ktravula – a travelogue!

reflections on the world

Two Poems for Wenger

I wrote this poem last January for Susanne Wenger when news broke that she had passed, and sent it to a couple of friends and a few listservs. Friend Benson Eluma was one of the people who wrote a response in poetry to my offering back then. Click here to read his poem, now published in Nigeria’s NEXT newspaper. The poetic meeting of Benson and I on the campus of the Ibadan University is a long story for another day.

Here below is the final version of what I wrote back then, thanks to a few suggestions from Lola Shoneyin.

Like Chalk in the River

For Susanne, Olorisha!

They said it rained when Suzanne was buried.
It poured.
They spoke of a rumble of the heavens
as the Orisha Osun swam back, again, to her pristine source.

They talked of art.
They spoke of beauty.
They mentioned hands
That sculpted spirits.

But now when the forests have stopped dancing with the rain,
See the wind escape from that storied grove.
Look, amid the hallowed haze,
at a turning twirl of her spirit gaze.

Gone is the eye that looked out for the standing stems
When greed called for arms, and men scorned sense, and all she wove.

Today, the Spirit it was that left, again,
To return. To return: a time-bound god, or else a travelling dove.

NOTE: Susanne Wenger was the Austrian artist who lived most of her life in Osogbo Nigeria as a priestess of the river Osun. Born in Austria, she met and married the German artist Professor Ulli Beier who brought her to Nigeria in the 1949. The couple quickly assimilated in Nigeria, he as a teacher and she as an artist, but they moved from Ibadan to the nearby town of Ede in 1950 to escape what Wenger called the “artificial university compound”. In Ede, she met one of the last priests of the rapidly disappearing, ancestral-based Olorisha religion. She quickly became engrossed in his life and rituals, even though at that time she spoke no Yoruba. “Our only intercourse was the language of the trees,” she said later.

Her work in Osogbo for the many parts of her life included an enormous effort to protect the sacred grove of Osun, a forest along the banks of the Oshun river just outside Osogbo, which she turned into a sculpture garden filled with art made by her and others. The sacred groves of Osun are now UNESCO World Heritage Sites thanks in most part to her efforts. (Read more about her life here).

She died last January in Osogbo, her adopted home, at the age of 92.

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Re-Reading Myself

Re-reading oneself can be such a boring chore that I’ve always tried to avoid because of the emotions it inevitably brings back. Most times, one is just too glad to be rid of the overwhelming feelings that make one write in the first place to go back at will. I’ve just finished looking through all the poems that make up my first collection of poetry and all of a sudden I’m back with the overwhelming nostalgia of pre-University and University life. Maybe this year would be a good time to re-issue the collection into the public after five years of hibernating fermentation.

I am now officially looking for publishers for the electronic and print reissue in America, Europe and in Nigeria. Here, below were the lines I penned for the year 2000, written a few hours into that year while I sat in church on that December evening, bored to my bones.

The Year of the bug

It’s a new dawn because a year is born,
But are hours years for zero to mark one?
Men have flown to realms of high imagination
with anxiety and snippets of loose contrite illusions.
Of human clock, a stroke of the thin long second hand,
Or the gradual droop till the final grain of sand
Marks a whole new start – a thunderous landmark.
And new time commences, yes it remains dark.
Here begins a new dull span of restless days
Of ends unseen, unsure even when one strongly prays.
Called it a new phase, named it a new rolling life –
new day into pay; new life into more human strife.
And yet remains too cryptic and strange remnants
of words, thoughts, fears and imagination parts,
And of pregnant signs, sights and sighs unblown -
of things not yet seen and yet all unknown.

(c) All rights reserved.

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This Step, This Spot – A Poem

For January


And this is life, even as tomorrow crawls in with bright winks

or grim wings across an uncertain sky. Yes, this is the life

for which fore-runners spoke, a day for which mothers’ backs

broke with sweat, and strained in odd old colds of irksome strife…

It is now that beats the heart, with two eyes across a dawning day,

and a flesh hung in space, with rasping sound of black restless keys.

Here it is where hope resides, not afar in the boxed, fuddled past

of rain on concrete cracks. It is not in the exile of many journeys.



This plinth of time must serve as a totem rank to lighten pathways

When the moon falls behind the yellow hills, with a dry Western snore.

This step is new, but like aeons of dreams and returning memories

Is old in the breadth of its pace, much more than just a random chore.

I could ponder hope in blunt alien lands. Still, I will not look behind

But inwards. In its charged spot are the loose ends of moving thoughts,

with each breath a treasury of lore, new paths bearing known marks:

I shall live in a ball of charms which dreams and hopes have wrought.

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Rima VII

In the dark corner of the hall,

perhaps forgotten by her mistress,

silent and dusty,

laid the harp.

So many notes slept in her strings,

as the songbird sleeps in the branches,

waiting for the snowy hand

that knows how to awake them!

Alas! – I thought – how often does genius

likewise sleep in the deepest of the heart,

and a voice, like Lazarus, awaits

to be told “Rise and walk!

Poem by Gustavo Adolfo Bécquer

and Clarissa, my Amigo Secreto.

NOTE: The game ended yesterday.

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Sisters – Heaviness and Tenderness – You Look The Same

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Wasps and bees both suck the heavy rose.

Man dies, and the hot sand cools again.

Carried off on a black stretcher, yesterday’s sun goes.

Oh, honeycombs’heaviness, nets’ tenderness,

It’s easier to lift a stone than to say your name!

I have one purpose left, a golden purpose,

how, from time’s weight, to free myself again.

I drink the turbid air like a dark water.

The rose was earth; time, ploughed from underneath.

Woven, the heavy, tender roses, in slow vortex,

the roses, heaviness and tenderness, in a double-wreath.

Poem by Osip Mandelshtam, left on my door by my secret friend.

Note: I should perhaps tell you now that s/he has now left me three poems and about five gifts. There was the photo frame, then the class notebook, candy, then some pink scented beans (which first worried me because it felt like a feminine gift :( :D ), and a bottle of peach scented candles. Now I’m totally confused, not necessarily in a bad way. The game ends tomorrow when I should discover who my Amigo Secreto is, and finally make myself known to my own subject. It should be fun. It is taking place at a dinner somewhere in town, organized by the department of foreign languages.

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Rememberance

A poem by Reiner Maria Rilke, seen on my office door today, from my Geheimnisvoller Freund (secret friend).IMG_3161


And you wait, keep waiting for that one thing

which would indefinitely enrich your life:

the powerful, uniquely uncommon,

the awakening of dormant stones,

depths that would reveal you to yourself.



In the dusk you notice the book shelves

with their volumes in gold and in brown;

and you think of far lands you journeyed,IMG_3182

of pictures and of shimmering gowns

worn by women you conquered and lost.



And it comes to you all of a sudden:

That was it! And you arise, for you are

aware of a year in your distant past

with its fears and events and prayers.



Translated by Albert Ernest Flemming


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Thursday’s Random Thoughts

Hi Blog Readers,

  • Today is Thursday, and again I’m feeling pretty useless with myself. On top of that, it is cold, and I can’t think much.
  • Yesterday I received a mail from a blog reader who said she’d been reading the blog for a while without leaving comments. Here’s what else she said: “You write beautifully I have to say…”. I’m assuming that she’s female because the first name sounded female. It’s a Nigerian name which is also sometimes given to males, but my instincts on this one is that she’s female though I could be wrong… But to the sender, I say a big thank you for being there.
  • Distributed "extra large" Condoms from my University's VolunteersIt was World Aids Day on the 1st of December, which was memorable for me because it reminded me of the first time I had to take an HIV test. It was just a year ago, in Nigeria, while preparing for this travel experience. Somehow, even though it was not a mandatory test, I took it, and it resulted in this short story that I wrote for an upcoming anthology. Meanwhile, another blogger, Bumight, has made a post about her recent test experience. Find it here and, if you can, take the time to vote on her blog poll. Since that last time, I have not been tested again, not because of fear, but because of time. When next I find myself in the hospital, I will do it again, and let you know how it goes.
  • Still talking about HIV/AIDs, I received a pack of… listen to it… extra large condoms in the university as part of the HIV/AIDS awareness campaign on campus. The real reason why this is memorable to me is that I had no idea that there were extra-large sizes here, even though I knew in my head that there definitely must be. There was a time in the history of this travelogue where I had wanted to blog about my amazement, and disappointment, at the smallness of American condoms, and what I think it could or could not mean. I’ve since found out that it could have had to do with a particular brand, and thankfully, Chris from my linguistics class found my narration of the discovery and experience very very funny. That time has passed, however and thankfully I didn’t have to blog about it, and offend anyone. So, the first question obviously had to be: why do we have “extra-large” condoms when rubber is already known to be elastic? I cannot answer it here without exceeding my PG-13 self-censoring limit ;) . But YOU can! My reckoning is that it has something to do with grip. Apparently, as I now know, all condoms too are not created equal!
  • I have two assignments to do before Monday comes. One is a term paper that I must submit before I travel to Washington DC to see my close pal Mr. Barack (stop the snickering). The second is a class assignment with the same deadline. I know why I have not been motivated enough to start them, so the problem is only half solved. Let’s see what I can do as soon as I am done with this post.
  • Meanwhile, I have now pulled out one of the old jokes from my inbox. It’s a poem that is both funny and stimulating. You may have to read it out loud to get the total idea. It’s titled “Eye Halve a Spelling Chequer.” I hope you enjoy it.

Eye Halve a Spelling Chequer

Eye halve a spelling chequer
It came with my pea sea
It plainly marques four my revue
Miss steaks eye kin knot sea.

Eye strike a key and type a word
And weight four it two say
Weather eye am wrong oar write
It shows me strait a weigh.

As soon as a mist ache is maid
It nose bee fore two long
And eye can put the error rite
Its rarely ever wrong.

Eye have run this poem threw it
I am shore your pleased two no
Its letter perfect in it’s weigh
My chequer tolled me sew.

– Sauce unknown

Note:

I didn’t write the poem.

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America Tonight

IMG_0782It’s just the rustling leaves on the ground – the gentle breeze

that blows. It’s the glow of lights around the evening trees.

It’s the smiles in her joyful eyes, the love that I see around.

It’s the warm nudge, a subtle touch of flesh, or a gentle sound.

I felt it tonight, within hopes on the faces I see wherever I look.

Graceful laughs under branches, and falling rain around the brook.

I smell it in the cold night air, brown like the leaves of autumn’s rust

I touch it in hugs of fleece, wondrous wool, fabric mufflers of trust.

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It’s in the sound of music, softened in bits of sweet tingling taste.

It’s in the rustling of leaves on the ground – a season of deathly waste.

It’s America tonight, Midwest, in the folds of a gradually freezing host:

I stand with words as shield, the less squelching shawls I know the most.

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