ktravula – a travelogue!

reflections on the world

Did I?

Here’s Lagbaja’s latest video. One thing that is peculiar to Lagbaja is the way he weaves cultures into each other seemingly flawlessly. Talk of hybridity. This one is done in Spanish and Yoruba, and the music is nice.

I like what I’ve seen so far.

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The Power of Many

While seated at the back of the Merridian Ballroom on campus yesterday where I had gone to see the legendary big band jazz of the Count Bassie Orchestra, I could not stop thinking about the power of collaboration. The event was the Arts and Issues series of the University as part of the Annual SIUE Jazz Festival. The Merridian Ballroom has played host to very many special events in the life of the University. There it was on March 29, 2005 where the then newly elected Senator Barack Obama first announced that he was going to introduce his first piece of legislation in Washington, D.C. It was in the same venue that the last Arts and Issues event at SIUE took place that I attended. That was the visit by writer and poet Maya Angelou in October 2009.

It wasn’t my first Orchestra attendance, but it was the first that I was attending without much knowledge of the players. Only a late change of mind by my adorable head of department gave me access to the tickets in the first place. And because I didn’t get there on time, I sat at the back, too far to take good pictures but not too far to enjoy the beautiful work of the orchestra. My first orchestra very many years ago at the University of Ibadan featured mostly Yoruba tunes and foreign musical instruments; a stimulating mix which was also easy to follow. The Count Basie Orchestra performance featured tunes mostly famous to Americans, and perhaps more sophisticated Jazz audience to which I obviously didn’t belong. I didn’t know exactly when to clap and when not to. I depended on the crowd which however didn’t disappoint. What the performance lacked in appeal to my expectations in familiarity to its tunes, it more than made up for in satisfaction of my appetite for good music, brilliant compositions, amazing vocals, laughter, a few theatrics, and general geniality expected of a world class orchestra of its reputation. I have now begun to look for their songs on iTunes.

William “Count” Basie is widely regarded as one of the most important jazz bandleaders of his day. He came out of the Kansas City Swing scene in the mid-1930s and assembled a sound that became an anthem for a generation. The group has won every musical award imaginable, including 17 Grammys, and has been named to every respected jazz poll in the world at least once.  Some members of the orchestra are new, as could be found on the youth of their faces. But, according to the literature inviting us to the event, “the majority of sound still swings from musicians handpicked by Count Basie himself.” He died in April 1984 after having led the band for nearly fifty years.

The SIUE Jazz Festival, presented by the SIUE Jazz Studies program in the Department of Music, is a non-competitive, educational event that celebrates jazz innovators.   This season’s festival features the music of Count Basie.  In addition to jam sessions and clinics, performances will include high school and middle school bands plus an appearance by the SIUE Concert Jazz Band.

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Killing Me Softly (the KTravula Remix)

Here’s what happened. I got bored again while working on a linguistics translation assignment so I closed the boring pages and set up my recording equipments. This is the result. And with this, I think there might be a future for me in music someday. Maybe a Grammy.

Here then is a result of my sleepless night yesterday. Note: It is a different version from the one I sent around to my friends’ unsuspecting email addresses earlier today.

Killing Me Softly

If I would make a musical album, the cover jacket might look somewhat like this picture ;) . It will also include the following songs which I have now also recorded: Bob Marley’s Waiting in Vain, Frank Sinatra’s The Way You Look Tonight and Whitney Houston’s One Moment in Time. Haha. Boredom rocks.

Enjoy.

PS: Congrats to Clarissa’s One Year Blogging Anniversary!

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Pete-Pete

It was inevitable that I would eventually blog about (my love for) this song. As at the last count on my iTunes, I have listened to it for a total 293 number of times in less than three days, after songs by Chris de burgh, Fela Kuti and Michael Jackson. That is no mean feat. I usually begin playing it in the morning, and keep it on reply throughout my work on the laptop till evening when I sleep, and then leave it on to lull me to sleep as well. This is only surprising if you take into account that I did not like the song at all the first time I heard it. I thought it was too slow. In hindsight, I now think that I it was who was too slow.

The song by two unique Nigerian singers 9ice and Asa is a classic. It is a solemn lamentation of the state of things. But where the song derives its greatness is not even in its political preoccupation but in its artistic triumph. Poetry of words and the rhythm of proverbs in the Yoruba culture is already a given. But merging it with the art of rhyming, which I believe is a fairly Western art concept, and coming out with a tune which is both melodious and deep is a great endeavour indeed. I will not even try to play this in class to my students because the poetry it contains is above them. (Heck, it’s above many of the people I know.) The real beauty of the track however is in the words, the message, the proverbs, and not in the perhaps equally moving rhythm of the instruments. For non-Yoruba speakers, I give you only the music. :) Enjoy.

NOTE: The title pete-pete is taken from a Yoruba proverb that says that “As soon as pete-pete (a muddy water/liquid dirt) is beaten deliberately with a rod, you can never control whose clothes it soils.”

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I Hope You Dance

Away from the first two depressing posts of this year, here’s really how this decade will begin on ktravula.com: fun.

Hat tip to Bukola O, a regular commenter on this blog from Aberdeen, Scotland, who sent me this lovely song, along with a mail of appreciation, and who called me her favourite blogger of 2009. What can I say? It has been good for me as well. Thank you so very much.

I have downloaded the song from iTunes and is now on constant replay on my laptop.

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What I Learnt This Week

All my students agreed, to my utmost discomfiture, that the Nigerian musician Lágbájá reminds them in some way of the Klu Klux Klan, even though his costume is neither white, nor as creepy. I wasn’t aware of this, and I had come to class with his most recent video, and a few others, as pointers to an authentic Nigerian musical art form popularized by this masquerade of a man.

“Does he ever show his face?”

No.

“Do people know who he is?”

Yes.

“Is he ever going to take his mask off?”

I don’t know.

And in actual fact, I didn’t. The brand that is Lágbájá has come to be defined by his invisibility, woven into the Yoruba’s mask as a form of cultural expression, along with the namelessness that Lagbaja represents. Lágbájá is a placeholder in Yoruba that means anyone of “anybody”, “nobody”, “everybody” and “somebody”.

In the end, all that mattered was that the students were exposed in some way to a form of artistic expression that both Yorubas and non-Yorubas are proud of as representative of creativity, and art. But that reference to the KKK, by both White and Black students of the class flipped me, and got me wondering just how much we take for granted because of our distance from the scene of events. It wasn’t so much of a consolation that the concept of Lágbájá is the farthest possible kind to that of hate-mongering, racism and intolerance.

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Discovering Scott Joplin

The African American pianist and composer whose tune is being played by this Youtube artist lived between 1868 and 1917, many of those years spent in St. Louis, Missouri. His name is Scott Joplin who in 1976 Joplin was posthumously awarded the Pulitzer Prize for “special contribution to American music” among many other honours. Many people all over the world have heard this tune one way or another without knowing who the original composer was. I never even knew he was African American. He was such a talented artist who learnt to play at a neighbour’s house when his mother did housecleaning.

St. Louis has long been associated with great ragtime, jazz and blues music. Early rock and roll singer/guitarist Chuck Berry is a native St. Louisan and continues to perform there several times a year. Soul music artists Ike Turner and Tina Turner and jazz innovator Miles Davis began their careers in nearby East St. Louis, Illinois. St. Louis is also home to the world-renowned Saint Louis Symphony Orchestra which was founded in 1880 and is the second oldest orchestra in the nation. The orchestra has received six Grammy Awards and fifty-six nominations.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. Widely considered one of the most influential musicians of the 20th century. He was born in Alton, Illinois, but spent the better part of his creative life in St. Louis.

There is such a rich cultural heritage of Jazz, Blues and Poetry in this area of the United States, without a doubt.

(Bio information from Wikipedia)

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