ktravula – a travelogue!

teaching. lanugage. travel

Check Yourself! Introducing a Homophone Checker

My friend, Jason Braun, has launched the world’s first free Homophone Checker app at  Homophonecheck.com!

According to the press release, it is a free web app that allows writers to quickly proofread for errors that word-processing software typically skips over.

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“Writers copy text and paste it into the homophone checker. Then 40 of the most commonly confused homophones–words that sound the same but are spelled differently– are highlighted automatically. When writers move their cursor over the highlighted homophones, a box pops up showing each possible word, its part of speech, and a grammatically correct example sentence.”

Blogger’s comment: So far, the software only checks 40 commonly misspelt English homophones, which makes the app targeted mostly at a specific level of writing. It is a wonderful start. Also, rather than bemoan the problems of English language usage nowadays that makes this software inevitable and invaluable, I’ll celebrate its presence and its ability to makes essay writing easier (especially for high school or undergraduate students too distracted by other things to proofread their work right). Of course it will eventually take a smart writer to properly use a software that merely points one to where one might want to take a second look in an essay. Like every spell-checker, the work will still come back to the writer to be sure of exactly what they intend to write. As a piece of utility however, it is a brilliant invention and a good start. I love it. 

378172_4306321257743_1262440586_nJason Braun currently teaches English and is the Associate Editor of Sou’wester at Southern Illinois University Edwardsville. He hosts “Literature for the Halibut” a weekly hour-long literary program on KDHX 88.1. He has published fiction, poetry, reported or been featured in The Riverfont Times, Prime Number, ESPN.com, Big Bridge, Sou’wester, The Evergreen Review, SOFTBLOW, The Nashville City Paper, Jane Freidman’s blog, and many more. His Paradise Lost Office App contextualizes John Milton’s epic poem for the cubicle crowd and is available at iTunes. He releases music under the moniker Jason and the Beast. He is a member of the National Council of Teachers of English (NCTE) and the Learning Disability Association of America (LDA).

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Ojo Siso Yoruba Ni Twitter 2013

Lọjó Kinni, Osù Kẹta (Ẹrẹnà) 2013, àwọn olùlo twitter tó gbọ Yoruba yóò sọọ láti àárọ dálẹ.

A bẹrẹ ètò yìí lódún tó kọjá láti fá Twitter lẹsẹ kí wọn ba le fi ọn ba le fi èdè Yorùbá sí ọkan lára àwọn èdè àgbáyé  tí a ti lè lo gbàgede náà. A se aseyọrí díẹ nígbà tí Twitter dá wa lóhùn padà láti ẹnu òsìsẹ ògbifọ wọn kan tí ó sọ wípé wọn ti gbọ ohùn wa, sùgbọn yó se díẹ kí wọn tó fi ọn tó fi Yorùbá kún-un nítorí àwọn ètò díẹ tí wọn ní láti se kí ó tó le seése.
imagesA tún ti bá wọn sọrọ lẹẹkan síi nígbà tí òsìsẹ Twitter miran @lenazun wá láti bèèrè irú èka Yorùbá tí a máa n lò láti se ògbifọ àti láti kọ ìwé ìjọba ní Yorùbá. (Ìdáhùn rẹ ni Yorùbá Àríwá-Ìwọ Oòrùn, tí a n sọ ní Òyó). Léyìn èyí, nkò gbọ ohun mìràn.

Jọ Sísọ Yorùbá Ní Twitter ní March 1, 2003* jẹ láti tẹsíwájú èyí tí a bẹrẹ lódún tó kọjá, sùgbọn nísìnyí láti fi ẹwà èdè abínibí wa hàn nínú ayé ẹrọ ayélujára tí a n gbé nísìnyí. Ó lè má sẹlẹ rárá wipe ọjọ kan yóò wà tí èdè tí gbogbo aráyé yóò máa sọ lórí ayélujárá yóò jẹ èdè abínibí nìkan, torípé àwọn tó n sọ wón kò pọ púpọ (Yoruba tíẹ sí ní ju ọgbọn million lọ), sùgbọn bí ọnà láti sọ èdè yìí bá ti se wà, bẹẹ náà ni a ó se ní àìmọye ojúlówó ọnà láti fi àsà àti ìse wa hàn fún gbogbo àgbáyé

Bí a se seé lésìí, àwọn hashtags láti lò lọdún yìí ni #tweetYoruba àti #twitterYoruba. Fún àwọn tí wón bá tún fẹ fa Twitter lẹsẹ wípé kí wọn jẹ kí á se ògbifọ gbàgede náà sí Yorùbá,  kí wón sèdà tweeti wọn sí @twitter àti @translator.

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*February 21 ni Ọjọ Tí a Yà Sọtọ Lágbàáyé Fún Sísọ Nípa Èdè Abínibí

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Èyí ni atọka ètò náà. Jọwọ fi han gbogbo àwọn ènìyàn rẹ lórí èrọ ayélujára

TweetYorub2013 (1)

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speakafrica

Àwọn olùlo twitter tí ó bá kọ àwọn oun tó mọgbọn wá jùlọ ní ọjọ yìí yóò gba asọ “Mo Le Sọ Yorùbá” àti báàgì ìfàlọwọ láti ọwọ @SpeakAfricaApps tí ó n se ìgbọwọ ètò yìí, ati kirediti lati owo  Think Oyo (@ThinkOyo). Ètò yìí tún wá pẹlú àjọsepọ àwọn wọnyìí náà: Molara Wood, ònkọwé (@MolaraWood), Alakowe Yorùbá (@AlakoweYoruba), The Yoruba Cultural Insittute (@yorubaculture), àti Kevin “Kayode” Barry (@KayodeOyinbo).

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Dying in Many Tongues

One of the things that worried me a couple of days ago while watching the immigration debate in the US Senate press conference was a seeming consensus that ALL intending immigrants wishing to benefit from the quasi-amnesty/path-to-citizenship MUST learn to speak English before they can qualify. The discomfiture eventually turned to laughter when the senators making the point at the conference then began to speak in Spanish, in turn, to get the message across to their desired audience across the land. My sense of outrage, being sufficiently neutered by that irony, went away, and I went on Facebook to poke fun at my American friends who promptly defended the country’s one-common-language policy. They had a point: for every country/civilization to survive, and for the sense of unity, it must have a common language. (Never mind that people who already live and work in the country probably already speak the language or a version of it, or would do so eventually, to survive, without having to be compelled by law. And that if they don’t, their children would eventually do as it had been for generations, and the generations after them).

Today, however, I came across another second level of outrage, this time coming from American parents who were riled up that their children were reciting the American Pledge of Allegiance in a different language, this time in Arabic! Also important: the pupils, members of a social club, had already spent previous weeks reciting the same pledge in French and Spanish, with no uproar. The problem: the phrase “under God” is impossible to translate into Arabic without the word “Allah” appearing in it. Outrage! Sound the alarms: the children are now batting for the terrorists!

Watch a “discussion” about it below, via Fox News:

I was beside myself with laughter at the end, this time at the Chyron on the screen that read “Pledge of Allegiance to Allah?”

So instead of this post being about the needlessness of outrage, and the benefits of multilingualism, or even the beauty of childhood innocence and experimentation, or – horror of horrors – the importance of an open mind that assimilates instead of dictating, it shall merely be about the pleasures of sampling the varying shades of American outrage.

To end, here’s a VW ad that has now also spawned a lot of American cable tv outrage for the use of Jamaican accent by a white American dude from Minnesota. Judge for yourself.

These are interesting times for lingua fracas.

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From French to English

As a speaker of French as a first language, how has writing in English affected your writing? And how difficult was it to render this book purely in English?

388098_10151137537299085_1297897237_nI find English a much simpler language for writing. French can become quite convoluted. My goal with African Expectations was not to write beautiful or intricate language but to convey ideas in the most direct and forceful manner as possible. I found the English language most suited to this requirement. Overall it was fairly easy to render the book purely in English but certain passages in the book, I have had to translate in my head from French to English. At this point, I mostly think and dream in English but sometimes I am unable to convey certain subtleties of thought directly in English. In those instances, I have had to think in French and translate to English. The translation part of the process has been a challenge because I have had to do research to make sure that what I wrote in English actually had the same meaning as the original thought.

From my interview with Mafoya Dossoumon, the author of African Expectations (a new book of essays, available on Amazon) in the new issue of the NigeriansTalk LitMag.

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Bring Flowery Back!

My best moments from the movie Lincoln (which I have now managed to see after many weeks of pining in Lagos) were the parliamentary sessions where lawmakers debated and offered their opinions on the proposed Thirteenth Amendment.

I have not yet seen the full movie Iron Lady, but the parts I have looked forward to the most (from what I’ve seen in the trailers) are the bombastic debate scenes in the British House of Parliament. It is unquantifiable, the pleasure of the spectacle: lawmakers jousting with their best verbal weapons to the loud cheers and jeers of their audience. No doubt like the Roman Senators that long ago predated them, the congressmen made language beautiful to hear, and its use (for ill or for good) pleasant to behold.

Here is one from the real life British Parliament

The example in the movie Lincoln was a little disconcerting for me to understand since the American Presidential system (as opposed to the British Parliamentary system) has made it such that debate in the House of Representatives – being deliberately representative – is now much more decorous than the movie portrayal. What happened in the intervening years? The loss of the power oratory? Political correctness after the many years of political assassinations? Laziness? What?

Here is another example from the Jamaican Parliament, sent to me by a friend:

Beautiful, isn’t it?

If I had a magic wand, I would turn all world democracies into Parliamentary systems, if only to squeeze out of their lawmakers (and thus representatives of the language and culture) the last juice of their lingual soul almost always laid bare in the moments of fiery legislative debates on the floor of the house. As per the United States, look no further to the present constitution of the Senate and the House of Reps. The last time one of them tried to interrupt the president with a two-word interjection, the whole country went into a collective apoplexy. (See Wilson, Joe).

As far as Nigeria is concerned, the last great hope for such grand language use is the former Rep. Patrick Obahiagbon (See below). Not half as flowery as the British Parliamentarians (but far more entertaining, and consistent than his fellow Reps in the Nigerian House), and sometimes wrong in the usage of the heavy words he had chosen as vessel for his bombastic performances, he carried the flag for as long as he could until he was voted out.

We should bring flowery back.

I thank Lincoln for this (however unintended) incentive.

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