reality, telephony, virtual interaction (Facebook, Twitter, etc.), open-market hawking, etc. The colloquium’s immediate objective is to update critical engagements with popular modes of culture, taking into consideration the recent emergence of new forms such as hip-hop, on the one hand, and the transformation of other forms such as home video culture as exemplified by Nollywood, on the other.

Scholars are free to account for the itineraries of borrowed forms and explore the implications of such practices on indigenous cultural modes in relation to the global political economy of culture, as well as the double layers of local and Western cultural hegemony. In this regard, highlighting the role of virtual communication and cyberculture as rallying points of counterhegemonic sentiments in the mass revolutions recently witnessed on the continent will be pertinent, given Olorunyomi’s credentials as a site of transformative action.

While presentations are not restricted to any themes or art forms, we expect participants to adequately problematize existing debates on key issues of the theory of African popular arts, the question of aesthetics, ideology, reception, as well as the place/role of technology and the media in the ongoing reconfiguration of the field. In their investigations, intending participants are encouraged to explore any national, regional or virtual community model relevant to the colloquium’s focus.

We therefore seek panel and individual presentations from scholars and practitioners that address issues relating, but not limited, to the following:

– Performance (Music, Drama, Disc Jockeying, etc.)
– Virtual Communication/ Cyberculture
– Reality Television
– Telephony
– Advertising
– Stand-up Comedy
– Slogans
– Home Video
– Football Fandom
– Body Art
– Fashion

Abstracts of not more that 250 words should be sent as email attachments to lorunyomiat50@yahoo.com.

The colloquium will hold at the University of Ibadan in late November, 2011. A festschrift of presented papers will be published afterwards. Deadline: Friday, September 30, 2011 (12 midnight, Nigerian time). We will respond to applicants regarding acceptance not later than Monday, October 3, 2011.

Direct all enquiries to  lorunyomiat50@yahoo.com. Alternatively, contact Senayon Olaoluwa (PhD Wits), Department of Languages and Linguistics, Osun State University or Tunji Azeez (PhD Ibadan), Department of Theatre Arts and Music, Lagos State University.


Announcer: Olorunyomi@50 Carnival of Friends

Vernacular vs David Starkey. 1:0

This part of what British historian David Starkey said in a moment of careless rage at the weekend caught my eye immediately after he had initially said that a ‘violent, destructive and nihilistic’ black culture had corrupted too many of Britain’s youngsters:

‘A substantial section of the chavs have become black. The whites have become black. Black and white, boy and girl, operate in this language together . . . which is wholly false, which is a Jamaican patois that’s been intruded in England, and this is why so many of us have this sense of literally a foreign country.’ (Read more)

Some phrases immediately pop out here: “nihilistic black culture”, “this language… which is wholly false”, “Jamaican patois that’s been intruded in England…” It would take a very long essay to respond to the slight of “nihilistic” being used to refer to a culture which the British empire spent much of the last hundred years stealing from in form of artifacts that now decorate the British Museum and private collections over the country. No, the part that interested me the most was a claim that the Jamaican patois (1.) is a false language and (2.)  has been intruded (sic) in England (3.) is the cause of the violent culture among today’s youths black and white in England as well as a carrier of “black” culture. (Video here)

Coming from a layman, the false claim that any form of vernacular itself derived from English is so strange as to make an English speaking country seem like a foreign country seems silly enough, especially if that layman lives in a country that has some of the most unintelligible dialects of the same language in the world. But when a historian says it on national television to an audience already looking for a scapegoat in a national crises, then it takes on a totally different meaning more than just a rambling of the uninformed. What is more likely is that he was addressing his remarks not to the smart section of the populace but to the angry ones. I imagine a scenario in which any citizen of the United States would feel like s/he is living in a foreign country because all young people now speak in African-American Vernacular English as a result of a cultural movement. Highly unlikely. But that could be because the United States has evolved far ahead of Britain in its racial identity.

Yet, if that were the case, not only would it be an at least totally understandable social and cultural phenomenon, it would also be justifiable under one of the best known phonological facts: that language tend towards simplification. Most young people in America today have gone from using “You are” and “You’re” to using “Your” as a perfectly normal pronoun i.e. “Your the man of my dreams.” Other pronouns “he”, “she”, “it” have not yet undergone the same transformation. I have already started planning for a day when I would see the expression simply written as “Yor” while the rest catch up with the various forms of simplification: “Hez” “Shez” “Their” etc for “He is”, “She is” and “They are”. The ONLY thing it tells us is that humans like to make speaking easy and fun for themselves more importantly than anything else. It has nothing to do with skin colour, race or culture. Patois evolved howeve – just like other world creoles – as a pidgin made from an unusual contact of two strange languages. It is not by any chance an “easy” or “false” language. If its appeal has now spread to the level of popular acceptance within youths in a country far from its birthplace, it is more of a validation of its language status rather than its “falseness”. The English language as we know it today also evolved from the fusion of languages, dialects, and vernaculars from the old Germanic and Romance languages.

And we have not even talked about the (albeit annoying) false causality between speaking patois (or any vernacular for that matter), and gang violence. But then, David Starkey is not a linguist. He’s just a flawed historian, and more, even a poor speaker of English.