ktravula – a travelogue!

teaching. lanugage. travel

An Observation…

That I am not as free, or as eager, as I would be in a foreign land, to whip out my camera at every available instant in order to take a picture. There is a little reluctance somewhere the source of which I can’t lay my finger on.

2013-04-26 05.57.42On the way to my home is a newly completed highway due to be open sometime soon. The project is still ongoing, and the stretch of the highway is destined towards somewhere farther into the far ends of the state towards a place called Epe. I have observed with impatience, bewilderment, affection, and exasperation as the construction workers toil day by day on the road, causing traffic build-up as they do so inevitably. The road is now done and almost ready for “commissioning” even if that will be done only by commuting tyres rather than an official government representative.

The traveller in me would have documented all the stages of this construction – at least to the best reaches of my camera. And then I remembered that for the better part of the last couple of months, I had no camera to use anyway. The experience with this new Xperia is an encouraging one and I hope to get fully back into this street photography game in earnest. What I have so far impresses me, and that’s a start.

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Adventures of a Camera

Camera 360 Camera 360 2013-04-17 08.53.39 2013-04-17 08.15.42 2013-04-15 16.19.49 2013-04-15 09.50.29 Fullscreen capture 4212013 12342 PM.bmp 2013-04-15 07.03.092013-04-20 18.25.09Once upon a time, a camera – a Canon handheld camera. Two cameras, actually, of the same brand, both purchased in the US. That is where the story begins and stops, except for a few other details: each originating in a Radio Shack shop, for about $250, and both ending up lost, along with a treasure trove of photographs that would never again be retrieved. One originated in Providence, Rhode Island, and disappeared at Six Flags, Missouri. The other at Radio Shack, Glen Carbon, and disappeared in a taxi in Lagos Nigeria.

And so one day, a bright idea: why not kill two birds with one stone? The camera on one of the latest Sony Xperia smartphones is reputed to be one of the best in the market. And since in need of a new phone anyway, an investment in a smart phone – the first for this traveler reputed for unexplainable reticence with regards to new technological fads – seemed, all of a sudden, like a good idea. The traveller gains access to the latest perks in mobile technology as well as a handheld camera all embedded in the same device.

It seems now to have worked so far, except for the occasional wait for the camera function to activate when summoned in the middle of another phone function. With thousands of new app functionalities to improve the camera experience, there seems to be something to keep me occupied for a few months to come. And then, a few days ago, I stumbled on Instagram, and the journey is complete. Here’s a platform for showcasing the trial and errors of one’s photographic experiences and experiments with colour and filter.

Enjoy these very few ones around Lagos, through the eyes of an Xperia lens.

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Tumblr Me.

I have taken the tumblr bug (on the same day when Facebook acquired Instagram – if this means anything). I will now share more of my favourite photographs there, so follow if you have a tumblr account, or not. Prints of photographs (with frames, if requested) will be available on request at reasonable price. They make for good wallpaper art.

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Ramblings: On A Few Personal Things

Hi Blog,

It has been a while, or has it? In-between worrying about the direction of this darned thesis (which is as interesting/exciting as it is burdening), and looking all around the internet for good English teaching opportunities in East Africa after this long American adventure winds up in a few months, and managing a language lab that caters to all students of foreign languages in this university, you have been a consistent friend. Even while worrying all through the last couple of weeks deciding which photographs to enter into that Juried Show, and eventually, the little details of its presentation, you have been here. Here’s my hug to you. Hold it tight. You deserve it.

Do you also remember that new position that was tossed on my lap from those brainy folks at Nigerianstalk? Adding a literary component to the already popular site of Nigerian news/thought aggregation, a LitMag was debut with a purpose of harnessing the strength of new literature on the continent and I was made the editor. Tell me, how easy was the task of transitioning from a distant critic of Nigeria/Africa’s new writing into an influential hand in its new directions? The first published pieces came from people we already had close by. I have now discovered Facebook – and twitter – as a treasure trove of other new writings while still unrelenting in trawling the web for as many more as one could find. Young/Old Nigerians and non-Nigerians are writing new, brilliant things. If we can use the LitMag to bring them to the attention of the world, and produce one or two best-selling authors (and maybe a Caine/Booker prize-winning author), that would have been a success, wouldn’t it? For now, I invite you over to read short stories by Anja Choon and Olumide Abimbola, poetry by Benson Eluma and Kolade Ajayi, reviews by Adebiyi Olusolape, and a delightful non-fiction by Temie Giwa. All delightful, really.

Yesterday, I played around with tumblr. I have been told consistently that it is a better portal for photo exhibition than Facebook or twitter. I didn’t pay attention to it much because – frankly – I wasn’t really ready to deal with the work of pruning a whole photo database of thousands of pictures for weed and tare. Now that some of the work in that department has got some attention, it might be necessary to take these advice seriously. People who access the tumblr page would be able to see my works-in-progress, and photos that I would rather not have to delete. After all, Facebook has now been fully privatized. Giving hard, creative work to Mr. Zuckerberg for free will bring neither pleasure nor profit. One could suggest that artists/writers who use that platform for exhibition of their work should get something back from the pool of advertising revenue that Facebook rakes in everyday… but one would be but one voice in the wilderness.

Valentine’s Day always reminded me more of that old picture I took on the way to campus in the winter of 2009/10: a student couple staring idly at the restful lake. There were just three shots, and only one of them became the super great piece that it eventually became. Sometimes I think of them. Would they recognize themselves in the photo today if presented with it? All the viewer sees is their backs turned to the photographer. Ahead of them is a serene lake disturbed only by the restless geese. Another thought: if that picture were to make it to a great exhibition somewhere in New York City sometime in the future, how much would it fetch? And, how does one quantify the value of being at the right place at the right time with the right kind of camera, and stealth?

The day, of course, always reminded of that one last year that ended with a speeding ticket on my driver’s license in St. Louis. Somehow, in spite of my enduring affection for that riverfront town, we always managed to run headfirst into each other’s restless ego. Last year was also memorable for a very remarkable congress of us five student friends watching the Grammy with wine, chips, food, and class homework. A year later, we are all mildly dispersed in all directions of the state. Next year will surely find us in even more disparate circumstances. As the Yorubas say, “twenty children will never typically play for twenty straight years.” (Good luck explaining that to a monastery).

The curator of the art show slated for Friday told me that the opening day is the only day that I am obliged to show up – in order to meet with other artists, and to talk to the guests. For the other days of the one-month event, visitors and guests will just wander around observing, reading artist statements, and pointing to particular artworks that catch their attention enough to bring out their credit cards.  The long nights between now and Friday will hopefully be filled with more productive endeavour. (I really hate bringing up thoughts about this thesis, as much as I have enjoyed working on it. I’m guessing that this is what a pregnancy feels like). As usual, there are a few new, and a few incomplete, novels all around my bed. None of them will be read to the end at the moment. Maybe this is a good time to return to editing that copy of Headfirst into the Meddle which my e-publisher has requested for a re-issuing. This year might be a good year for creativity after all – in spite of that damned blessed thesis.

Thank you blog for being there. I love you too. If you remain good, I promise to spend a lot more time with you when the thesis is over. Deal? I also have a story I want to tell you. Many stories, in fact, but there is this one about a personal brush with Intellectual Property violation on the internet. Will you still be here?

Sincerely Yours,

KT

PS: Supervisor just sent me a mail that began with the following: “Something else I forgot to mention… You will probably need to develop some facility at multi-tasking…”

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Becoming an Artist

Once upon a time, a young man obtained a camera, and the rest is history. I have talked about my photography for a while now, but not how it all began. Maybe that is a story for another day, but one recurring memory from childhood is one in which Uncle Bola, the family photographer, lied to us about the presence of a special bird in the flash light of his camera. His most perplexing trick however was not that the blinding flash light looked nothing like a bird, but that our poses – deliberately worked to look our best for the photograph – never quite made it into picture form. “I’ve not yet developed it,” he usually said. Eventually, we figured out that he was only having fun at our expense and stopped falling for the trick.

My motivation for taking photographs then must have been a subconscious need to capture beauty through my own eyes. My first camera was a rickety hand-held that used a 32-exposure film reel. Luckier siblings who grew up in the 70s knew the Polaroid devices and the wonder of its instant production. I only heard of those times, and saw few square products of those times, some of which had my image on them as a little boy. You took a picture, mother said, it came out blank, and you quickly swiped it in the wind like a hand fan until the image showed up. That must have been fascinating. Needless to say, the first products of my hand-held camera were terrible. I had – in my stubborn curiosity – managed to have exposed the films to light.

Sometimes in 2002, I met poet Eugene B. Redmond on the campus of the University of Ibadan who took pictures of everything. Everything! He had two cameras, one of which was digital. Even at that time, I couldn’t figure out why anyone still carried non-digital camera. (Well, there was also Olumide who also had one slung on his neck around the campus). But who takes pictures of everything, from empty landscapes, to walking students, to idle pedestrians, to buildings, to dancing poets, to loose trash lying around the courtyard? On our way to the airport in Lagos while he was heading back to the United States, he kept his camera on hand taking pictures of road signs while discussing the nostalgia of his experience living in the city in the 70s. He was also the Alestle student photographer at the 1963 March on Washington. The only thing in my head watching him at the time however was, What kind of beauty do road signs represent to this visiting American. In 2009, he donated his collection (including thousands of photographs taken over his decade of teaching, travelling and writing) to SIUE.

I have just returned from the Edwardsville Arts Centre to sign the Exhibitor’s Agreement for the upcoming exhibition, an exhilarating experience. Two of my photos will be part of the EAC 2nd Juried Show taking place between February 17 and March 16. The photos were both taken more than three years ago and have never been shown in public. I spent the whole of yesterday fretting over little details of size, price, and whether (and where) to include my signature on the art itself. I have never done this before, but it was easy to accept that this has occupied some part of my subconscious for a very long time. My artist statement included a little of my motivation for the theme of movement. Since meeting that poet in Ibadan in 2004 and later in 2005, I have taken a special interest in the photographic arts. My presence on campus in Edwardsville throughout 2009 must have appeared to those who saw me taking pictures of almost everything something similar to what that poet appeared to those of us who observed him back then. This exhibition then, for me, is a first and important validation.

The venue is now being prepared. A man on a ladder moves words around on a while wall. Pat Quinn – the curator moves around the studio showing visitors the already displayed art. In one other room down the hall, three people sort through artist contracts and exhibition posters. It promises to be a good outing. There is some delight in this coming out: unveiling for the first time what had merely languished in electronic storage. This journey began a very long time ago, and what a journey it  has been.  You are all invited.

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