ktravula – a travelogue!

reflections on the world

Browsing ktravula – a travelogue! blog archives for the day Sunday, June 20th, 2010.

Lessons on A Tour of Badagry

My article in the Nigerian newspaper about my tour of Badagry:

“There was a small cannon on the table, another relic from the past. It was used to announce the arrival of a ship from the high seas, and also to announce a curfew in the town. After the sound of the third cannon at night, the curfew began until morning, and any freeborn caught during this time was enslaved. It was the law. “All this town was called the Slave Corridors,” the guide explained. According to a recent article by Henry Gates, most of the slaves from Nigeria were from the Igbo tribe. I could not get a definite answer to my question of just how the slavers got hold of Igbo men and women who lived far off across the Niger and brought them to Badagry and the other slave ports in the country, to be sold off. The most definite response I got was that the slaves were brought from everywhere, and even a resident of the town could be enslaved for walking at the wrong time of the night. To trade, the Europeans rejected the cowrie shells that was currency in Badagry. Instead, they traded by barter. One bottle of whiskey was equal to ten slaves. A big cannon was exchanged for a hundred. On one slave market day in Badagry, up to 300 slaves were sold, we were told. About seventeen thousand were sold per annum.”

Read the rest here. The hard copy of the paper has a very fantastic cover photo of mine. Good job, NEXT.

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Interview With Ivor Hartmann

Have you ever been under pressure to let the politics of Zimbabwe reflect in or condition your creative process in any way?

Yes the current condition of Zimbabwe has influenced my writing. I am living in economic exile away from my home and this has many effects on me personally, which of course influences my writing. But to answer your question, no, I have not felt directly pressured to write about it, and even if I was I would probably buck it, like Marechera said, “If you’re a writer for a specific nation or a specific race, then f*** you”. A writer must be free to write whatever they want to.

Read the rest of the abridged interview: here.

http://234next.com/csp/cms/sites/Next/ArtsandCulture/5582295-147/story.csp
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Father’s Day

With poet Eugene Redmond. April 2010

Yesterday I had one of those long conversations with a friend about the strange nature of parenthood, and my participant observation on fatherhood and its many complexities, and how relationships with fathers inevitably shape our outlook on the world whether we like it or not. How could I have forgotten that today is Father’s Day?

There are many questions I would ask if I could sit my father down for one whole day in a conversation, many of them about his childhood and how his childhood adventures shaped his later preoccupations. I would ask for specific details, facts, and pointers, and I would write them all down because of a time that my child(ren) might want to ask me about their grandfather at a later time. I may not take all his advice on life, writing, broadcasting, women or children, but I would delight in listening to them for an umpteenth time while wondering, “What would I be like when I’m his age?”

This generation exists because of the last one, and the cycle continues. Happy Father’s Day to all fathers out there, including my own, and my adopted fathers, intending fathers, and to my brother, and to my brothers-in-law. You make the world go round. Or do you? ;)

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